Night Ranger – Midnight Madness 12" Vinyl LP Album

- the neon-lit 1983 breakthrough that owned American rock radio after dark

Album Front Cover Photo of Night Ranger – Midnight Madness Visit: https://vinyl-records.nl/

Midnight Madness was the moment Night Ranger stopped knocking and kicked the door clean off its hinges, turning a promising debut into a full-blown breakthrough that owned American rock radio in 1983. This record sits right in the sweet spot of AOR hard rock, where muscle met melody and nobody apologized for big feelings or bigger choruses. The sound is glossy but tense, all neon guitars, stacked harmonies, and restless after-dark ambition. “(You Can Still) Rock in America” roars with chest-out confidence, “Sister Christian” slows the pulse with bruised-heart drama, and “When You Close Your Eyes” balances grit and longing like it was born for midnight play.

Table of Contents

"Midnight Madness" (1983) Album Description:

1. Night Ranger, hitting the gas at exactly the right hour

"Midnight Madness" is Night Ranger locking into that sweet 1983 spot where hard rock still had bite, but radio demanded hooks you could whistle while pretending you were too tough to whistle. It is their second album, and it sounds like a band that learned fast, toured hard, and came back hungrier. The wild part is how it feels both bigger and tighter at the same time, like they upgraded from club sweat to arena floodlights without losing the grin.

2. 1983 USA: the era of loud hair, louder choruses, and MTV-sized ambition

In the USA of 1983, rock was getting shinier, louder, and way more camera-ready, and Night Ranger clearly understood the assignment. The scene was full of bands trying to sound massive, not just heavy, because the decade was basically built for choruses that could bounce off sports arenas. "Midnight Madness" lands right in that cultural crosswind: hard rock muscle, pop precision, and a little midnight drama for flavor.

3. How they got here: second-album pressure, but make it look effortless

This record arrives right after their debut, and you can hear that classic second-album reality: expectations, momentum, and the quiet fear of being “the band with one good start.” They recorded it in Los Angeles at Image Recording (The Big Room), which fits the vibe perfectly: bright, cinematic, and built to travel fast. Producer Pat Glasser steers the ship without sanding off the edges, letting the band sound confident instead of carefully behaved.

4. The sound: glossy hard rock with a blade hidden in the sleeve

Night Ranger’s 1983 hard rock recipe is all about contrast: sharp riffs, big harmonies, and enough keyboard color to make the choruses glow without turning them into bubblegum. The guitars don’t just shred for sport; they slice and decorate, like neon signs that also happen to be weapons. And because there are two lead vocalists in the mix, the album keeps shifting its emotional temperature without ever losing the plot.

5. Standout moments: anthems, heartbreak, and that one song that refuses to age

“(You Can Still) Rock in America” kicks the door in with pure fist-up optimism, the kind that smells faintly of denim and bad decisions in a parking lot. Then “Sister Christian” shows up and basically hijacks the room, proving Night Ranger could do tender without going limp. “When You Close Your Eyes” sits in that perfect middle ground: melodic, dramatic, and unashamedly built to stick in your head for three days straight.

6. How it stacks up in its year and genre

1983 was not a gentle year for rock bands who couldn’t deliver the goods, because the competition was fierce and the audience had zero patience. Compared to other heavy-hitters of the moment, Night Ranger lean more melodic and emotional, but they keep the guitars front and center so it still punches. If you want a quick vibe-check against the era’s big statements:

  • Def Leppard - "Pyromania": slick, explosive, built like a hit factory.
  • Quiet Riot - "Metal Health": rowdy, loud, and made for mass singalongs.
  • Dio - "Holy Diver": darker, mythic, and heavier in a different way.
7. Controversies or public reactions: the “too soft / not soft enough” paradox

There’s no big scandal hanging off this album like a tabloid accessory, but it absolutely invited the usual genre drama. Some hard rock purists heard a power ballad and yelled “sellout” on principle, while the radio crowd happily turned it up and ignored the yelling. The funny truth is that "Midnight Madness" works because it refuses to pick just one lane.

8. Band dynamics: twin engines, one dashboard, and a lot of high-beam confidence

With the lineup built around big melodies, dual lead vocals, and that twin-guitar sparkle, the band’s identity is basically a balancing act done at full speed. You can hear the push-and-pull between tougher rock instincts and the urge to write songs that could survive outside the loud room. Even the little extra touch of Glenn Hughes adding backing vocals on “(You Can Still) Rock in America” feels like a wink from the wider rock universe: yes, this one matters.

