FRANK ZAPPA – CHUNGA'S REVENGE 12" Vinyl LP Album

- German Release with Gatefold Album Cover

Album Front Cover Photo of FRANK ZAPPA – Chunga's Revenge Visit: https://vinyl-records.nl/

"Chunga's Revenge" is the album by Frank Zappa, released on October 23, 1970. Zappa's first effort of the 1970s marks the first appearance of former Turtles members Flo & Eddie on a Zappa record, and signals the dawn of a controversial epoch in Zappa's history (this era is both hated and loved by Zappa fans in equal measure). Chunga's Revenge represents a shift from both the satirical political commentary of his 1960s work with The Mothers of Invention, and the jazz fusion of Hot Rats.

Table of Contents

Album Description:

"Chunga's Revenge" arrived in 1970 as Frank Zappa’s first official solo studio album after disbanding the original Mothers of Invention. It set the tone immediately: a restless, genre-bending project built in the spirit of experimentation rather than polish. This record lands right in the cultural turbulence of the early seventies, shaped by global unrest and a rapidly mutating rock landscape.

Zappa built a new lineup around himself, including Flo & Eddie—fresh from their pop success with The Turtles. Their presence pushed the album into more theatrical, chaotic territory. Instead of a unified sound, the record turns into a collage of rock, jazz, blues, proto-metal riffing, and Zappa’s unmistakable avant-garde humor.

Tracks like "Transylvania Boogie" lean into heavy instrumental work, while "Road Ladies" dips into sleazy blues and "The Clap" injects Zappa’s trademark spoken-word absurdity. The result is intentionally raw and unpredictable—music aimed at adventurous listeners rather than mainstream radio.

Recording sessions stretched across several studios, including The Record Plant (Hollywood), Trident Studios (London), T.T.G. Inc. (Hollywood), and Whitney Studios (Glendale). A standout moment, "Twenty Small Cigars", was captured live at the Tyrone Guthrie Theater in Minneapolis, adding another layer of immediacy to the album’s patchwork design.

The album stirred controversy over suggestive lyrics and its original artwork, though these reactions only amplified its cult status. In Germany, the gatefold edition became especially recognized; its release resonated strongly with Europe’s experimental rock scene, drawing parallels—sometimes loosely—with the broader Krautrock movement of the era.

Historical Context: The album landed during a period marked by anti-war demonstrations, counterculture shifts, and artistic rebellion. Its chaotic, genre-mixing nature mirrors the fractured mood of 1970 and the spirit of challenging traditional structures.

Musical Exploration: Zappa used "Chunga's Revenge" as a laboratory for ideas that defied boundaries. The record jumps between styles with deliberate unpredictability, embracing improvisation, satire, and stylistic clashes as part of its creative identity.

Album Key Details: Genre, Label, Format & Release Info

Music Genre:

Rock, Jazz, Comedy Rock

A blend of experimental rock, blues-influenced structures, jazz improvisation and Zappa’s trademark comedic/absurdist writing. This album shifts rapidly between seriousness and satire, weaving tight musicianship with theatrical vocal parts.

Label & Catalognr:

REPRISE Records – Cat#: REP 44020

Album Packaging

Gatefold/FOC (Fold Open Cover) Album Cover Design with artwork / photos on the inside cover pages

No custom inner sleeve included.

Media Format:

Record Format: 12" LP Vinyl Stereo
Total Weight: 280g

Year & Country:

1970 – Germany

Production & Recording Information:

Producers:
  • Frank Zappa – Producer Frank Zappa was one of the most inventive and relentlessly independent figures in 20th-century music. Beyond fronting the Mothers of Invention, he built a career blending rock, modern classical, jazz fusion, musique concrète, satire, and political commentary. His production work was defined by precision, experimentation, and absolute creative control — shaping albums that pushed boundaries rather than chased trends.
    Frank Zappa Wiki
Recording Location:

Multiple studios used: The Record Plant (Hollywood), Trident Studios (London), T.T.G. Inc. (Hollywood), Whitney Studios (Glendale). Live track “Twenty Small Cigars” recorded at Tyrone Guthrie Theater, Minneapolis.

Album Cover Design & Artwork:
  • Cal Schenkel – Album Cover Design Cal Schenkel is the visual architect behind many of Zappa’s most iconic albums. Known for his surreal, collage-heavy style and unpolished, outsider-art aesthetic, he helped define the visual identity of Zappa’s entire 1960s–1970s catalogue. Schenkel’s work fused absurdism, satire, and DIY design principles — becoming a cornerstone of the Bizarre/Straight label look.
    Cal Schenkel Wiki
Photography:
  • Phil Franks – Photography Phil Franks is a British rock photographer whose work throughout the late 1960s and early 1970s captured artists in raw, candid, and atmospheric moments. Known for documenting the UK underground scene, he photographed legendary acts including Frank Zappa, The Doors, and Captain Beefheart — contributing visually distinctive images that helped define the era’s counterculture aesthetic.
  • John Williams – Photography John Williams was an active rock and editorial photographer during the late 1960s and 1970s, contributing concert images, studio portraits, and album-session photography for a range of artists. His work often emphasized natural lighting and unposed compositions, resulting in documentary-style photographs that captured musicians in authentic, behind-the-scenes moments.

