- French Release
Pink Floyd's "More" soundtrack, born from a £600 budget and full creative ownership, epitomizes the band's 1969 ingenuity. With psychedelic and experimental tones, the album's tracks remained in Pink Floyd's live set list until 1971. Collaborating with Hipgnosis for the flip-back cover design, the French release, Columbia 2C 066-04 096, features a distinctive light blue to white gradient label. A timeless contribution, "More" showcases Pink Floyd's prowess in merging music and visual artistry.
In the vibrant landscape of 1969, Pink Floyd, the iconic British rock band, undertook a musical journey that would not only define their artistic prowess but also mark a significant contribution to the realm of film soundtracks. "More," the soundtrack from the film, stands as a testament to the band's versatility and innovation during a pivotal period in music history.
Commissioned to create the soundtrack for the film "More," Pink Floyd embarked on this project with a modest budget of £600. In a move that would shape their future, the band negotiated complete ownership of all the material they produced for the film. Little did they know that the songs crafted during this collaboration would continue to resonate with audiences, finding a place in Pink Floyd's live set list as late as 1971.
The music of "More" is a captivating blend of psychedelic and experimental sounds, reflecting the ethos of the late 1960s. Pink Floyd, known for pushing the boundaries of conventional rock music, infused the soundtrack with their signature style, creating an immersive sonic experience that complemented the film's narrative. The album showcases the band's ability to seamlessly integrate music into the visual medium, a skill that would become increasingly influential in their later works.
A noteworthy aspect of the "More" soundtrack is the creative collaboration with Hipgnosis for the album cover and sleeve design. The distinctive artwork adds a visual dimension to the auditory journey, capturing the essence of the era. The flip-back cover design, a characteristic feature of the album, further enhances its vintage charm.
The record label, Columbia 2C 066-04 096, denotes the French release of the album. The light blue to white gradient-colored record label bears the iconic Columbia Logo prominently at the top center, with the EMI logo near 6 o'clock. The inscription "Made in France by Pathe Marconi" at the bottom rim reinforces the international collaboration that contributed to the album's production.
All titles on the album are published by Lupus Music, underscoring the band's commitment to creative autonomy. The mention of SACEM (SDRM Logo) signifies the association with the French copyright society, adding another layer to the global character of this musical endeavor.
| Album Description: The soundtrack was composed by Pink Floyd. The band was given £600 and complete ownership to all of the material for their work, and some of the songs on the album were still in their live set list by 1971. |
Music Genre: Psych, Acid, Prog Rock, Soundtrack |
Album Production:Directed by Barbet Schroeder. Produced by Jet Films. Starring Mimsi Farmer and Klaus Grunberg, Music composed and performed by Pink Floyd . Album cover / Sleeve design by Hipgnosis. All Titles published by Lupus Music Hipgnosis is my favorite proof that a record sleeve can be a full-on mind game, not just a band photo with better lighting. Read more... Hipgnosis is the legendary London-based art design group that turned rock sleeves into visual myths. The core duo, Storm Thorgerson and Aubrey "Po" Powell, were childhood friends of the Pink Floyd inner circle in Cambridge—a connection that allowed them to bypass the stiff mandates of EMI’s in-house design department in 1968. Their debut, "A Saucerful of Secrets," was only the second time in EMI history (after The Beatles) that an outside firm was granted creative control. The very name "Hipgnosis" was a piece of found art; Syd Barrett, during one of his more enigmatic phases, scrawled the word in ballpoint pen on the door of the South Kensington flat he shared with the duo. Thorgerson loved the linguistic friction of it: the "Hip" for the new and groovy, and "Gnosis" for the ancient, hidden knowledge. While Peter Christopherson later joined as a third partner in 1974, that initial Barrett-endorsed moniker defined a decade of surrealist mastery for bands like Led Zeppelin, Genesis, and 10cc, before the group dissolved in 1983. |
Record Label & Catalognr: Columbia 2C 066-04 096 (066-04096) / SACEM (SDRUM Logo) Light blue to white gradient coloured record label, with prominent Columbia Logo in the top center, EMI logo at the bottom near 6 o'clock, "Made in France by Pathe Marconi", printed at the bottom rim. |
Album Packaging: Album front cover: Top left corner : Catalognr and EMI and Columbia logo. Bottom right corner album title and Pink Floyd's band-name. The album cover is a so-called flip-back cover. |
| Vinyl Media Format 12" LP Vinyl Gramophone Record |
Year and Country: 1969 Made in France |
Photos of the LP's cover: Pink Floyd More Movie Soundtrack |
| Photo of Pink Floyd More Movie Soundtrack Album's Front Cover |
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
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| Photo of Pink Floyd More Record Label |
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Band Members and Musicianson: Pink Floyd More Movie Soundtrack |
Roger Waters is the guy I blame (politely) when a Pink Floyd song stops being “spacey vibes” and starts staring straight through you with lyrics that feel like a courtroom cross-examination. Read more...
