THE DEMONS - Self-titled rock from new york city 12" Vinyl LP Album

- Raw power-pop fury from 1977 that crashes guitars into grit and attitude, a vinyl time capsule of New York fire

"The Demons," New York City's rock revelation, unveils their eponymous debut on a 12" vinyl LP. This sonic journey captures the city's heartbeat, blending blues, rock, and jazz influences into a rich tapestry of sound. With soulful vocals, gritty guitar riffs, and a commitment to quality production, each track becomes a vibrant snapshot of the diverse musical landscape of the city that never sleeps. The Demons' self-titled album is a testament to their unique musical identity and New York's enduring spirit.

"The Demons" Album Description:

In the bustling heart of New York City's music scene, a distinctive sound emerged from the underground, encapsulated in the self-titled debut album of "The Demons." This 12" vinyl LP stands as a testament to the band's unique musical identity, echoing through the city's iconic streets.

"The Demons," with roots deeply embedded in the diverse cultural tapestry of New York, present a musical journey that transcends boundaries. The album, released on vinyl, not only pays homage to the classic era of rock but also boldly forges ahead with a contemporary twist.

The LP opens with a sonic embrace, welcoming listeners into the world of The Demons. Each track, meticulously crafted, carries the essence of the city that never sleeps. The rhythm and blues-infused melodies resonate with the energy of urban life, reflecting the eclectic influences that permeate the streets of New York.

As the needle delicately traces the grooves of the vinyl, the listener is taken on a dynamic exploration of sound. From the soulful vocals to the gritty guitar riffs, every element contributes to the mosaic of "The Demons" musical identity.

The vinyl format, a deliberate choice by the band, adds a tactile and authentic element to the listening experience. It harks back to an era where music was not just heard but felt, and the act of placing the needle on the record became a ritualistic connection to the artist's vision.

The production quality of the album is a testament to The Demons' commitment to their craft. The sound engineering captures the nuances of each instrument, allowing the listener to immerse themselves fully in the sonic landscape created by the band. The LP serves as a canvas where the vivid colors of New York's musical heritage blend seamlessly with the modern strokes of The Demons.

In a city known for its diversity, "The Demons" embrace a kaleidoscope of genres. The album doesn't conform to a singular style; instead, it weaves through rock, blues, and hints of jazz, reflecting the melting pot of influences that define New York's musical ethos.

"The Demons" have managed to distill the essence of their New York experience into a musical masterpiece. The self-titled LP is not just an album; it's a sonic journey through the soul of the city. As the final notes echo, one can't help but feel the heartbeat of New York pulsating through the vinyl grooves—a testament to the enduring spirit of The Demons and the city that inspired them.

Essential Information:

Music Genre:

Rock, Power-Pop

Label & Catalognr:

Mercury SRM 1-1164

Media Format:

Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram

Year & Country:

1977 – Made in USA

THE DEMONS - Self-titled Production & Recording Information

Producers:

Craig Leon – Producer

Sound & Recording Engineers:

Rob Freeman – Sound Engineer, Sound Mix Engineer

Don Hunerberg – Sound Engineer

Fred Wilks – Assistant Sound Engineer

Greg Calbi – Mastering Engineer

Recording Location:

Recorded at Plaza Sound, New York City

Mastered at Sterling Sound by Greg Calbi

Album Cover Design & Artwork:

Jim Schubert – Art Direction

Photography:

Chris Callis – Photography

Band Members / Musicians:

Band Line-up:
  • Eliot Kidd – Lead Vocals, Acoustic Guitar, Percussion
  • Martin Butler – Lead Guitar, Acoustic Guitar
  • Robbie Twyford – Bass Guitar
  • Mike Rappoport – Drums, Percussion

Complete Track-listing:

Tracklisting Side One:
  1. It'll Be Alright – 2:53
  2. Gimme Love – 3:32
  3. She's So Tuf – 3:10
  4. Ten Past One – 4:05
  5. She's A Rebel – 2:06
Tracklisting Side Two:
  1. I Fought The Law – 2:24
  2. Bad Dreamin' – 3:22
  3. Tell Him That Too – 2:23
  4. What A Shame – 2:50
  5. I Hate You – 2:33
Video: The demons - I Fought the Law
Album Front Cover Photo
Black-and-white front cover photo of the 1977 Mercury Records release THE DEMONS - Self-titled. Five young male band members pose against a plain white background with a subtle border. One member with dark hair and a leather jacket stands tall at the back. In front, a member with shaggy dark hair rests his chin on his hand wearing a light blazer, beside another with mid-length hair in a knitted sweater. At the lower level, one member with platinum blonde hair and a textured shirt sits with a distant gaze, while another with dark wavy hair sits on the floor, leaning casually with a scarf and vest. The stylized red script logo 'The Demons' appears at the top right, while the Mercury logo and catalog number SRM-1-1164 are printed at the top left. The composition conveys youthful defiance, urban energy, and the stylish rawness of late 1970s New York rock.