Band Members / Musicians:

Band Line-up:
  • Frank Zappa – guitar, harpsichord, percussions, drums, vocals, Condor Frank Zappa steers this whole circus with his usual mix of razor-sharp precision and chaotic brilliance. On this album he jumps between instruments as if they’re props in a laboratory experiment, shaping the sound with equal parts composer discipline and cartoon-logic humor. Every track carries some fingerprint of his restless imagination.
    Frank Zappa Wiki
  • Howard Kaylan – vocals Howard Kaylan brings a theatrical, larger-than-life vocal presence, the kind that can flip from smooth harmony to manic character voice in a heartbeat. His singing adds human color to Zappa’s instrumental labyrinths, grounding the chaos with personality, warmth, and just the right amount of comedic edge.
    Howard Kaylan Wiki
  • Mark Volman – vocals Mark Volman’s vocals add that unmistakable blend of power and playfulness, slipping easily between tight harmonies and tongue-in-cheek character parts. His voice brings texture and attitude, the kind of expressive lift that makes Zappa’s arrangements feel more like scenes in a strange musical film than traditional rock tracks.
    Mark Volman Wiki
  • Ian Underwood – organ, guitar, piano, rhythm guitar, electric piano, alto saxophone, tenor saxophone, pipe organ Ian Underwood (Full-name: Ian Robertson Underwood) was born in 1939 and an American multi-instrumentalist, arranger, and composer who is best known for his work with the Mothers of Invention. Underwood played various instruments, including keyboards, saxophone, and flute, on many of Zappa's recordings, and was also a contributing composer.
    Ian Underwood Wiki
  • George Duke – organ, trombone, electric piano, sound effects, vocals George Duke brings a bright, elastic musicality that bends genres without ever breaking them. His keyboards glide from soulful lines to cosmic textures, threading melody and mischief throughout the arrangements.
    George Duke Wiki
  • Jeff Simmons – bass, vocals Jeff Simmons brings a sturdy, grounded bass feel that balances Zappa’s twisty arrangements.
    Jeff Simmons Wiki
  • Max Bennett – Bass guitar Max Bennett was a powerhouse session bassist whose smooth, precise tone carried him through eras of jazz, pop, and fusion.
    Max Bennett Wiki
  • Aynsley Dunbar – drums, tambourine Aynsley Dunbar drives the rhythm with that unmistakable mix of rock force and jazzy agility.
    Aynsley Dunbar Wiki
  • John Guerin – drums John Guerin (Full-name; John Payne Guerin) was a prolific American drummer known for work across jazz, pop, and rock. A member of the Wrecking Crew.
    John Guerin Wiki
  • Don "Sugarcane" Harris – electric violin Don “Sugarcane” Harris injects electricity straight into the violin — fiery, bending notes that cut through Zappa’s dense arrangements.
    Sugarcane Harris Wiki

Complete Track-listing:

Tracklisting Side One:
  1. Transylvania Boogie (5:01)
  2. Road Ladies (4:11)
  3. Twenty Small Cigars (2:17)
  4. The Nancy & Mary Music (9:30)
Tracklisting Side Two:
  1. Tell Me You Love Me (2:43)
  2. Would You Go All the Way? (2:30)
  3. Chunga's Revenge (6:16)
  4. The Clap (1:24)
  5. Rudy Wants to Buy Yez a Drink (2:45)
  6. Sharleena (4:07)

Disclaimer: Track durations may vary slightly between pressings due to mastering or plant differences.

Album Front Cover Photo
Bright magenta album cover for the 1970 LP titled “Chunga’s Revenge,” with the artist name “Frank Zappa” printed in large, hand-drawn green lettering across the top. The center features a high-contrast black-and-white photograph of a long-haired man captured mid-shout, his mouth wide open and hair tangled around his face, creating a raw, explosive visual focal point. The portrait sits inside a sharp rectangular frame that contrasts strongly with the vivid background. Beneath the photo lies a thin block of small printed text describing a surreal, fictional scene, adding to the album’s eccentric tone. The bottom section displays the title “Chunga’s Revenge” in distressed purple lettering with blue accents, completing the bold and unconventional design typical of early-1970s counterculture vinyl artwork.

This German gatefold front cover bursts with intensity: a vivid magenta backdrop supports the album title “Chunga’s Revenge” and the artist name “Frank Zappa,” both rendered in hand-drawn, irregular lettering that feels playful, chaotic, and unmistakably rooted in the era’s underground graphic culture. Dominating the layout is a stark black-and-white portrait of a long-haired man caught mid-shout, his open mouth and wild hair forming the image’s emotional nucleus.

