- USA Release in RCA Victor Records
Rock out, lads! It's Grim Reaper's "Rock You to Hell", a right proper headbanger from across the pond. Crank this RCA Victor 12" vinyl and let loose! Guitars sharper than a Savile Row suit, drums that'll rattle your teacups, and vocals to wake the dead (or maybe just your neighbors). Grab your leather, tease your hair, and let Grim Reaper take you on a wild ride. Mind your ears, but not your manners. This is rock and roll!
The thunderous sound of British Heavy Metal echoes across the Atlantic as Grim Reaper unleashes their third and final album, "Rock You To Hell". With a talented lineup and a production dream team, this LP arrives in the United States with a ferocious energy that is sure to captivate fans of the genre.
The Sound That Reverberates
"Rock You To Hell" showcases Grim Reaper's distinct blend of heavy riffs, thunderous drums, and soaring vocals. Led by frontman Steve Grimmett, the band delivers an onslaught of hard-hitting tracks that embody the essence of classic Heavy Metal. From the anthemic title track "Rock You To Hell" to the blistering "Night Of The Vampire", the album offers a relentless sonic assault that leaves listeners craving more.
Behind the Studio Glass
To capture the sheer power and raw energy of Grim Reaper's performance, the album enlisted the expertise of renowned producers and sound engineers. Max Norman, known for his work with Ozzy Osbourne and Megadeth, took the reins as the producer and sound engineer for On Yer Bike ltd, ensuring that every note was meticulously crafted to perfection. Craymore Stevens also contributed his production talents, elevating the album's overall sonic impact.
Working alongside Norman and Stevens were an exceptional team of sound engineers: Claude "Swifty" Archille, Ellen Fitton, Jesse Henderson, and Kerry Roehr. Their collective experience and technical finesse allowed them to capture the band's electrifying performances, ensuring that each instrument and vocal nuance was expertly mixed and balanced.
Recording and Mixing Locations
Grim Reaper's "Rock You To Hell" was recorded at the iconic Long View Farm in Massachusetts, a legendary recording studio known for hosting an array of influential artists. The studio's unique atmosphere and top-notch equipment provided the perfect environment for the band to bring their vision to life.
The mixing process took place at Atlantic Studio in New York, a hallowed ground for countless legendary albums. Under the guidance of Max Norman and the talented team at Atlantic, Grim Reaper's compositions were fine-tuned to achieve the desired sonic impact, resulting in an album that captures the band's raw energy while maintaining a polished and dynamic sound.
A Visual Feast
Complementing the musical brilliance of "Rock You To Hell" is the striking album cover design and artwork. Wendy Goldstein takes the helm as the art director, ensuring that the visual representation of the album matches its sonic intensity. The artwork, created by Garry Sharpe, captures the essence of Grim Reaper's music, depicting a haunting scene that transports listeners into the depths of the band's dark and atmospheric world.
Photographer Mark "Weiss Guy" Weiss captures the band's energy in a series of captivating shots that grace the inner sleeves of the vinyl LP. His lens freezes moments of exhilaration and intensity, immortalizing the spirit of Grim Reaper's live performances.
British Heavy Metal ( NWOBHM )
RCA Victor – 6250-1-R
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1987 USA
Included is the original custom inner sleeve (OIS) with pink background colour and black lettering with detailed production information and lyrics of the songs by Grim Reaper
Max Norman for On Yer Bike ltd - Producer and Sound Engineer
Max Norman is a legendary British record producer and sound engineer, best known for his work with heavy metal icons like Ozzy Osbourne, Megadeth, and Loudness. His signature production style, featuring powerful guitar tones and precise arrangements, helped define the 1980s metal sound. He played a key role in shaping classic albums such as Blizzard of Ozz and Rust in Peace.Craymore Stevens - Producer
Claude "Swifty" Archille - Sound Engineer
Ellen Fitton - Sound Engineer
Jesse Henderson - Sound Engineer
Kerry Roehr - Sound Engineer
Recorded at Long View Farm, Massachusetts
Mixed at Atlantic Studio, New York
Wendy Goldstein - Art Direction
Mark "Weiss Guy" Weiss
Steve Grimmett started his long career as a singer heavy metal/rock bands in a band called "Medusa" in which he sang from 1978 until 1982. From 1982 until 1988 he was singer in "Grim Reaper", followed by "Onslaught" in 1988.
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
Ebony EBON 32 (1985) • Steamhammer SPV 266301 LP (2013, Germany)
“Fear No Evil”, Grim Reaper’s 1985 metal strike, sharpened their NWOBHM identity with ripping guitars, soaring vocals, and that unmistakable Ebony Records grit. The original EBON 32 pressing delivered pure mid-80s fury, while the 2013 Steamhammer red-vinyl reissue resurrected the album for a new wave of collectors craving that raw, high-voltage Droitwich sound.
RCA PL86250 (Germany), 1987 • RCA Victor 6250-1-R (USA), 1987
“Rock You To Hell”, the band’s third and final studio blast, hit in 1987 when heavy metal was exploding worldwide. Grim Reaper pushed their NWOBHM power with searing falsetto vocals, razor-bright riffs, and big arena choruses. Released in Germany via RCA and in the USA through RCA Victor, this album marked their most international moment, carrying their Droitwich steel across both sides of the Atlantic.
RCA Victor NFL1-8038 (1984, USA)
“See You In Hell” (1984) launched Grim Reaper straight into NWOBHM history with shrieking vocals, molten riffs, and that signature Max Norman studio punch. Recorded at the legendary Rockfield Studios in Wales, the album sharpened their sound from the raw early era, giving the band a cleaner, heavier edge that helped break them into the American metal market.