In the heart of the neon-lit 1986, amidst a world captivated by technological marvels and dystopian visions, Iron Maiden embarked on a sonic odyssey that would forever alter the landscape of heavy metal. Their sixth studio album, "Somewhere in Time," wasn't merely a collection of songs; it was a conceptual masterpiece that blended the raw power of their signature sound with a futuristic aesthetic and introspective lyricism.
Historical Context and Musical Exploration
The mid-1980s marked a transformative era for Iron Maiden. Fresh off the heels of their monumental "Powerslave" album and the ensuing "Live After Death" tour, the band sought to push their creative boundaries and explore uncharted territories. "Somewhere in Time" became the vessel for this exploration, a sonic time machine that transported listeners to a world where science fiction met hard rock.
One of the most notable aspects of the album was the band's foray into the realm of guitar synthesizers. This innovative approach added a new dimension to their sound, creating a sonic landscape that was both familiar and otherworldly. The synthesizers weren't simply an afterthought; they were seamlessly integrated into the music, enhancing the overall atmosphere and adding a layer of complexity that had never been heard before in Iron Maiden's repertoire.
Genre-Bending Fusion and Controversies
While "Somewhere in Time" retained the band's signature heavy metal elements, it also incorporated elements of progressive rock and even hints of electronic music. This genre-bending fusion was a bold move that sparked some controversy among purists who preferred the band's earlier, more straightforward approach. However, it was precisely this willingness to experiment that propelled Iron Maiden forward and solidified their status as innovators in the metal scene.
The album's lyrical content also delved into deeper themes than ever before. Songs like "Wasted Years" and "Stranger in a Strange Land" explored feelings of isolation, longing, and the passage of time. These introspective lyrics resonated with fans on a personal level, adding another layer of depth to the album's already rich tapestry.
Production Team and Recording Studio
The production of "Somewhere in Time" was a collaborative effort that involved some of the most talented individuals in the music industry. Martin Birch, who had produced several of Iron Maiden's previous albums, once again took the helm, bringing his expertise and experience to the project. The recording process took place at Compass Point Studios in Nassau, Bahamas, and Wisseloord Studios in Hilversum, Netherlands. These state-of-the-art facilities provided the band with the tools they needed to bring their sonic vision to life.
French Release: A Collector's Gem
The French release of "Somewhere in Time" holds a special place in the hearts of collectors and fans. The SACEM (Société des Auteurs, Compositeurs et Éditeurs de Musique) marking on the vinyl indicates that the album was manufactured in France and adheres to French copyright laws. The DMM (Direct Metal Mastering) engraving technique used in the production process ensures superior sound quality, making this particular release a sought-after item among audiophiles.
Music Genre: NWOBHM Heavy Metal |
Album Production Information: Produced, Engineered and Mixed by Martin 'Mesa' Birch. Treat Martin Birch like the invisible band member: you don’t see him on the sleeve, but you sure hear him in the punch, the bite, and that “turn it up” clarity. His run is legendary—starting as an engineer in the late 1960s, sharpening the sound with Deep Purple in the early 1970s, helping Rainbow hit that dramatic hard-rock stride in the mid-to-late 1970s, powering the Dio-era Black Sabbath in 1980–1981, then basically going exclusive with Iron Maiden from 1981 to 1992 before he bowed out. Read more... Martin Birch, to my ears, is the guy who made heavy records feel both massive and surgical—tight low end, bright attack, and a midrange that cuts like fresh steel without turning into ear-pain. He built long relationships instead of quick drive-bys: Deep Purple, Rainbow, Whitesnake, Black Sabbath, and then that famous Iron Maiden stretch from "Killers" (1981) through "Fear of the Dark" (1992), after which he retired. That’s not just a resume, that’s a whole era with his fingerprints on it.
Boss, Boss Synth and Drum trucks recorded at Compass Point Studios, Nassau, Bahamas.
Assistant Engineer Sean Burrows, Guitars, Vocals and Guitar Synth recorded of Wisseloord Studios, Hilversum, Holland. Assistant Engineers: Albert Boekholt, Ronald Prent. Tape Op and Tea: Marvin Birch. Mixed at Electric Ladyland Studios, New York. 2nd Engineer Bruce Buchhalter. Mastered by George Marino at Sterling Sound, New York City, New York. When my site brain goes full 1980s metal mode, his name keeps showing up like a hidden signature in the dead wax. Read more... George Marino is one of those behind-the-glass legends who made heavy music feel larger than the room it was playing in. Before the mastering console became his throne, he was a Bronx guitarist doing the NYC band grind in the 1960s with groups like The Chancellors and The New Sounds Ltd. Then he went pro for real: starting at Capitol Studios in New York (1967), and eventually becoming a long-running force at Sterling Sound (from 1973 onward). For a collector like me—living in that sweet spot where 1980s heavy metal, hard rock, and a dash of prog-minded ambition collide—Marino’s credits read like a stack of essential sleeves: Holy Diver (Dio), Tooth and Nail (Dokken), Stay Hard (Raven), Master of Puppets (Metallica), Somewhere in Time (Iron Maiden), Among the Living (Anthrax), Appetite for Destruction (Guns N’ Roses), Slippery When Wet (Bon Jovi), and Blow Up Your Video (AC/DC). That’s the kind of resume that doesn’t just “master” records—it weaponizes them, but with taste. George Marino Wiki All titles published by Zomba Music Pub Ltd. Sleeve Concept and Design: Derek Riggs and Rod Smallwood Sleeve Illustrations: Derek 'Master Of The Universe' Riggs. Inner Sleeve Photograph: Aaron Rapoport Sleeve Preparation: The Artful Dodgers.
The Artful Dodgers were a Hertfordshire-based graphic design company, fronted by Keith Peacock,
Neil Smith, and Michael Faulkner. Known for their sharp, distinctive visual style in the 1980s,
they collaborated with major rock and metal acts, creating memorable sleeve layouts and packaging
that complemented the dramatic artwork of illustrators like Derek Riggs for Iron Maiden.
Iron Maiden is managed by Rod 'Rufus the Red' Smallwood for Sanctuary Music (Overseas) Ltd, and Andy 'Rzzle Dozzle' Taylor for Sanctuary Music Ltd |
Record Label & Catalognr: EMI 2405971 |
Album Packaging: This album includes the original light cardboard custom inner sleeve with album details, complete lyrics of all songs by "IRON MAIDEN and a band photo. |
Media Format: 12" LP DMM Direct Metal Mastering |
Year & Country: 1986 Made in France |
Band Members and Musicians on: IRON MAIDEN . Somewhere in Time |
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Complete Track Listing of: IRON MAIDEN . Somewhere in Time |
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Record Label Details: EMI 2405971 , SACEM, SDRM, DMM Direct Metal Mastering