The photograph’s grainy, high-contrast treatment accentuates every strand, wrinkle, and shadow, giving the portrait a gritty physical presence. Its tight rectangular crop isolates the face, making the eruption of expression feel immediate and unfiltered, as if the viewer has stumbled into a moment of raw energy.

Beneath the photograph, a single line of printed micro-text introduces a surreal vignette involving a gypsy mutant vacuum cleaner dancing beside a nighttime campfire. This playful absurdity meshes seamlessly with the visual tone of the cover, echoing the album’s reputation for blending musical experimentation with humor, narrative fragments, and theatrical flair.

The bottom portion features the album title again, “Chunga’s Revenge,” in distressed purple letters with scattered blue highlights, almost vibrating against the bright background. The entire composition signals an eccentric, unconventional, and deliberately confrontational identity—one aligned with the experimental rock and counterculture currents of the early 1970s.

Album Back Cover Photo
Back cover of the 1970 German gatefold LP “Chunga’s Revenge,” featuring a bold electric-blue background and two duplicated, cut-out figures of Frank Zappa wearing a brown tweed jacket, red shirt, and patterned neckerchief. At the top left sits a bright red rectangular box listing the track titles for Side One and Side Two, complete with durations. Below, detailed personnel credits are printed in white, naming every musician and specifying their contributions track by track. The right side shows the Reprise Records logo and catalog number 44 020 RS 2030. The overall composition mixes psychedelic color contrast, collage-like duplicated imagery, and dense liner-note text typical of early 1970s experimental rock packaging.

This back cover of the German 1970 gatefold edition of Chunga’s Revenge presents an intense visual layout built on a deep electric-blue background. At the top left, a bright, warm-red panel displays the complete track lists for Side One and Side Two, including durations and the album’s total running time. The sharp color contrast between red and blue gives the layout a distinctly psychedelic edge that immediately pulls the eye.

Beneath the track panel, a dense block of white text details the personnel for each recording, listing Frank Zappa’s lineup track by track, including instruments, vocals, and unique contributions. This meticulous breakdown emphasizes the album’s varied studio origins and the musicians’ shifting roles across sessions.

On the right, two duplicated cut-out images of Frank Zappa stand side by side, each in a brown textured jacket, red shirt, and patterned cravat. The duplicated silhouette effect gives the design a collage-like, surreal quality, reinforcing the album’s experimental character. The Reprise Records logo and catalog number 44 020 RS 2030 appear in the upper-right corner, anchoring the cover in its original German release format.

The composition blends vivid colors, layered imagery, and extensive liner notes into a striking and informative presentation that captures the eccentric, restless personality of Zappa’s early-1970s period. It balances visual chaos with precise documentation, reflecting both the humor and musical complexity of the album itself.

Photo One of Inside Page Gatefold Cover
Illustrated inside-gatefold artwork from the 1970 German LP “Chunga’s Revenge,” depicting a whimsical nighttime forest scene with two yellow wooden caravans on wagon wheels, their doors open and warmly lit from within. A pair of horses stand near the tree line, partially hidden in the shadows. In the foreground, a bizarre creature resembling a costumed dancer or mechanical doll wears a skirt of layered frills and a conical hat while holding a long, flexible vacuum-tube-like appendage aimed toward a bonfire, as if feeding or drawing energy from the flames. A guitar amplifier sits on the grass with a cable snaking outward, and a tall metal microphone boom hovers overhead, dangling a bulb-shaped microphone into the center of the clearing. The entire illustration blends surreal humor, carnival eeriness, and improvised theatricality, reflecting the album’s eccentric and imaginative visual identity.

This inside gatefold artwork from the German 1970 release of Chunga’s Revenge presents a surreal nighttime woodland setting painted in moody blues, greens, and violets. Two bright yellow wooden caravans rest in a clearing, their doors open to reveal cozy, softly lit interiors. A pair of horses graze near the tree line, blending into the shadows of the forest.

In the foreground stands a peculiar creature that appears part-human, part-machine. Dressed in layered ruffled skirts and wearing a large conical hat, the figure holds a long flexible tube connected to a bonfire, creating the impression of fueling, inhaling, or interacting with the flames in an unnatural way. The oddness of the scene amplifies the album’s playful, experimental spirit.

Nearby sits a sketch-style guitar amplifier on the grass, with an audio cable curling toward the bottom edge of the frame. A tall metal boom stand extends from the left, suspending a bulb-shaped microphone over the clearing, as though the entire spectacle is being recorded for some mysterious sonic ritual.

The combination of folk imagery, carnival absurdity, and theatrical surrealism captures the eccentric personality of the album’s visual world. This artwork reinforces the blend of humor, imagination, and avant-garde narrative that defined Zappa’s early-1970s aesthetic.