9. Reception and legacy: why collectors keep coming back to this sleeve

"Midnight Madness" became Night Ranger’s highest-selling album in the US, and the million-plus story makes sense when you hear how cleanly it lands its hooks. Back then it was a hit machine with heart; now it feels like a time capsule that still has electricity in it. Decades later, the riffs still smell faintly of beer, sweat, and misplaced optimism, and honestly, that’s kind of the point.

10. Closing thought: midnight isn’t a time, it’s a mood

As a collector, I love records like this because they remind me that “mainstream” can still have personality, grit, and a pulse. "Midnight Madness" is the sound of a band aiming for the big leagues without forgetting how to throw a punch. Put it on, let the choruses do their thing, and accept that 1983 knew exactly what it was doing.

Album Key Details: Genre, Label, Format & Release Info

Music Genre:

Hard Rock

Label & Catalognr:

MCA Records – Cat#: MCA-5456 (MCA3687)

Album Packaging

This album "NIGHT RANGER - Midnight Madness" includes the original custom inner sleeve with album details, complete lyrics of all songs, and artwork/photos.

Media Format:

Record Format: 12" LP Vinyl, Stereo, Gramophone Record
Total Weight: 230g

Release Details:

Release Date: 1983

Release Country: Made in USA

Production & Recording Information:

Producers:
  • Pat Glasser – Producer (for Greenlight Productions)

    The person steering the sessions so the songs land like a punch, not like a rehearsal tape.

    Pat Glasser, the credited producer for “Midnight Madness,” is the one who keeps the whole operation pointed at the finish line: choosing takes, shaping performances, and keeping the album’s hard-rock bite clean enough for radio without sanding off the edge. Production here means decisions that stick forever in the grooves: pacing, emphasis, and that “this is the version” finality that separates an album from a pile of good intentions.

Sound & Recording Engineers:
  • John van Nest – Sound / Recording Engineer

    The ears behind the glass, turning loud band energy into something a needle can actually track.

    John van Nest, as the credited recording engineer, is the practical magician responsible for capturing the performances as usable, mix-ready recordings: mic choices, levels, signal chain discipline, and the constant battle against mess, noise, and “we’ll fix it later” lies. On an album built around sharp guitars, punchy drums, and big vocal moments, the engineering job is where clarity gets negotiated in real time, long before mastering ever gets a vote.

Recording Location:

Image Recording (The Big Room) – Los Angeles, CA, USA

Image Recording is the credited room where the raw performances were captured; “The Big Room” credit matters because room sound is a hidden band member on any rock record. The space, the acoustics, and the workflow of that Los Angeles setup are baked into the drum punch, the guitar air, and the way the vocals sit once the tape (or the tracks) stop rolling.
Mastering Engineer & Location:
  • Brian Gardner – Mastering Engineer at Allen Zentz Mastering

    The final set of ears making sure the record hits hard, translates everywhere, and doesn’t fall apart at volume.

    Brian Gardner, credited for mastering at Allen Zentz Mastering, is the person doing the last critical shaping before the album becomes the finished master used for manufacturing. Mastering on a hard rock LP is where the whole album gets “locked”: overall EQ balance, consistent level from track to track, and the kind of punch and clarity that survives different turntables, stereos, and impatient listeners. His job is also protective—keeping the big moments big while preventing the sound from turning brittle, boomy, or flat once it leaves the studio.

    Brian Gardner Wiki
Album Cover Design & Artwork:
  • Jeff Lancaster – Album cover design (for Art Hotel, Inc.)

    The visual framing device that sells the mood before the first chord even gets a chance.

    Jeff Lancaster, credited for cover design via Art Hotel, Inc., is responsible for turning the album into an object with a personality: typography choices, layout decisions, and the overall look that connects the music to a specific time and attitude. On a record like “Midnight Madness,” design isn’t decoration—it’s the first promise the sleeve makes, and it sets expectations for the kind of night this LP thinks it owns.

Photography:
  • Tom Gibson – Album cover photography

    The lens that supplies the “this is who we are” evidence, not just vibes and marketing fog.

