- Best of Salsa
My copy of WILLIE COLON – "Exitos" (1990) is a best-of salsa snapshot: trombone-led brass, tight percussion, and that "one more track" pull that keeps me hovering by the turntable. This 12" vinyl LP on MusArt MPI 80152 was made in Mexico (total cover+record: 230g) and produced by Marco Aurelio Torres. Side One leans on "La Murga" and "Buscando Guayaba", while Side Two keeps the sabor rolling with "Che Che Cole" and "Te Estan Buscando" — puro sabor, oye, pa' la pista.
William Anthony Colón is a South Bronx, New York City-born salsa musician of Puerto Rican descent. Primarily a trombonist, Colón also sings, writes, produces and acts, and he has been involved in New York City civic life and local politics.
The 1990 Willie Colón album titled "Exitos" is a compilation of key tracks from his career, released on a 12" vinyl LP. Colón is widely regarded as one of the pivotal architects of the classic salsa sound, known for his punchy trombone lines, streetwise arrangements, and a bandleader’s instinct for groove and drama.
"Exitos" features some of Colón’s most popular and successful songs up until that time, highlighting the mix of tight percussion, bold brass, and storytelling that made his recordings so memorable.
Willie Colón is also known for collaborations with major vocalists, including Héctor Lavoe, Rubén Blades, and Celia Cruz. Two standout examples often associated with his legacy are:
"La Murga" — A lively, high-energy track that leans into brassy hooks and relentless rhythm, showing off Colón’s skill as a bandleader and arranger.
"El Gran Varón" — A socially aware narrative song that tackles prejudice and identity, and has been embraced by many listeners as an LGBTQ+ anthem.
Salsa (Puerto Rico)
Salsa from Puerto Rico blends Afro-Caribbean rhythms with melodic Latin arrangements, often driven by rich percussion, brass sections, and dance-oriented grooves rooted in Caribbean tradition.
MusArt – Cat#: MPI 80152
Record Format: 12" LP Vinyl Stereo Gramophone Record
Total Weight: 230g
1990 – Mexico
Thanks to Hector Lavoe, this track hits me with instant piel de gallina every single time.
Another classic salsa banger — un must for every Latin music fan. ¡Dale, sube el volumen!
Disclaimer: Track durations shown are approximate and may vary slightly between different country editions or reissues. Variations can result from alternate masterings, pressing plant differences, or regional production adjustments.
This is the front cover of "Exitos" by WILLIE COLON, photographed straight-on with the whole sleeve visible. The design is intentionally minimal: a pale, almost off-white background, lots of empty space, and just a few printed elements placed with precision so the portrait and title do all the work.
Across the top, the word EXITOS runs wide in large, light-gray serif capitals, spaced out like a headline banner rather than a tight logo. On the right side, WILLIE COLON is set in heavier, blocky sans-serif capitals, also in gray, giving the cover a clean “late-80s/early-90s” compilation vibe without cluttering it with extra text.
The main visual is a rectangular studio portrait placed slightly crooked, as if a photo print was dropped onto the sleeve and left at a casual angle. A thin border frames the image, which is exactly the kind of detail that matters when comparing reissues: border thickness, crop, and color balance are easy tells. Willie Colon is shown from the chest up, wearing a light-colored jacket, dark hair neatly styled, and a thick mustache; the pose is calm and direct, with the face centered and the eyes looking straight at the viewer.
Collector details are right where they should be: the catalog number MPI 80152 is printed small at the top-right, and the MusArt logo sits at the bottom-right inside a little square mark. The sleeve looks visually clean in this shot: no obvious ring wear, tears, or major creases jumping out, and the light background makes any flaws easy to spot if they were there. Minor tonal shifts in the whites are believable for flash photography, especially on a pale sleeve like this.
This is the back cover of WILLIE COLON – "Exitos", and it’s basically a collector’s “information panel” disguised as a clean design. The background is a pale off-white, so every scuff, crease, or ring-wear would normally scream at you; in this photo the sleeve looks pretty tidy, with only light handling marks and mild shading that could easily be flash or age.
The top layout mirrors the front: EXITOS is printed big in gray serif letters, curving diagonally down from the upper left, while WILLIE COLON sits upper right in heavier gray block type. The catalog number MPI 80152 is printed small in the top-left corner, which is exactly the kind of “quick ID” detail that helps confirm you’re looking at the MusArt issue.