Photo Two of Inside Page Gatefold Cover
Illustrated inside-gatefold artwork from the 1970 German LP “Chunga’s Revenge,” showing a surreal nighttime forest with towering trees, glowing blue and yellow sky between the branches, and a single yellow caravan resting on the forest floor. Several professional studio microphones hang down from extended boom arms, positioned over the woodland clearing as if recording the natural ambience. At the bottom of the image, the controls of a large analog mixing console appear in close-up, with meters glowing yellow and blue, knobs and patch cables scattered across the panel, and a hand adjusting one of the controls. The artwork merges an outdoor fairytale landscape with the technical interior of a recording studio, producing an inventive and dreamlike visual fusion typical of Zappa’s experimental era.

This second illustrated inside-gatefold page of the German 1970 edition of Chunga’s Revenge combines elements of woodland fantasy with the precision of studio engineering. A single yellow caravan sits nestled among tall, twisting trees, bathed in the deep purples, greens, and blues of a moonlit forest. Through the trees glows a soft blue-and-yellow light, suggesting a distant fire, sunset, or mystical opening in the woods.

Suspended overhead are multiple studio microphones, each mounted on long metal boom arms that intrude into the natural environment as if documenting the scene for an unknown sonic experiment. The contrast between heavy industrial recording equipment and the organic forest setting gives the image a strangely theatrical energy.

At the bottom of the illustration, a detailed analog mixing console stretches across the width of the frame. Its backlit VU meters glow yellow and blue, creating a striking chromatic echo of the forest lighting above. Numerous knobs, switches, and patch cables fill the control surface, while a hand is shown adjusting one of the controls, suggesting that the surreal outdoor landscape is actively being mixed or engineered.

The artwork creates a vivid fusion of technical reality and dreamlike imagination, perfectly reflecting the playful, genre-bending sensibility that defines Zappa’s early-1970s work. It feels like a visual metaphor for transforming raw, chaotic inspiration into structured sonic creation.

Close up of Side One record’s label
Close-up of the German Reprise Records yellow Side One label for Frank Zappa’s 1970 LP “Chunga’s Revenge,” showing the ship-and-flag Reprise logo at the top, centered album title and artist name, GEMA rights society box, black side-designation text, and a clean list of four tracks including “Transylvania Boogie” and “The Nancy & Mary Music.” The bold yellow background contrasts with black rim text indicating WEA distribution in Germany, pressing details, and legal restrictions. The catalogue number REP 44 020 is printed clearly at the bottom above a large black 33 RPM speed triangle. The label is perfectly circular with a clean spindle hole, and the print style reflects German manufacturing conventions of the early 1970s.

This detailed close-up shows the German Side One label used for Frank Zappa’s Chunga’s Revenge on Reprise Records in 1970. The background is a bold, saturated yellow, a signature color of this era’s German Reprise pressings. At the top sits the classic Reprise ship logo: a stylized riverboat with tall masts and decorative flags, referencing the historic showboat imagery the label adopted to evoke theatricality, storytelling, and musical tradition. This emblem sits beside the large, boxed “r” Reprise icon printed in orange.

Beneath the logos, the album’s text is laid out in clean black type: “FRANK ZAPPA” and “CHUNGA’S REVENGE” centered and stacked. To the left appears “STEREO,” and to the right the clear side designation “SIDE 1.” Below this sits the GEMA rights society block, a standard symbol for German-licensed vinyl of the period. The tracklist is compact and neatly arranged into four numbered titles, including “Transylvania Boogie,” “Road Ladies,” “Twenty Small Cigars,” and the multipart “The Nancy & Mary Music.”

The lower section features production credit (“Produced by Frank Zappa”), publishing attribution to “Frank Zappa Music,” the catalog number “REP 44 020,” and the German pressing code “(31,107).” A large black triangle displays the 33 RPM speed marking. Around the outer rim, fine-print text in German identifies manufacturing and distribution by WEA, along with rights warnings typical of early-1970s commercial vinyl.

The overall layout, typography, and emblem placement reflect the standardized German Reprise label format of the era, offering a clean, functional, and highly recognizable presentation prized by collectors for its clarity and pressing quality.

Reprise Records, Germany Label

German yellow Reprise Records label used on early 1970s pressings. This particular label design was used by Reprise Records between 1969 and 1975.