    Tom Gibson, credited for the album photography, provides the images that carry the band’s identity into the physical package. Good cover photography does two jobs at once: it documents, and it persuades. Here it supports the album’s era-specific sheen, helps the sleeve feel “real” in the hand, and gives the design something solid to build around rather than relying on pure graphic trickery.

  • Kate Manche – Styling

    The quiet architect of the look, making sure the visuals don’t accidentally scream “budget” or “wrong decade.”

    Kate Manche, credited for styling, shapes the on-camera presentation that ends up frozen into the album’s visual story. Styling is more than clothes; it’s coherence—making sure the band looks like a band, the images match the intended tone, and the final sleeve reads as deliberate instead of accidental. On a mainstream hard rock release, that polish helps the whole package feel like a proper “release,” not just a set of songs.

Band Members / Musicians:

Band Line-up:
  • Jack Blades – Lead vocals, Bass

    The hook factory with a bass strapped on, keeping the album’s melodies glued to the road at highway speed.

    Jack Blades, a singer-bassist with a songwriter’s instincts, sits right in the center of “Midnight Madness” like the engine block. Lead vocals and bass are the obvious parts, but the real album-level contribution is how he shapes the record’s identity through writing and melodic direction: his name shows up across the track list, including “Rumours in the Air,” “Why Does Love Have to Change,” “Touch of Madness,” and “Passion Play,” plus co-writes like “(You Can Still) Rock in America,” “Chippin' Away,” “When You Close Your Eyes,” and “Let Him Run.” Those choruses don’t just happen; they’re built, repeated, tightened, and delivered with that confident, radio-ready edge that keeps the band polished without getting toothless.

    Jack Blades Wiki
  • Kelly Keagy – Lead vocals, Drums

    The heartbeat and the second frontman, making the big moments hit like they mean it.

    Kelly Keagy, the rare drummer who can also carry lead vocals, gives “Midnight Madness” its muscle and its emotional punch in the same breath. Drumming-wise, the record needs tight, driving patterns that leave space for stacked guitars and big vocal hooks, and he delivers that kind of controlled power across the album. Vocally, his lead presence expands the album’s personality, most famously on “Sister Christian,” which carries his songwriting credit here and becomes the record’s slow-burn centerpiece. Co-writing on “Let Him Run” also ties him directly into the album’s narrative arc, not just its rhythm section.

    Kelly Keagy Wiki
  • Brad Gillis – Guitars

    The razor-and-velvet guitarist, giving the album its bite while keeping the lines singable.

    Brad Gillis, the lead guitar firepower with a sharp melodic sense, is a major reason “Midnight Madness” sounds like a real hard rock record and not just a set of radio demos. His playing supplies the album’s flash: solos that cut, riffs that punch, and the kind of phrasing that makes hooks feel bigger instead of busier. The songwriting credit trail on this album also shows his fingerprints beyond the fretboard, co-writing “(You Can Still) Rock in America,” “Chippin' Away,” and “When You Close Your Eyes,” which helps explain why the guitar parts feel structurally married to the choruses rather than pasted on top.

    Brad Gillis Wiki
 
  • Jeff Watson – Guitars, Keyboards

    The second guitar brain in the room, stacking harmonies and precision so the choruses feel twice as wide.

    Jeff Watson, the co-lead guitarist in Night Ranger’s twin-guitar setup, helps turn “Midnight Madness” into a layered, stadium-sized listen instead of a one-guitar wall of noise. His contribution shows up in the interlocking leads and the cleanly stacked parts that keep verses lean and choruses huge, plus the extra keyboard credit here that hints at how much detail work was going into the arrangement polish. Songwriting-wise, his name appears on “Let Him Run,” tying him directly to the album’s material rather than just the performance side of the equation.

    Jeff Watson Wiki
  • Alan Fitzgerald – Keyboards

    The atmosphere dealer, adding gloss and lift without turning the guitars into background furniture.

    Alan Fitzgerald, the band’s keyboard specialist, is the ingredient that helps “Midnight Madness” land in that early-’80s sweet spot where hard rock still has bite but the sound is widescreen and modern. His keyboards add sheen, spacing, and that subtle drama under the choruses, giving the album air around the riffs instead of suffocating them. His co-writing credit on “When You Close Your Eyes” also makes the contribution concrete: the melodic and harmonic choices that track leans on fit his role perfectly, balancing punch with polish.