This album cover presents a black-and-white portrait of the five members of The Demons, posed with deliberate contrasts of posture and mood. The plain white backdrop emphasizes their presence, framed by a thin dark border that adds definition.

In the rear stands a tall figure in a dark leather jacket, projecting quiet confidence. At the center, another member with loose, shaggy hair rests his chin on his hand, dressed in a light blazer and gazing directly forward. To his side sits a bandmate in a knitted sweater, exuding a casual, almost contemplative look.

On the left, a pale-haired member with platinum-blonde locks sits with an aloof expression, dressed in layered dark and textured clothing. At the bottom, another musician reclines against the group, draped in a vest and scarf, his pose relaxed yet strikingly stylish.

Above them in bold red script is the band’s name, The Demons, sweeping across the top right corner. On the top left, the Mercury Records logo and catalog number SRM-1-1164 mark its official release. Together, these elements evoke the raw youthful attitude and distinctive urban energy of late-1970s New York rock.

Album Back Cover Photo
Back cover photo of the 1977 Mercury Records release THE DEMONS - Self-titled. The design is clean and structured, featuring the red scripted band logo at the top. On the left, the complete track listing is shown, divided into Side A and Side B with song titles, durations, and publishing credits. Beneath the track list is a block of production credits, highlighting producer Craig Leon, engineers Rob Freeman, Don Hunerberg, Fred Wilks, and mastering by Greg Calbi. The credits also include artwork by Jim Schubert and photography by Chris Callis. To the right, five rectangular black-and-white portraits of the band members are arranged in a grid: Mike Rappoport (Drums, Percussion), Martin Butler (Lead Guitar, Acoustic Guitar), Eliot Kidd (Lead Vocals, Acoustic Guitar, Percussion), Robbie Twyford (Bass Guitar, Background Vocals), and Bob Jones (Electric Guitar, Background Vocals). Each portrait is captioned with the member’s name and role. The minimalist black-and-white layout emphasizes professionalism and identity, balancing text and imagery with clarity.

This back cover design combines structured typography and portraiture to give both context and personality. At the top, the red scripted The Demons logo provides continuity with the front cover.

On the left, the track listing is neatly presented, divided into Side A and Side B, each song paired with its composer or publisher. Below, detailed production credits highlight the team behind the album, including producer Craig Leon, sound engineers, mastering work by Greg Calbi, and creative contributions by Jim Schubert and Chris Callis.

The right side features five stark black-and-white headshots of the band members, each framed with their names and instrumental roles: Mike Rappoport, Martin Butler, Eliot Kidd, Robbie Twyford, and Bob Jones. This arrangement showcases each member as an individual while uniting them in a cohesive grid.

The overall layout is clean and efficient, reflecting the professionalism and energy of a late-1970s New York rock release, while still placing emphasis on the identity of the musicians.

Close up of record label
Close-up of the Mercury Records label for The Demons - Self-titled (1977). The circular label features a full-color illustration of a city skyline with tall skyscrapers, drawn at an upward angle against a pale sky, with lush greenery at the bottom. The Mercury logo sits prominently at the top. The album title The Demons is printed in bold black lettering at the center, followed by production credit to Craig Leon and Craig Leon Enterprises. Catalog number SRM-1-1164 A and Stereo designation appear on the right side, while track listing for Side A is printed in block type on the lower half: It'll Be Alright, Gimme Love, She's So Tuf, Ten Past One, and She's A Rebel. Additional credits state that all songs were arranged by Eliot Kidd, with She's A Rebel arranged by Eliot Kidd and Craig Leon. The bottom text notes © 1977 Phonogram, Inc. The spindle hole pierces the middle of the design, balancing the typography and skyline illustration.

This close-up reveals the Mercury Records center label of The Demons’ self-titled album, pressed in 1977. The artwork is a stylized city skyline illustration, with skyscrapers drawn at an upward perspective, framed by a light sky and patches of green foliage.

At the top sits the bold Mercury logo, beneath which the album title "The Demons" appears, alongside production credit to Craig Leon and Craig Leon Enterprises. The right side specifies Stereo and catalog number SRM-1-1164 A.

The lower section lists the five tracks of Side A: "It’ll Be Alright," "Gimme Love," "She’s So Tuf," "Ten Past One," and "She’s A Rebel," each accompanied by its running time. Additional credits confirm Eliot Kidd arranged all tracks, with special mention of Craig Leon on "She’s A Rebel."

Encircling the rim is the legal imprint: © 1977 Phonogram, Inc., with distribution details. The design balances bold black text with detailed artwork, creating a striking and functional presentation typical of 1970s Mercury vinyl releases.