Colours
Strong yellow background, black text, orange Reprise “r” logo, black rim text
Design & Layout
Centered artist and album title; left/right stereo and side markers; compact four-line tracklist; bottom catalog and speed triangle
Record company logo
Reprise ship-and-flags illustration representing theatrical musical tradition; paired with the orange boxed “r” Reprise emblem
Band/Performer logo
No dedicated band logo used
Unique features
German GEMA box; black 33 RPM speed triangle; WEA distribution rim text; German pressing code printed beneath catalog number
Side designation
“SIDE 1” in uppercase black type on right side
Rights society
GEMA
Catalogue number
REP 44 020 (31,107)
Rim text language
German
Track list layout
Four numbered tracks, aligned left, one column
Rights info placement
Inner rim bottom, printed in fine black text
Pressing info
Manufactured and distributed by WEA Germany
Background image
Solid yellow color, no texture or pattern
Close up of Side Two record’s label
Close-up of the German Reprise Records yellow Side Two label for Frank Zappa’s 1970 LP “Chunga’s Revenge,” featuring the signature riverboat-and-flags illustration at the top left, paired with the boxed orange Reprise ‘r’ logo. The center text displays the artist, album title, and six-song tracklist including “Tell Me You Love Me,” “Chunga’s Revenge,” and “Sharleena.” GEMA appears in its rights-society box, and the layout includes stereo designation, side identification, publisher credits, catalog number REP 44 020, German pressing code (31,108), WEA distribution rim text, and a black 33 RPM triangle. The crisp yellow background and structured typography reflect the standard German Reprise label format of the early 1970s.

This close-up of the German Side Two label for Chunga’s Revenge reveals the familiar bright yellow background used on early 1970s Reprise Records pressings. At the top, the iconic riverboat illustration stretches across the label, depicting a stylized showboat with tall masts and multiple flags waving above its ornate upper deck. The image symbolizes theatricality, musical performance, and the historical Americana roots that the Reprise label often referenced. To the right sits the orange boxed “r,” a bold and instantly recognizable logo element.

Directly below the logos, the centered black text displays “FRANK ZAPPA” and “CHUNGA’S REVENGE.” On the left appears the STEREO designation; on the right, the clear “SIDE 2” indicator. Beneath these is the boxed GEMA rights society mark, confirming licensing for distribution within West Germany.

The tracklist is arranged in six numbered lines, including “Tell Me You Love Me,” “Would You Go All The Way?,” the title track “Chunga’s Revenge,” “The Clap,” “Rudy Wants To Buy Yez A Drink,” and “Sharleena.” Production and publishing credits follow, including acknowledgment of Frank Zappa Music.

Toward the bottom, the catalog number “REP 44 020” appears above the German pressing code “(31,108).” A black triangle encloses the 33 RPM speed marking, and fine-print rim text outlines manufacturing by WEA and the customary restrictions on copying or broadcasting. The combination of vivid background color, precise typography, and consistent Reprise branding makes this variant highly recognizable to collectors.

Reprise Records, Germany Label

German yellow Reprise Records label used on early 1970s pressings. This particular label design was used by Reprise Records between 1969 and 1975.

Colours
Yellow background, black text, orange Reprise logo, black rim text
Design & Layout
Centered album and artist name; stereo and side markers; six-track vertical list; catalog and speed marker at bottom
Record company logo
Riverboat drawing with flags symbolizing theatrical musical heritage; boxed orange “r” Reprise emblem
Band/Performer logo
No artist logo used
Unique features
German GEMA licensing mark; WEA manufacturing rim text; pressing code (31,108); black 33 RPM speed triangle
Side designation
“SIDE 2” printed in uppercase black type
Rights society
GEMA
Catalogue number
REP 44 020 (31,108)
Rim text language
German
Track list layout
Six numbered tracks stacked vertically
Rights info placement
Fine rim text along upper and lower curve
Pressing info
Manufactured and distributed by WEA Germany
Background image
Solid yellow background without pattern or texture

Index of FRANK ZAPPA Vinyl Record Discography and Album Cover Gallery

FRANK ZAPPA - 200 Motels
FRANK ZAPPA - 200 Motels (1971, Germany) album front cover vinyl record

United Artists Records UAS 29 218 XD , 1971 , Germany

"200 Motels" is the 1971 American-British musical surrealist film cowritten and directed by Frank Zappa and Tony Palmer and starring The Mothers of Invention, Theodore Bikel and Ringo Starr.

200 Motels (1971, Germany) 12" Vinyl LP
FRANK ZAPPA & MOTHERS OF INVENTION - 200 Motels (Unofficial)
FRANK ZAPPA & MOTHERS OF INVENTION - 200 Motels TMOQ Green Vinyl (1971, USA) album front cover vinyl record

TMOQ TradeMark Of Quality , 1971 , USA

Bootleg recording capturing a live performance from the iconic rock band. Released on green vinyl, this collector's gem is alternatively known as "Contempo '70" among enthusiasts, distinguishing it from the official 200 Motels album

200 Motels TMOQ Green Vinyl (1971, USA) 12" Vinyl LP
FRANK ZAPPA - Apostrophe
FRANK ZAPPA - Apostrophe (1974, Germany) album front cover vinyl record

DISCREET DIS 59201 , 1974 , Germany

Frank Zappa's 1974 cult classic "Apostrophe" on 12" vinyl. Features Zappa staples like "Don't Eat the Yellow Snow" & a stellar band with Jean-Luc Ponty & Napoleon Murphy Brock.