    Alan Fitzgerald Wiki
Additional Musicians:
  • Glenn Hughes – Backing vocals on “(You Can Still) Rock in America”

    A legendary voice cameo that turns the chorus into a bigger, brasher rally cry.

    Glenn Hughes, a well-known rock vocalist and bassist with serious pedigree, shows up on this album in one very specific, very effective way: backing vocals on “(You Can Still) Rock in America.” That’s not a throwaway credit on a song built to sound like an anthem; his added voice thickens the chorus, boosts the gang-vocal feel, and gives the track an extra shot of credibility and grit. The guest spot is small, but it’s placed exactly where it counts, right in the album’s opening statement.

    Glenn Hughes Wiki

Complete Track-listing:

Tracklisting Side One:
  1. (You Can Still) Rock in America (4:16) Single Guest
    Released as a single. Features guest backing vocals by Glenn Hughes, adding extra grit to the album’s opening statement.
  2. Rumours in the Air (4:33)
  3. Why Does Love Have to Change (3:49)
  4. Sister Christian (5:03) Single
    Released as a single and the album’s defining power ballad, built around tension, release, and late-night radio immortality.
  5. Touch of Madness (5:01)
Video: Night Ranger - Sister Christian (Official Music Video)
Tracklisting Side Two:
  1. Passion Play (4:43)
  2. When You Close Your Eyes (4:19) Single
    Released as a single, leaning into melody and harmony while keeping one foot firmly in hard rock territory.
  3. Chippin' Away (4:13)
  4. Let Him Run (3:29)
Video: Night Ranger - When You Close Your Eyes (1983)

Disclaimer: Track durations shown are approximate and may vary slightly between different country editions or reissues. Variations can result from alternate masterings, pressing plant differences, or regional production adjustments.

Album Front Cover Photo
Front cover of Night Ranger – Midnight Madness (1983) USA vinyl LP, showing five band members posed at night in an urban street set, bold red Night Ranger logo centered above, dramatic lighting, theatrical costumes, and early-1980s hard rock styling typical of MCA Records releases

This is the original USA front cover of Night Ranger – Midnight Madness, and it wears its 1983 ambition right on its sleeve. The band is staged in a constructed nighttime urban scene, part alley, part theatrical backlot, lit with warm amber streetlight tones that contrast sharply against deep shadows. Everything here is intentional: this is not a candid band photo, but a carefully art-directed statement designed to sell scale, confidence, and radio-ready drama.

Five band members dominate the foreground, arranged in a shallow arc that pushes faces forward and creates instant eye contact. Clothing is pure early-’80s hard rock theater: sleeveless tops, open collars, styled hair, and just enough attitude to signal toughness without tipping into parody. One member stands out immediately wearing surgical scrubs, a cap, and reflective sunglasses — a surreal, almost tongue-in-cheek visual hook that breaks realism and locks the image in its era. This detail alone tells a collector exactly what year this sleeve belongs to.

Above them, the Night Ranger logo sits centered and dominant, rendered in sharp, angular typography with layered outlines in red, white, and metallic gray. The logo feels industrial and aggressive, like a badge bolted onto the night sky, and it anchors the entire composition. The album title Midnight Madness appears smaller, handwritten in red script near the top edges, adding a sense of motion and urgency, like graffiti scratched into the scene rather than politely typeset.

The background is busy but controlled: brick facades, doorways, stair rails, and shadowy figures mid-action suggest nightlife chaos without pulling focus from the band. The color palette leans warm and saturated, typical of early-1980s analog photography and printing, with slight grain and contrast that vinyl collectors instantly recognize as period-correct. No digital sterility here — this is a sleeve meant to glow under record-store lights.

From a collector’s perspective, this cover matters because it captures the exact moment Night Ranger crossed from promising hard rock act into full mainstream contender. The image balances toughness and accessibility, flash and control, and it does so with the visual confidence of a label that knew this record was going to move units. This sleeve doesn’t whisper — it leans in and dares you not to play Side One loud.

Album Back Cover Photo
Back cover of Night Ranger – Midnight Madness (1983) USA vinyl LP, showing a crowded nighttime street scene with costumed people, props, tracklisting and credits printed on the right, and MCA Records branding at the bottom

This is the original USA back cover of Night Ranger – Midnight Madness, and it doubles down on the controlled chaos hinted at on the front. The same nighttime urban set returns, but now the camera pulls back to reveal a crowded, almost theatrical street scene packed with characters, props, and small visual jokes that reward slow inspection. This sleeve was designed to be studied while the record spins, not glanced at once and forgotten.

