- Record Company: Metal Enterprises ME531
"Randomised" unfolds as a testament to the German Hard Rock/Heavy Metal prowess of Random. This 12" Vinyl LP Album encapsulates the sonic journey of a band that once shared stages with icons like Running Wild and S.D.I. during the 1991 Tour. While momentarily dormant, the promise of Random's resurgence in 2008 adds anticipation to this collector's item. Each track on this album echoes the vibrancy and power that solidify Random's place in the tapestry of German Hard Rock and Heavy Metal history.
"Randomised" crashes in like a loud, unfiltered snapshot of late-80s German Hard Rock and Heavy Metal—raw edges, caffeinated energy, and that charming sense of chaos only a young band can get away with. Random weren’t chasing perfection; they were chasing a feeling, and somehow bottled it into a record that still hums with restless electricity. It’s the kind of album that feels like a night out gone sideways in all the best ways.
Germany in 1989 was buzzing—a country on the edge of reunification, blasting metal from garages, cellars, and tiny local clubs. The metal underground was thriving, flanked by bigger names like Running Wild, S.D.I., and Rage, leaving plenty of room for misfits like Random to form their own weird little kingdom. This was an era when Hard Rock and Heavy Metal blurred together effortlessly, making room for bands who didn’t quite color inside the lines.
"Randomised" slid into this environment with the swagger of a street-level band that soaked up the late-80s mood: loud guitars, stubborn optimism, and zero interest in following trends. It's the kind of record that could only exist in that moment—when studio limits were few, hair was big, and attitude was even bigger.
Random were a young Wuppertal outfit hustling their way through local gigs and shared stages with bigger names, eventually winding up under the wonderfully eccentric Metal Enterprises label. Their personalities were part of the appeal—half musicianship, half lovable chaos. Stories from the back cover say as much: cigars in the control room, obsession with coffeemachines, missing hair, and someone poking every button in the studio.
"Randomised" was their moment to put all that combustible energy on tape, recorded in DAS Studio during the warm months of 1989. You can practically hear the humidity, the cigarettes, and the caffeinated arguments baked into the master reels.
The sound is classic late-80s German Hard Rock dipped in Heavy Metal attitude—bright guitars, shout-along choruses, riffs that make you grin, and a rhythm section that never stops nudging you forward. Songs like "Randomised" and "Meat Inspector" burst out with that sweaty-rehearsal-room vibe, while "Night by Night" and "Rainbow" lean into melodic hooks without losing the metallic crunch.
The production is raw but sincere, like a band doing their absolute best while occasionally tripping over their own enthusiasm. That’s the charm. It's imperfect in a very human way—something pristine modern metal often forgets.
1989 was stacked with releases—from Savatage’s evolving theatrics to Sodom’s blunt-force aggression and Running Wild’s polished pirate metal antics. "Randomised" doesn’t try to compete on brute force or revolutionary ideas. Instead, it sits comfortably in its niche: a fun, slightly quirky Hard Rock/Metal hybrid with attitude for days and enough charm to make collectors lean in for another listen.
This wasn’t a record that split the nation, but it certainly raised eyebrows. Metal Enterprises had a reputation for unpredictable releases, and Random fit that mold perfectly—too rocking for the metal purists, too metal for the rock traditionalists. Some fans called it a rough gem; others shrugged and turned up something heavier. Yet the album slowly developed a cultish “what even is this but I kind of like it” following.
Part of what makes "Randomised" entertaining is the way the band’s personalities leak into the music. Thomas’s theatrical vocals, Andy’s caffeine-fueled multi-instrumental drive, Kai’s tremolo acrobatics, Folko’s love affair with the mixing console, and Fred’s chain-smoking drum authority all collide into a noisy, lovable mess. You can tell they weren’t aiming for a polished masterpiece—they wanted a record that captured who they were in that moment.
Critics didn’t exactly circle around this release when it dropped, but the fans who found it have kept it alive in tape collections, late-night conversations, and random (pun intended) online rediscoveries. Over time, "Randomised" has become one of those albums collectors show off—half because of its weird charm, half because nobody else has it.
Today, it’s remembered less as a polished studio achievement and more as a moment frozen in vinyl: a small, stubborn German band making a record that still smells of beer, sweat, and misplaced optimism.
Fred Otto, widely known in the German metal underground as the “Nietenpapst” (Stud-Pope), is a multi-faceted creator: drummer, producer, designer and scene personality. His fingerprints appear on the 1989 album “Randomised” by RANDOM and his long-running presence in the scene gives this once-obscure LP an added burst of personality.
The nickname “Nietenpapst” points to his reputation for heavy metal aesthetics—rivets, leather and stage presence—as much as his studio work. He appears on the site of RRVSwebTV listed under that moniker, confirming his ongoing visibility in the scene. In other words: Fred is not just behind the drums—he embodies a style.
On the album “Randomised”, Fred Otto’s involvement was deep. He co-produced the recording, handled tape operation duties, and designed the cover—the triple hat rarely seen in smaller independent metal releases. As the production section of the album credits shows, he shaped pacing, tone and visual identity, making the work feel less like a studio artifact and more like a snapshot of the band’s chaotic life.
According to an entry on BackstagePro, Fred remains the last founding member of Random and is still active as of 2024. His involvement extends beyond music into metal culture journalism and promotion, as shown in his partner listing on RRVSwebTV’s press roster—ocupation: music & art since 1991. His Facebook profile also reinforces the “Nietenpapst” persona (“Der Nietenpapst mit seinem unverkennbaren Signature Move”).