Apostrophe (1974, Germany) 12" Vinyl LP
FRANK ZAPPA - As An Am
FRANK ZAPPA - As An Am album front cover vinyl record

FOO-EEE RI-70537  

"As an Am" features recordings from three separate shows. Track 1 is from May 19, 1981 at Rockline, KLOS-FM, Los Angeles, California; tracks 2 and 3 are from May 21, 1982 at Sporthalle, Cologne, Germany and tracks 4-6 are from October 31, 1981 at The Palladium, New York City.

As An Am 12" Vinyl LP
FRANK ZAPPA - Bobby Brown b/w Stick it Out
FRANK ZAPPA - Bobby Brown b/w Stick it Out album front cover vinyl record

CBS S 8216   , 1979 , Germany

"Bobby Brown" is a satirical and humorous song that explores the life of the titular character, touching on themes of narcissism and societal expectations.

Bobby Brown b/w Stick it Out 7" Vinyl Single
FRANK ZAPPA CAPTAIN BEEFHEART THE MOTHERS - Bongo Fury
FRANK ZAPPA CAPTAIN BEEFHEART THE MOTHERS - Bongo Fury (1975, USA) album front cover vinyl record

LaDISCREET DS 2234 / 31,936 bel , 1975 , USA

This is the album released by Frank Zappa and Captain Beefheart in 1975. The live portions were recorded on 20 & 21 May 1975 at the Armadillo World Headquarters in Austin, Texas. Studio tracks were recorded in January 1975

Bongo Fury (1975, USA) 12" Vinyl LP
FRANK ZAPPA - Chunga's Revenge (Three International Releases) 12" Vinyl LP
FRANK ZAPPA - Chunga's Revenge (Three International Releases) album front cover vinyl record

Zappa's first effort of the 1970s marks the first appearance of former Turtles members Flo & Eddie on a Zappa record, and signals the dawn of a controversial epoch in Zappa's history

Chunga's Revenge (1970, Canada) Chunga's Revenge 1st German Release Chunga's Revenge (1970, Germany)
FRANK ZAPPA - Freaks And Motherfu*#@%!
Thumbnail of FRANK ZAPPA - Freaks And Motherfu*#@%! album front cover

FOO-EEE RI 70539  

"Freaks and Motherfu*#@%! 12" Vinyl LP Album" captures a memorable live performance at Fillmore East, New York City, on 13 November 1 1970. The album features a blend of Zappa's unique musicality and humor, with tracks like "Call Any Vegetable" and "Wino Man" showcasing his avant-garde style. This LP offers a glimpse into Zappa's experimental genius during that era

Freaks And Motherfu*#@%! 12" LP
FRANK ZAPPA & THE MOTHERS - Grand Wazoo
Thumbnail of FRANK ZAPPA & THE MOTHERS - Grand Wazoo (1972, Germany) album front cover

REPRISE 44209 , 1972 , Germany

This is the 1972 jazz fusion album by Frank Zappa. Composed and recorded during Zappa's period of convalescence following his assault in London, the album, along with its "twin brother" Waka/Jawaka (July 1972), represent Zappa's foray into big band fusion, the logical progression from Hot Rats (1969), which used a much smaller lineup.

Grand Wazoo (1972, Germany) 12" LP
FRANK ZAPPA - Guitar
Thumbnail of FRANK ZAPPA - Guitar (1988, USA) album front cover

Barking Pumpkin Records D1-74212  , 1988 , USA

Guitar is the 1988 album by Frank Zappa. It is the follow-up to 1981's Shut Up 'n Play Yer Guitar; like that album it features Zappa's guitar solos excerpted from live performances, recorded between 1979 and 1984. It garnered Zappa his 6th Grammy nomination for "Best Rock Instrumental Performance".

Guitar (1988, USA) 12" 2LP
FRANK ZAPPA - Hot Rats (Two Different Versions from Germany) 12" LP
Thumbnail of FRANK ZAPPA - Hot Rats (Two Different Versions from Germany) album front cover

This was released in October 1969. Five of the six songs are instrumental ("Willie the Pimp" features a short vocal by Captain Beefheart). It was Zappa's first recording project after the dissolution of the original Mothers of Invention.