The setting is a worn brick apartment facade with stoops, railings, windows, and fire escapes, all lit in warm amber and yellow tones that suggest streetlights after midnight. The street level is busy with staged figures: cheerleaders, leather-clad club types, costumed characters, and background actors frozen mid-action. A fallen American football player lies in the foreground, helmet still on, creating a strange visual collision between sports iconography and late-night rock excess. Nothing here feels accidental.

On the far right, the practical collector information takes over. The full tracklisting is printed clearly in white text, split into Side One and Side Two, making this sleeve instantly usable when flipping the record. Below that sits the band lineup, production credits, and recording details, all neatly stacked and easy to read — a small but important detail for anyone who actually uses their records instead of framing them.

The MCA Records branding anchors the bottom right corner, including the catalog number MCA-5456, confirming this as the original USA issue. Design and photography credits appear at the lower left, tying the visual spectacle back to real people and real production choices. Color saturation is rich, slightly grainy, and unmistakably analog, exactly what’s expected from an early-1980s major-label rock sleeve printed for mass distribution.

From a vinyl collector’s perspective, this back cover is doing serious work. It balances narrative imagery with hard data, gives context to the music, and locks the album firmly into its time without apology. This is a sleeve meant to live in your hands while the needle drops, not a minimalist afterthought — loud, busy, confident, and completely aware that this record was built for repeat plays.

Custom Inner Sleeve – Photo One
Custom inner sleeve image from Night Ranger – Midnight Madness (1983) USA vinyl LP: a staged nighttime street scene in front of a brick building with stoops and railings, crowded with costumed characters (cheerleader with blue pom-poms, women in party outfits, a caped performer, figures on steps and balconies), a large cactus prop at left, and a football player lying face-down in the foreground with a silver helmet marked with an “R”; warm streetlight tones, deep shadows, and small MCA/copyright text along the bottom edge.

This photo shows one side of the original custom inner sleeve for Night Ranger – Midnight Madness, and it’s basically the album’s “midnight movie” world in full-frame. The whole scene is set on a nighttime city street in front of an old brick building: stoops, railings, carved doorway details, and the kind of worn facade that screams backlot realism. Lighting is warm and amber, like streetlamps hitting brick and skin, with deep shadows doing the heavy lifting for atmosphere.

Left side: a giant cactus prop rises up like a neon-era joke that somehow still works. In front of it, two women are posed on a low step — one in a sparkly dark outfit with bare shoulders and voluminous hair, the other in a black dress — and the vibe is “club night” staged to the millimeter. Just behind them, more characters fill the frame: a person in a red hat, someone in a cape-like outfit leaning in, and a small crowd arranged to look like a lively street corner at the exact wrong hour.

Center: a cheerleader in a blue-and-yellow style outfit sits on the curb with bright blue pom-poms pooled near her knees, next to a man in a white sleeveless outfit crouched close, like they’re caught mid-conversation. Behind them, a line of people stands along the sidewalk, some facing the camera, some turned sideways, giving the whole sleeve that staged “everybody’s doing something” energy that early-’80s rock packaging loved.

Right side: a woman in black with red high heels stands in profile near a curly-haired man whose arms are folded, both framed by the building’s steps and entryway. A figure in a light outfit at the far right edge holds something glowing green, adding a weird sci-fi pop that fits the album’s “madness” concept without needing a single word of explanation. Up on the steps and balcony, more background action shows up: a person climbing or hanging on a railing, another figure higher up, all staged like a freeze-frame from a chaotic street play.

Foreground detail that collectors always clock: a football player lies face-down across the bottom of the image, wearing a red uniform with yellow striping and a silver helmet marked with a bold “R.” It’s dramatic, slightly absurd, and totally on-brand for a sleeve that wants to look expensive and unforgettable. Along the very bottom edge, small printed copyright and label text is visible, including the MCA branding and year, confirming this isn’t just “art,” it’s official packaging from the original release era.