Roger Waters is, to my ears, Pink Floyd’s razor-edged storyteller: bassist, singer, and the main lyric engine who pushed the band from psychedelic drift into big, human-scale themes. His key band period is Pink Floyd (1965–1985), where he became the dominant writer through the 1970s and early 1980s, before leaving and launching a long solo career (1984–present). After years of public tension, he briefly reunited with Pink Floyd for a one-off performance at Live 8 in London on 2 July 2005—basically the musical equivalent of spotting a comet: rare, bright, and gone again. Since the late 1990s he’s toured extensively under his own name, staging huge concept-driven shows that revisit Floyd classics like "The Dark Side of the Moon" (notably on the 2006–2008 tour) and "The Wall" (2010–2013), because apparently subtlety is not the point when you’ve got something to say.
Richard Wright is the secret atmosphere machine in Pink Floyd: the guy who can make one chord feel like a whole weather system, and then casually add a vocal harmony that makes it hit even harder. Read more...
Richard Wright (born Richard William Wright) is, for me, the understated genius of Pink Floyd: co-founder, keyboardist, and occasional lead vocalist whose textures are basically baked into the band’s DNA. His main performing period with Pink Floyd runs from 1965 to 1981 (including the early albums through the massive arena years), then he returned as a full member again from 1987 to 1994 for the later era tours and albums. In between those chapters, he didn’t just vanish into a fog machine: he released a solo album, "Wet Dream" (1978), and later "Broken China" (1996), and he also had a proper side-project moment with Zee (1983–1984), which produced the album "Identity" (1984). He passed away in 2008, but his playing still feels like the part of Pink Floyd that makes the air shimmer.
Nick Mason is the steady heartbeat I always come back to in Pink Floyd: the only constant member since the band formed in 1965, quietly holding the whole weird universe together while the rest of the planet argues about everything else. Read more...
Nick Mason is Pink Floyd’s drummer, co-founder, and the one guy who never clocked out: his main performing period with Pink Floyd runs from 1965 to the present, and he’s the only member to appear across every Pink Floyd album. Outside the mothership, he’s had a very “I’m not done yet” second act: in 2018 he formed Nick Mason’s Saucerful of Secrets (2018–present) to bring the band’s early psychedelic years back to the stage. He’s also stepped out under his own name with projects like the solo album "Nick Mason’s Fictitious Sports" (released 1981), which is basically him taking a left turn into jazz-rock just to prove he can. And yes, he was part of that blink-and-you-miss-it full-band moment at Live 8 in London in 2005, when the classic lineup briefly reunited and reminded everyone why this band still haunts people.
David Gilmour is the voice-and-fingers combo I hear whenever Pink Floyd turns from “spacey” into straight-up cinematic: he joined in 1967 and basically helped define what “guitar tone with emotions” even means. Read more...
David Gilmour is, for me, the calm center of Pink Floyd’s storm: an English guitarist, singer, and songwriter whose playing can feel gentle and devastating in the same bar. His earliest band period worth name-dropping is Jokers Wild (1964–1967), before he stepped into Pink Floyd in 1967 as Syd Barrett’s situation unraveled. From there his main performing era is Pink Floyd (1967–1995), including the post-Roger Waters years where the band continued under his leadership and released "A Momentary Lapse of Reason" (1987) and "The Division Bell" (1994), with a later studio coda in "The Endless River" (2014). Outside Floyd, he’s had a long solo run (1978–present) with albums ranging from "David Gilmour" (1978) to "Luck and Strange" (2024), and he even did a sharp side-quest in 1985 with Pete Townshend’s short-lived supergroup Deep End. And for one historic night, the classic lineup reunited at Live 8 in Hyde Park, London on 2 July 2005—one of those “you had to be there (or at least press play)” moments.