Hot Rats - Germany Manufactured by TELDEC

Hot Rats - German Reprise Records
Thumbnail of FRANK ZAPPA & MOTHERS OF INVENTION - In Europe / Inspiration WorldWhite (1971, Holland) album front cover
FRANK ZAPPA & MOTHERS OF INVENTION - In Europe / Inspiration WorldWhite

Recorded in 1971 at Ahoy Hallen in Rotterdam. This collector's gem showcases the eclectic genius of Frank Zappa and his band. Side One features tracks like "Peaches En Regalia" and "Tears Began To Fall,"

FRANK ZAPPA - Joe's Garage Act I
Thumbnail of FRANK ZAPPA - Joe's Garage (1979, Holland) album front cover

CBS 86101 , 1979 , Holland

This album "Joe's Garage Act I" is the 1979 rock opera by Frank Zappa. Zappa self-deprecatingly describes the album as a stupid little story about how the government is going to do away with music

Joe's Garage Act I (1979, Holland) 12" LP
Updated FRANK ZAPPA & Abnuceals Emuukha Electric Symphony Orchestra - Lumpy Gravy album front cover vinyl LP album https://vinyl-records.nl
FRANK ZAPPA & Abnuceals Emuukha Electric Symphony Orchestra – Lumpy Gravy

Zappa’s “Lumpy Gravy” is where he ditches the whole band identity and plunges into a wild orchestral collage stitched together with tape edits, surreal moods, and his trademark sideways humor. A fever-dream of strings, quirks, and attitude — and the first glimpse of the sprawling sonic universe he’d build for years to come.

FRANK ZAPPA - The Man From Utopia
Thumbnail of FRANK ZAPPA - The Man From Utopia (1983, Holland) album front cover

CBS 25251 , 1983 , Holland

The album is named after a 1950s song, written by Donald and Doris Woods, which Zappa covers as part of "The Man from Utopia Meets Mary Lou".

The Man From Utopia (1983, Holland) 12" LP
FRANK ZAPPA - Meets the Mothers of Prevention
Thumbnail of FRANK ZAPPA - Meets the Mothers of Prevention (1985, USA) album front cover

Barking Pumpkin Records ST-74203 , 1985 , USA

The album's title is a reference to the lobby group, the PMRC, who were campaigning to require record companies to put warning stickers on albums they considered offensive, and to Zappa's former band, The Mothers of Invention.

Meets the Mothers of Prevention (1985, USA) 12" LP
FRANK ZAPPA & MOTHERS OF INVENTION - One Size Fits All
Thumbnail of FRANK ZAPPA & MOTHERS OF INVENTION - One Size Fits All FOC (1975, Germany) album front cover

DiscReet Records DIS 59207 (Z) , 1975 , Germany

" One Size Fits All FOC" is the 1975 rock album by Frank Zappa The album features the final version of The Mothers of Invention, with George Duke, Chester Thompson, Ruth Underwood, Tom Fowler and Napoleon Murphy Brock.

One Size Fits All (1975, Germany) 12" LP
FRANK ZAPPA - Orchestral Favorites
Thumbnail of FRANK ZAPPA - Orchestral Favorites album front cover

Discreet Records DSK 2294 , 1979 , USA

"Orchestral Favorites 12" is the original release capturing live recordings of the "Abnuceals Emuukha Electric Symphony Orchestra" at Royce Hall, UCLA in 1975

Orchestral Favorites 12" LP
FRANK ZAPPA - Piquantique Stockholm
Thumbnail of FRANK ZAPPA - Piquantique Stockholm 1973 album front cover

FOO-EEE RI 60544

Piquantique a recording capturing Zappa's performance at Solliden, Skansen, Stockholm, on 21 August 1973, with one track from the Roxy in December 1973.

Piquantique Stockholm 1973 12" LP
FRANK ZAPPA & MOTHERS OF INVENTION - Poot Face Booogie
Thumbnail of FRANK ZAPPA & MOTHERS OF INVENTION - Poot Face Booogie album front cover

AMAZING KORNYFONE (aka KORNYPHONE) , 1971

"Poot Face Booogie" is a captivating 12" LP vinyl that combines live recordings from Frank Zappa's 1971 performance at Ahoy Rotterdam with studio recordings from 1968. Notably, Zappa sings "Geef Mij Wat Vloer Bedekking Onder Deze Vette Zwevende Sofa"

Poot Face Booogie 12" LP
FRANK ZAPPA & MOTHERS OF INVENTION - Roxy & Elsewhere
Thumbnail of FRANK ZAPPA & MOTHERS OF INVENTION - Roxy & Elsewhere DLP FOC (1974, USA) album front cover

DISCREET 2DS 2202 31,792 , 1974 , USA

Most of the songs were recorded at The Roxy Theatre in Hollywood, California on December 8, 9 and 10, 1973. The material taken from the Roxy concerts was later amended with some overdubs in the studio

Roxy & Elsewhere (1974, USA) 12" 2LP
FRANK ZAPPA - Saarbrücken
Thumbnail of FRANK ZAPPA - Saarbrücken 1978 album front cover

FOO-EEE RI-70543

This is an unofficial 2LP vinyl album that captures Frank Zappa's live performance at Ludwigparkstadion, Saarbrücken, Germany, on 3 September 1978.

Saarbrücken 1978 12" 2LP
FRANK ZAPPA - Sheik Yerbouti (Two European Releases) 12" 2LP
Thumbnail of FRANK ZAPPA - Sheik Yerbouti (Two European Releases) album front cover

Known for its satirical lyrics and complex compositions, "Sheik Yerbouti" offers a unique blend of rock, jazz, and humor that has made it a classic in Zappa's discography.

