SOUNDS MACHINE - EP3 PROMO STEVE EARLE / MCCARTHY / A HOUSE / HOTHOUSE FLOWERS EP 7" 33RPM PS SINGLE VINYL

- Four bands, one promo: the late-80s taste test that still bites back, hard.

Album Front cover Photo of SOUNDS MACHINE - EP3 PROMO STEVE EARLE / MCCARTHY / A HOUSE / HOTHOUSE FLOWERS EP 7" 33RPM PS SINGLE VINYL https://vinyl-records.nl/

Bold, industrial cover on deep black: giant red “EP3” across the top, a thin yellow stripe, and a shadowy blue gear arc like a factory cog. Bottom-left screams “THE SOUNDS MACHINE” in yellow; right side lists the four acts in red beside a yellow bar.

Sounds Machine EP3 Promo is one of those small 7" talismans that mattered because it froze a magazine-era moment: late ’80s gatekeepers, mixtapes, and record-shop debates that lasted longer than the coffee. It didn’t conquer charts—this is a promo, not “Thriller”—but it pins the era’s jittery spread of tastes in four cuts: Steve Earle’s “San Antonio Girl” rolling in like road dust, McCarthy’s “Should the Bible Be Banned?” needling the room on purpose, A House’s “Watch Out You’re Dead” snapping with jangly urgency, and Hothouse Flowers’ “Saved” (live) lifting the roof the way only a crowd can. Rob Marron’s sleeve keeps it punchy. Play it once and you’ll smirk; play it twice and you’ll admit it still works.

The Sounds Machine EP3 Promo: A Unique Snapshot of Late 80s Music Scene
Album Description:

Released around the ’87/’88 seam, “The Sounds Machine EP3 Promo” is a four-track 7" that moves at 33⅓ like it’s got somewhere to be. Not an “overview” of the late ’80s—let’s not get theatrical—but a clipped little snapshot of what Sounds thought you should hear while your tea went cold and your cassette deck ate another tape.

Featured Artists

Steve Earle: “San Antonio Girl” turns up with that road-dust voice—half charm, half warning—like he’s singing from the passenger seat and refusing to give you directions.

McCarthy: “Should The Bible Be Banned?” (7" version) doesn’t “comment” on politics; it pokes the bruise and watches who flinches. Sharp, sly, and not especially interested in your comfort.

A House: “Watch Out You’re Dead” comes in wired and melodic, the kind of jangly urgency that sounds better the second time, when you stop trying to be cool about it.

Hothouse Flowers: “Saved” (live in Glasgow) is the human one—air moving in a room, voices bouncing off walls, and that Irish-soul lift that can turn a dull kitchen into a temporary cathedral.

Musical Mix

The sequencing is the joke and the point: Americana grit, lefty indie needlework, Irish guitar pop snap, then a live cut to remind you this stuff wasn’t built for headphones alone. It’s a promo, sure—still feels more like a dare than an advertisement.

Collector Reality

EP3 is the kind of item you find when you’re not looking for it—wedged in a bargain box, sleeve a bit tired, record oddly clean. The payoff isn’t “value.” It’s that moment of recognition: somebody, somewhere, thought these four tracks belonged together. They were right… annoyingly often.

References

Album Description & Collectors information:

Music Genre: Americana, Jazz-Rock 
Sleeve Design: Rob Marron
Record Label: MACH 3
Media format: 7" Vinyl Stereo Gramophone Record 
Year of Release: 1987
Complete Track-listing of the album "SOUNDS MACHINE - Steve Earle / McCarthy / A House / Hothouse Flowers EP"

The detailed tracklist of this record "SOUNDS MACHINE - Steve Earle / McCarthy / A House / Hothouse Flowers EP" is:

    Side A:
  1. STEVE EARLE - San Antonio Girl,
    Recorded at Park West, Chicago. Recorded by
    Timothy Powell assisted by Mark Harder of Metro Mobile Location, Recording Glenview Illinois. Produced by Tony Brown, Emory Gordy, & Richard Bennett
  2. McCARTHY - Should the Bible be Banned?
    Published by Complete Music
    Side B:
  1. A HOUSE - Watch You Are Dead
    Produced by Steve Power, & Steve Lovell for Zomba Productions. Recorded at Battery Studios, London. Published by Chrysalis Music
  2. Battery Studios (London) – Recording studio

    Northwest London’s quiet hit-factory: born as Morgan Studio 3 & 4, rebranded by Zomba in 1980, and suddenly everybody wanted in.

    Battery Studios (London), Battery Studios — a Willesden Green workhorse that learned new tricks fast. Built as Morgan Studio 3 & 4 in the early ’70s, it got re-badged in 1980 when Zomba bought it and started feeding it Jive/Zomba projects, then the rest of London followed. Inside, the vibe was part office, part laboratory: in-house guns like Mutt Lange and Martin Birch drifting through, bookings ringing off the hook. Remember the tech flex: Fairlight CMI, SSL desks, and that 32-track Mitsubishi when most rooms still smelled like spooled oxide. Listen to the timeline: Iron Maiden (Nov 1980–82), Def Leppard (1981–82), The Cars (1984), Billy Ocean (1984–88), The Stone Roses (Jun 1988–Feb 1989), and even Bryan Adams with Lange (1991).

  3. HOTHOUSE FLOWERS - SAVED
    Recorded by Radio Clyde Mobile 2 at Glasgow University, Queen Margaret Union on 20 May 1988. Engineered by Alistair Owen, Published by Warner Brothers Msuic