Complete Track Listing of: Pink Floyd More |
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Columbia 2C 066-04 096 , 1969 , France
Pink Floyd's "More" soundtrack, born from a £600 budget and full creative ownership, epitomizes the band's 1969 ingenuity. With psychedelic and experimental tones, the album's tracks remained in Pink Floyd's live set list until 1971. Collaborating with Hipgnosis for the flip-back cover design, the French release, Columbia 2C 066-04 096, features a distinctive light blue to white gradient label. A timeless contribution, "More" showcases Pink Floyd's prowess in merging music and visual artistry.
Learn more
Columbia 2C 066-04.096 , 1978 , France
Pink Floyd's 1978 re-issue of the "More" soundtrack, a 12" Vinyl LP Album with French release, showcases the band's avant-garde brilliance. Composed for a film, the £600 budget granted complete ownership to Pink Floyd. Several tracks remained in their live set list until 1971. The cover by Hipgnosis and the absence of EMI and HARVEST logos on the Columbia record label add to its mystique. This European release, marked "Made in France," underscores the global resonance of Pink Floyd's music.
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EMI Columbia 1C 072-04 096 , 1969 , Germany
Pink Floyd's "More" soundtrack, released on a German 12" vinyl LP in 1969, represents a pinnacle of musical and visual collaboration. Directed by Barbet Schroeder, the album's cinematic compositions showcase Pink Floyd's innovative spirit amid the cultural landscape of the late '60s. Designed by Hipgnosis and published by Lupus Music, the solid blue record label with the EMI Columbia logo reflects the era's commitment to quality production. A cross-cultural phenomenon, this album remains a timeless emblem of artistic exploration.
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EMI Columbia SCX 6346 , 1969 , Gt Britain
Pink Floyd's "More" soundtrack, a UK 1st Pressing from 1969, is a musical relic encapsulating the band's pioneering spirit during the late '60s. With distinctive features like a greenish back cover and flipback design, it reflects the era's attention to detail. The album, a result of a unique collaboration with film producers, showcases Pink Floyd's psychedelic and progressive soundscapes. Its enduring allure is evident as some tracks remained in the band's live set list until 1971, marking a timeless contribution to music history.
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EMI Columbia SCX 6346 , 1969 , Gt Britain
Pink Floyd's "More" soundtrack, a 5th UK release, embodies the band's creative zenith in 1969. With £600 and complete ownership granted, the album, stamped YAX 3868-1G / YAX 3869-1G, showcases Pink Floyd's sonic experimentation. Released amid cultural flux, it harmoniously complements the countercultural film "More." Tracks like "Cymbaline" endured in live sets until 1971, cementing this vinyl as a historic artifact, symbolizing the band's pioneering role in the musical landscape of the time.
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Columbia 3C 064-04096 , 1969 , Italy
Pink Floyd's 1969 "Soundtrack From The Film More" 12" Vinyl LP, Italian release (Columbia 3C 064-04096), stands as a musical relic from the transformative late '60s. With a solid blue frame on the back cover, EMI Columbia's blue clouds and red SIAE stamp, it reflects the band's international influence. The "Made in Italy" label underscores Pink Floyd's global impact, making this release a cultural and artistic artifact, capturing the essence of a revolutionary musical era.
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Harvest SW-11198 , , USA
Pink Floyd's 1969 "More" soundtrack, a 12" Vinyl LP in the USA, marked a pivotal moment in the band's evolution. Crafted during Syd Barrett's departure and David Gilmour's arrival, the album reflected a shift in musical style. Composed for the film "More," the soundtrack showcased Pink Floyd's experimentation with acoustic and electric elements, setting the stage for their progressive future.
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