TANK: "This Means War" (French Release) - A Blitz of NWOBHM Fury
Album Description:
I know exactly when this one grabs me: late afternoon, mug of coffee going cold, sleeve out on the table, and that French Bernett reissue staring back like it wants a fight. It is still "This Means War" (released 10 June 1983), but France gave it a different jacket in 1984 (Bernett Records, SB 18012) and that little detour is half the fun for a collector. The music stays blunt. The packaging gets weird. Perfect.
Side A opens with "Just Like Something from Hell" and it does not stroll in politely. It storms in. Eight-and-a-half minutes of TANK stretching the frame until the edges creak, then "Hot Lead, Cold Steel" comes swinging right after. By the time the title track hits, the room already sounds like it has dents in it.
The big change here is the guitars: this is Peter Brabbs and Mick Tucker, not the later Tucker/Evans pairing people mix up when they talk about mid-80s TANK. Tucker (ex-White Spirit) thickens the sound, Brabbs keeps that jagged bite, and Algy Ward barks from the bass position like he is refusing to step forward on principle. Mark Brabbs on drums keeps it driving, not fancy, not cute, just relentless forward motion.
Production credit goes to John Verity. I am not calling him "legendary" like I am reading a press release aloud, but I will say this: the record has that hard, practical punch that makes the riffs feel close enough to scrape your knuckles. And there is a very specific bit of lore tied to the sessions: stories put the recording in Verity's studio up in Bradford, which somehow fits the vibe. This is not manor-house metal. This is boots-on-floor metal.
The sleeve story is its own small soap opera. TANK ended up with multiple cover versions for "This Means War," and the band were not shy about hating at least one of them (the infamous "monster pizza" look). So when I see the French Bernett version, I do not just think "alternate artwork." I think: someone, somewhere, tried to fix a mistake after the fact. Heavy metal history is basically that, over and over, with louder amplifiers.
Flip to Side B and the record tightens its grip: "Laughing in the Face of Death" and "(If We Go) We Go Down Fighting" sound like they were written with a clenched jaw. Then it closes with "Echoes of a Distant Battle" - not a neat goodbye, more like the lights come up and you realise your ears are still ringing. Which is the correct outcome.
References / citations
- Vinyl-Records.nl: French Bernett release page (high-res cover photos)
- Encyclopaedia Metallum: "This Means War" (1983 release details)
- Encyclopaedia Metallum: Bernett Records France (SB 18012) reissue
- MusicBrainz: Bernett Records SB 18012 (France, 1984)
- Wikipedia: "This Means War" (tracklist, lineup, producer)
- Voices From The Darkside interview (cover variants + Verity session lore)
So yes, this French Bernett sleeve is a collector's itch, but the real reason it matters is simpler: drop the needle and TANK still sound like they are arguing with the walls. And if your room does not complain a little, you are not playing it properly.