For vinyl collectors of “Randomised”, Fred Otto’s story adds a layer beyond the music: the album isn’t just a release—it’s part of a broader DIY German metal culture led by someone who lived it on record and stage. Because the production team lacks mainstream coverage (no Wikipedia pages for these figures), Fred’s narrative becomes part of the hunt: underground, genuine, and still slightly mysterious.
Hard Rock / Heavy Metal
Metal Enterprises – Cat#: ME 531
Record Format: 12" LP Vinyl Stereo Gramophone Record
Total Weight: 230 gram
1989 – Made in Germany
DAS Studio – Wuppertal, Germany (Recorded May/June/July 1989)
Intro “Rock hard” recorded at DA CAPO Studios, Monheim (1988)
OKTAVE / Schacht Verlag – Edition Rooceter (1989)
Mighty Mouse Agency – 0031/79/165491 Zoetermeer (Netherlands)
Fred Otto – Tiergartenstr. 246, 5600 Wuppertal 1
Tel: 0202 / 741388
Conny Otto – Vonkeln 21a, 5600 Wuppertal 12
Tel: 0202 / 470142
Metal Enterprises
A division of Ingo Nowotny Music Enterprises
Untergasse 4, D-6390 Usingen 1
Phone: 06081 / 14286
Conny Otto was not just a name in the “Fan Club” section of the RANDOM album; she was married to Fred Otto, the producer, designer, and driving force behind many Metal Enterprises releases. In a documented interview, Conny states that they were married for nine years, confirming their personal and working partnership.
This connection gives additional context to the RANDOM album’s production credits. Conny’s presence in the album material wasn’t incidental—she was directly tied to the label’s inner circle and the daily life of the so-called “Nietenpapst” Fred Otto. Her role appears more supportive and administrative, while Fred handled the creative and studio-side chaos.
Together, they formed part of the small but tightly interwoven network behind Metal Enterprises, reinforcing why so much of this label’s history survived through personal archives rather than official documentation. Their partnership helps explain the uniquely personal, DIY atmosphere surrounding releases like “Randomised.”
Disclaimer: Track durations shown are approximate and may vary slightly between different country editions or reissues. Variations can result from alternate masterings, pressing plant differences, or regional production adjustments.
The front cover of RANDOM – Randomised hits you like a neon sucker punch: an unapologetically bright pink sky blazing over a cartoon desert. The band logo — huge, angular, and slashed with red-and-white metal bravado — stretches across the top with the confidence of a band that knew subtlety was for other people. Underneath, the artwork plunges into a surreal construction scene where a stone monument rises awkwardly on timber scaffolds, frozen in a moment of chaotic creation.
Small, stylized human figures bustle around the sand, lugging rocks, climbing ladders, measuring, arguing, or just hanging around looking busy. It feels both ancient and tongue-in-cheek, like someone mashed up Egyptian mural aesthetics with the spirit of a DIY metal outfit trying to build something way too big for the tools they’ve got. Every tiny figure adds to the album’s strangely energetic charm.
The whole cover radiates that trademark Metal Enterprises weirdness: loud colours, chaotic details, and a sense of humour buried beneath the rubble. It’s the kind of artwork that makes collectors stop, grin, and think: “Yeah… only this label would dare to put this on a heavy metal LP.” As with all photos on this site, colour shifts may appear due to lighting, but the glorious pink-and-yellow absurdity remains intact.
The back cover of RANDOM – Randomised hits like a backstage Polaroid wall from a wild 1989 club gig. Four portrait shots stretch across the top: Fred in full leather-and-cigar swagger; Andy looking caffeinated enough to short-circuit a mixing desk; Thomas staring straight into the camera with that classic golden-curled frontman intensity; Kai mid-gesture, pointing straight out of the frame like he’s calling you out; and Folko radiating bass-player mischief. Each image is drenched in the vintage flash-fired aesthetic only Metal Enterprises could immortalize.
Beneath the portraits, the iconic red-white RANDOM logo erupts across a jagged yellow backdrop, splitting the tracklists for Side A and Side B. Every detail is here: full songwriting credits, inside jokes (“Rabbit of the Year”), studio notes from DAS Studio, recording dates, and an avalanche of thank-yous stretching from fellow musicians to the road crew. Even the mighty Metal Enterprises insignia stands tall at the bottom, complete with the Usingen address and Bellaphon distribution logos.
This back cover is pure ME energy: chaotic, colorful, proudly unpolished, and absolutely loaded with personality. It captures exactly what this band was — loud, funny, unpredictable, and deeply alive in the late-80s German hard rock underground. A perfect relic for collectors who love their vinyl with a side of glorious madness.
This close-up of the Randomised Side One label captures the raw, unmistakable vibe of a late-80s Metal Enterprises pressing. The label sits in stark black with sharply contrasting silver ink, radiating that gritty, underground charm the label became infamous for. At the top, the classic Metal Enterprises emblem — stars circling the edge and the iconic scale-and-axe graphic — sets the tone before the music even hits the needle.
Centered proudly is the band name RANDOM, printed with pure, no-nonsense punch. Just below, the Side A tracklist is arranged with almost military precision: “Randomised,” “Follow The Signs,” “Meat Inspector,” “Night By Night,” and “Keep Standing,” each paired with its original running time. To the left sits the catalog number ME 531 alongside the LC 8335 rights code; to the right, the technical markings — Stereo, 33 UPM, GEMA, SIDE A — form the functional backbone of any German vinyl release.
The bottom edge features the Bellaphon Vertrieb mark, confirming distribution through one of Germany’s long-standing music channels. Around the label, the vinyl’s surface glints with soft reflections, the grooves forming faint concentric rings like the fingerprint of the album itself. A detail-rich, tactile snapshot of a true hard rock collector’s artifact.