Sheik Yerbouti - England Release Sheik Yerbouti - Holland Release
FRANK ZAPPA - Ship Arriving Too Late to Save a Drowning Witch
FRANK ZAPPA - Ship Arriving Too Late to Save a Drowning Witch (1982, Holland) album front cover vinyl record

CBS 85804 , 1982 , Holland

This album features five tracks composed by Zappa, and one song, "Valley Girl", co-written with Moon Unit Zappa, his daughter, who provided the spoken monologue mocking some of the Valley girls at her school

Ship Arriving Too Late to Save a Drowning Witch (1982, Holland) 12" Vinyl LP
FRANK ZAPPA - Shut Up 'N Play Yer Guitar
FRANK ZAPPA - Shut Up 'N Play Yer Guitar 3LP Box-set (1981, Holland) album front cover vinyl record

  CBS 66368 , 1981 , Holland

"Shut Up 'N Play Yer Guitar" highlighting Zappa's virtuosity on the electric guitar. This album is a collection of instrumental compositions and improvised solos, emphasizing Zappa's exceptional guitar skills

Shut Up 'N Play Yer Guitar Box-set (1981, Holland) 12" Vinyl 3LP
FRANK ZAPPA - Them Or Us (Two European Editions) 12" Vinyl LP
FRANK ZAPPA - Them Or Us (Two European Editions) album front cover vinyl record

The album opens with "The Closer You Are", a soulful cover that showcases Zappa's versatility. His rendition of this classic by The Channels brings a new dimension to the song, setting the tone for the auditory adventure that follows.

Them Or Use - European Edition Them Or Us - French Edition
FRANK ZAPPA - Tinsel Town Rebellion
FRANK ZAPPA - Tinsel Town Rebellion DLP FOC (1981, Holland) album front cover vinyl record

CBS 88516 , 1981 , Holland

"Tinsel Town Rebellion" was conceived by Zappa after he scrapped the planned albums "Warts and All" and "Crush All Boxes", and it contains tracks that were intended for those albums.

Tinsel Town Rebellion DLP FOC (1981, Holland) 12" Vinyl LP
FRANK ZAPPA 'Tis The Season To Be Jelly , Live in Sweden 1967
FRANK ZAPPA 'Tis The Season To Be Jelly , Live in Sweden 1967 (Unofficial /Bootleg) album front cover vinyl record

FOO-EEE RI 70542 , 1967 , Stockholm

The hilarious album front cover of Frank Zappa's unofficial album "'Tis the season to be jelly" is an illustration of Frank Zappa wearing an Oxygen tank and showing off his green smelly sock.

Tis The Season To Be Jelly , Live in Sweden 1967 (Unofficial / Bootleg) 12" Vinyl LP
FRANK ZAPPA - Unmitigated Audacity (Unofficial / Bootleg)
FRANK ZAPPA - Unmitigated Audacity (Unofficial / Bootleg) album front cover vinyl record

FOO-EEE RI-70540

Unmitigated Audacity 12" Vinyl LP Album captures the energy of Frank Zappa's live performance at the University of Notre Dame, South Bend, Indiana, on 12 May 1974. This album features an eclectic mix of Zappa's iconic tracks,

Unmitigated Audacity (Unofficial / Bootleg) 12" Vinyl LP
Updated FRANK ZAPPA - Waka / Jawaka - Hot Rats (1972, USA) album front cover vinyl LP album https://vinyl-records.nl
FRANK ZAPPA - Waka / Jawaka - Hot Rats (1972, USA)

"Waka Jawaka" is the jazz-infused precursor to The Grand Wazoo, acting as a spiritual sequel to 1969’s Hot Rats. Released in 1972, the album blends complex horn arrangements with Zappa’s signature guitar work, and its title, according to Zappa, came from a Ouija board session.

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FRANK ZAPPA - You Are What You Is
FRANK ZAPPA - You Are What You Is (1981, Holland) album front cover vinyl record

CBS 88560 , 1981 , Holland

"You Are What You Is" is a captivating double LP gatefold vinyl album that showcases Zappa's musical and artistic prowess. Inside the gatefold cover, you'll find stunning artwork and photos.

You Are What You Is (1981, Holland) 12" Vinyl LP
FRANK ZAPPA - Zoot Allures (Two European Releases) 12" Vinyl LP
FRANK ZAPPA - Zoot Allures (Two European Releases) album front cover vinyl record

"Zoot Allures" was Zappa's only release on the Warner Bros. Records label. Due to a lawsuit with his former manager Herb Cohen Frank Zappa's recording contract was temporarily re-assigned from DiscReet Records to Warner Bros.

Zoot Allures - German Release Zoot Allures - Netherlands Release

The Mothers of Invention (with Frank Zappa) Vinyl Albums Discography