"Shock Waves" Album Description:
In the world of European heavy metal, few names resonate as distinctly as Killer, the Belgian juggernaut that forged its path through the burgeoning metal scene of the early 1980s. With a sonic assault led by the nimble fingers of lead guitarist Paul "Shorty" Van Camp, Killer emerged as a formidable force, leaving an indelible mark on the landscape of heavy metal. Among their notable creations, the third official album, "Shock Waves," stands as a testament to their prowess and the era that birthed them.
The genesis of Killer can be traced back to the year 1980, a period of musical evolution when heavy metal was evolving into a global phenomenon. Founded in Belgium, the band quickly garnered attention for their dynamic sound and powerful stage presence. At the helm of their sonic journey was lead guitarist Paul Shorty Van Camp, whose virtuosity became a defining feature of Killer's identity.
As Killer honed their craft and gained momentum, they found themselves under the guidance of notable figures in the music industry. Alfie Falkenbach, Leo Felsenstein, and Stonne Holmgren played pivotal roles in managing and advising the band. This trio of visionaries would later leave an enduring legacy by founding Mausoleum, one of the pioneering independent heavy metal labels.
"Shock Waves," the third jewel in Killer's discography, solidified their place in the pantheon of heavy metal excellence. Released as a 12" Vinyl LP Album, the album reverberated with the energy and intensity that defined the era. Each track on "Shock Waves" served as a sonic journey, a testament to Killer's ability to seamlessly blend technical prowess with raw, unbridled emotion.
The album, a sonic manifesto of the band's evolution, showcased Killer's distinctive style. From the thunderous riffs to the soaring solos, "Shock Waves" encapsulated the essence of the band's musical vision. The lyrical content delved into themes that resonated with the zeitgeist of the time, offering a glimpse into the socio-cultural landscape that influenced Killer's creative process.
Beyond the music, Killer's journey is intertwined with the history of Mausoleum Records. The label, founded by their advisors, played a crucial role in shaping the landscape of independent heavy metal. The collaboration between Killer and Mausoleum exemplified the spirit of a movement that sought to break free from conventional norms and carve a niche for itself in the vast realm of music.
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Music Genre:
Heavy Metal
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Album Production information:
The album: "KILLER - Shock Waves" was produced by: Killer and Jos Kloek
Jos Kloek – Producer, Sound EngineerSee Jos "Speed Rat" Kloek in the credits and you know who was steering the session. Read more... Jos Kloek is the Belgian producer/sound engineer who put a hard edge on a whole slice of 80s European heavy metal. I keep seeing his name in the credits: producing Killer (1983-84, "Shock Waves"), Axe Victims, Fisc, Dark Wizard and Warhead (1984), and even signing as Jos "Speed Rat" Kloek on Warhead's "The Day After" (1986). He guided Crossfire through 1984-86 (remix work, then production), and in 1985 took the desk for E.F. Band while mixing Together's "Playing Games" EP. His peak run is 1985-87: producing/engineering TSA and then mixing, producing and engineering Kat's debut "Metal and Hell" (1986) and related releases into 1987. Later credits include Van Camp (1988), FN Guns (1990) and Asphyxia (1991, executive producer).
Sound/Recording Engineer(s): Ward Kuczynski
Ward Cuzsinsky – Record Producer, Sound Engineer
also spelled Ward Kuczynski) is a producer and sound engineer from Belgium. During the 1980s he has produced and engineered the heavy metal albums of several Belgium bands (Acid, Crossfire, Killer, Scavenger, Ostrogoth, etc) and two Metal bands from Norway: Artch and Witchhammer.
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Record Label & Catalognr:
Mausoleum SKULL 8320
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Media Format: 12" LP Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
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Year & Country:
1984 Made in Belgium
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