Scott Burns is the behind-the-glass architect of the late-80s/early-90s Florida death-metal explosion, the Morrisound guy who made brutal sound huge without sanding off the teeth. From 1987 to 1997 he was everywhere: engineering Death ("Leprosy" 1988) then producing "Spiritual Healing" (1990), forging Obituary's "Slowly We Rot" (1989) and "Cause of Death" (1990), and giving Sepultura its leap on "Beneath the Remains" (1989) and "Arise" (1991). Add Cannibal Corpse, Deicide, Suffocation and Napalm Death, and you've basically got the soundtrack to my misspent youth. He later bailed to computer engineering, popping back in for the odd session - because sanity is optional.
Master - On the Seventh Day God Created... Master: A Death Metal Milestone on Picture Disc Vinyl Album Description:
Released in 1991 on 12" picture disc vinyl, "On the Seventh Day God Created... Master" solidified the band's position as a leading force in the death metal scene. This album marked a significant step in their musical evolution, showcasing a more refined sound while retaining their signature brutality.
Historical Context and Musical Exploration
Following their self-titled debut, Master's second album emerged amidst the thriving global death metal movement of the early 1990s. The genre was experiencing a wave of creativity and experimentation, and "On the Seventh Day..." reflected this with its diverse songwriting and expanded sonic palette. The album showcases the band's continued musical exploration, pushing the boundaries of death metal while incorporating elements of thrash and punk.
Music Genre and Controversies
"On the Seventh Day..." remains firmly rooted in the death metal genre, characterized by its aggressive riffs, guttural vocals, and relentless drumming. However, the album also incorporates elements of thrash metal and punk, showcasing a wider range of influences and a more dynamic sound.
Production Team and Recording Studio
The album was once again produced by Scott Burns, who had established himself as a leading figure in the death metal scene. The recording sessions took place at Morrisound Recording in Tampa, Florida, a studio synonymous with the early death metal sound. The album's production, while maintaining the raw energy of the genre, features a more refined and polished sound compared to its predecessor.
