Album Production Information:
The album: "IRON MAIDEN - 2 Minutes 2 Midnight" was produced by:
Martin "Jah" Birch
Martin Birch – Producer, Sound EngineerTreat Martin Birch like the invisible band member: you don’t see him on the sleeve, but you sure hear him in the punch, the bite, and that “turn it up” clarity. His run is legendary—starting as an engineer in the late 1960s, sharpening the sound with Deep Purple in the early 1970s, helping Rainbow hit that dramatic hard-rock stride in the mid-to-late 1970s, powering the Dio-era Black Sabbath in 1980–1981, then basically going exclusive with Iron Maiden from 1981 to 1992 before he bowed out. Read more... Martin Birch, to my ears, is the guy who made heavy records feel both massive and surgical—tight low end, bright attack, and a midrange that cuts like fresh steel without turning into ear-pain. He built long relationships instead of quick drive-bys: Deep Purple, Rainbow, Whitesnake, Black Sabbath, and then that famous Iron Maiden stretch from "Killers" (1981) through "Fear of the Dark" (1992), after which he retired. That’s not just a resume, that’s a whole era with his fingerprints on it.
Sound/Recording Engineer(s):
Frankie Gibson, Bruce Dickinson
Frankie Gibson one of the sound engineer's of the "Iron Maiden" albums "Piece of Mind" and "Powerslave".
Bruce Dickinson was responsible for the engineering of the track "Mission from 'Arry'"
Bruce Dickinson – Vocals
Bruce Dickinson, born August 1958, is the powerhouse vocalist who propelled Iron Maiden to legendary status. Joining the band in 1981, his operatic range, sharp phrasing, and commanding stage presence reshaped the group’s sound and ambition, defining era-classic albums like The Number of the Beast and Powerslave. Beyond Maiden, he built a parallel career as a solo artist, commercial pilot, author, and broadcaster, giving his legacy a reach that stretches well beyond heavy metal.
George Marion - Mastering Engineer
George Marino – Mastering EngineerWhen my site brain goes full 1980s metal mode, his name keeps showing up like a hidden signature in the dead wax. Read more... George Marino is one of those behind-the-glass legends who made heavy music feel larger than the room it was playing in. Before the mastering console became his throne, he was a Bronx guitarist doing the NYC band grind in the 1960s with groups like The Chancellors and The New Sounds Ltd. Then he went pro for real: starting at Capitol Studios in New York (1967), and eventually becoming a long-running force at Sterling Sound (from 1973 onward). For a collector like me—living in that sweet spot where 1980s heavy metal, hard rock, and a dash of prog-minded ambition collide—Marino’s credits read like a stack of essential sleeves: Holy Diver (Dio), Tooth and Nail (Dokken), Stay Hard (Raven), Master of Puppets (Metallica), Somewhere in Time (Iron Maiden), Among the Living (Anthrax), Appetite for Destruction (Guns N’ Roses), Slippery When Wet (Bon Jovi), and Blow Up Your Video (AC/DC). That’s the kind of resume that doesn’t just “master” records—it weaponizes them, but with taste. George Marino Wiki
Album cover Photo: Ross Halfin
Ross Halfin – Photographer
Ross Halfin is one of the defining eyes of heavy metal, capturing the genre’s raw power on film since the late 1970s. His photographs of Iron Maiden, Metallica, and Led Zeppelin freeze live intensity, sweat, and backstage reality into instantly recognizable images. More than documentation, his work helped shape how metal looks and feels, turning fleeting moments into permanent pieces of rock history.
Album cover Illustration: Derek Riggs
Derek Riggs – Illustrator, Cover Artist
Derek Riggs is the artist who gave Iron Maiden its visual soul by creating Eddie, one of the most recognizable mascots in heavy metal history. Since the band’s 1980 debut, his artwork fused sci-fi, horror, and dark fantasy into covers that were as confrontational and imaginative as the music itself. Riggs’ paintings didn’t just decorate records, they built a world that became inseparable from Maiden’s identity.
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