Custom Inner Sleeve – Photo Two
Custom inner sleeve panel from Night Ranger – Midnight Madness (1983) USA vinyl LP: black-and-white collage on a dark background with the Night Ranger logo centered near the top, a band group photo in the middle, and five framed performance photos around it labeled FITZ, JACK, KELLY, BRAD, and JEFF; handwritten-style words “midnight” and “madness” appear across the center-left and center-right.

This inner sleeve image is pure early-’80s rock packaging discipline: a black background, sharp white borders, and a photo collage that gives every member their own spotlight without cluttering the page. Everything is monochrome, so contrast and layout do the talking. The overall look feels like a tour program page that escaped into the sleeve — clean, bold, and built for quick scanning while the record is flipping sides.

At the top center sits the Night Ranger logo in white outline, symmetrical and angular like a metal badge. The logo is framed by empty black space, which makes it pop hard, almost like it’s floating above the photo grid. On the left and right across the midline, the album title appears in a thin, handwritten script: midnight on the left and madness on the right, both in white, slightly slanted, like someone signed the darkness with a paint pen.

The collage itself is arranged in rectangles with crisp white borders. In the center is a band group shot: five people standing close, facing forward, shot with flash or strong direct lighting that lifts faces and clothing out of the black background. Around that central photo are five separate performance images, each like a captured “live moment” — sweat, motion, and gear visible — with short name tags printed at the bottom edges.

Top left is labeled FITZ: a performer at a microphone, wearing a cap, head angled toward the mic, the stand and cable clearly visible. Top right is labeled JACK: a musician crouched low with a bass guitar, mouth open in a mid-performance expression, with stage equipment behind (a keyboard brand name is visible in the background). Bottom left is KELLY: a drummer caught in action, smiling, drum hardware and cymbal edges visible in the frame.

Bottom center is BRAD: a guitarist leaning into the instrument, body turned, hands positioned mid-play, the guitar’s body and neck dominating the shot. Bottom right is JEFF: another guitarist in a tight crop with the guitar neck rising upward, hair flying, face intense, staged like a classic “hero shot” that screams lead guitar energy. From a collector’s angle, this kind of inner sleeve is gold: it’s not just filler paper, it’s a documented lineup snapshot, with readable member identifiers and a layout that still looks sharp decades later.

Close-up of Side One Record Label
Close-up of the original USA MCA Records Side One vinyl label for Night Ranger – Midnight Madness (1983), featuring the blue sky and clouds background with a rainbow at the top left, MCA Records logo centered, catalog number MCA-5456, Side 1 marking, tracklist with song titles, writers, durations, and production credit for Pat Glasser.

This is the Side One label from the original USA pressing of Midnight Madness, and it’s classic early-’80s MCA through and through. The label background is a bright sky-blue field with soft white clouds drifting across it, topped by a diagonal rainbow breaking in from the upper left — cheerful, almost optimistic, and instantly recognizable to anyone who has handled MCA vinyl from this era.

Centered near the top, the album title MIDNIGHT MADNESS appears in clean, all-caps lettering, with NIGHT RANGER printed just below it. The iconic MCA RECORDS logo sits bold and wide across the middle of the label, perfectly balanced around the spindle hole. On the right side, Side 1 is clearly printed, while the left side carries the catalog information: MCA-5456 with the secondary number (MCA3687), a detail collectors always check when verifying an original U.S. copy.

Below the logo, the full Side One tracklist is laid out in tight, readable lines. “(You Can Still) Rock in America,” “Rumours in the Air,” “Why Does Love Have to Change,” and “Sister Christian” are listed with running times and songwriter credits, all cleanly aligned so nothing feels cramped. Beneath the songs, publishing credits are printed, followed by the production credit: Produced by Pat Glasser for Green Light Productions, locking this pressing firmly to its original studio lineage.

Around the outer rim runs the fine-print legal text, including the 1983 copyright line and manufacturing credit for MCA Records, Inc., Universal City, California. From a collector’s standpoint, this label tells you everything you need at a glance: era-correct design, original catalog numbers, clean typography, and no later reissue clutter. It’s the kind of label that confirms you’re holding the real thing before the needle ever touches the groove.

All images on this site are photographed directly from the original vinyl LP covers and record labels in my collection. Slight color variations may occur due to lighting and camera flash. Images can be zoomed on supported devices. Use for personal or non-commercial purposes is permitted with attribution; commercial use requires permission.

Index of NIGHT RANGER Vinyl Album Discography and Album Cover Gallery

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