The center is dominated by a large black-and-white performance photo bordered by a thin frame. The musician is captured mid-action on stage, standing with a wide stance and holding a large-bell brass instrument aimed toward the right side of the image. The contrast is strong: dark clothing against a lighter stage area, with stage gear and instruments blurred in the background, giving it that real “live moment” feel rather than a studio portrait.
Track information is split into two blocks labeled A and B on the left and right sides of the photo. Each side lists the song titles in stacked lines with timings and additional small-print credit lines underneath (composer/publishing style details). The back cover is doing its job: clear separation, readable hierarchy, and no decorative junk getting in the way of the actual data.
The bottom strip contains the legal and production area with MusArt marks and small logos. Transcript of the printed bottom lines (verbatim):
Diseño de la portada: CREATIVIDAD Y TALENTO, S.A. de C.V.
HECHO EN MEXICO DISCOS MUSART, S.A. de C.V. AV. CUITLAHUAC 2115 MEXICO, D.F. C.P. 02870 TEL. 396-65-00
All images on this site are photographed directly from the original vinyl LP covers and record labels in my collection. Earlier blank sleeves were not archived due to past storage limits, and Side Two labels are often omitted when they contain no collector-relevant details. Photo quality varies because the images were taken over several decades with different cameras. You may use these images for personal or non-commercial purposes if you include a link to this site; commercial use requires my permission. Text on covers and labels has been transcribed using a free online OCR service.
Side One label close-up from the actual record: a matte black MusArt label with a bold, high-contrast layout that’s easy to verify at a glance. The top area shows a circled (P) with 1990, then the album title EXITOS... and artist name WILLIE COLON in big, blocky capitals. Directly underneath sits the licensing line: Licencia: Sonido Inc.
The left side is where the identity lives: a square MusArt logo and the catalog number. The logo drawing is a stylized record (a dark disk with a light center) surrounded by several abstract, hand-like shapes in different colors, arranged like a circular grip around the “record.” Practical use: instant label recognition on the turntable, even from a distance, and a quick cross-check against other MusArt pressings that may share catalog numbers but switch logo variants.
Below the logo, MPI 80152 is printed clearly, and the side designation A is oversized and impossible to miss. The track list is printed to the right in a numbered column (1 to 4), with titles and timings, followed by smaller credit lines (writers/arranger/publishing and rights notes). The four tracks listed are El Gran Baron, La Murga, Volo, and Buscando Guayaba, each with a duration printed on the same line.
The most distinctive design feature is the big “burst” graphic: wide color wedges that fan out from the center hole toward the right edge. It starts with cool tones (a blue arc), then moves through darker bands, then warm oranges, ending in a bright yellow flare at the far right. It’s not decoration for decoration’s sake: it helps spot this exact label layout instantly, and it’s also a good sanity check for reissues (colors, saturation, and wedge shapes tend to change when a label redesign happens).
Around the outer rim, the legal rim text is in Spanish and includes manufacturing and usage restrictions; HECHO EN MEXICO is visible, and the top rim includes MARCA REGISTRADA plus the company line naming Discos MusArt (with the corporate S.A. de C.V.). At the bottom center, the pressing-side identifier MPI 80152 - A is printed, which is exactly the kind of tiny “don’t skip it” detail that separates a casual photo from an archival one.
This is the MusArt Side One label for WILLIE COLON – "Exitos", with catalog MPI 80152. The label combines a bold text hierarchy (title/artist/rights) with a high-visibility color-burst graphic that makes this specific design easy to identify while the record is on the platter.
Willie Colon is an American musician, composer, and producer of Puerto Rican descent, known for his huge role in shaping salsa. Born on April 28, 1950, in the South Bronx, New York City, Colon became one of the most influential figures in modern Latin music, with a career that helped define the New York salsa sound and its global reach.
Colon's career began in the 1960s when he was still a teenager. He was signed to Fania Records at a young age and soon formed his classic partnership with singer Hector Lavoe, creating some of the most iconic salsa of the 1970s, including staples like "El Malo," "Che Che Colé," and "La Murga."
Colon's music is known for its powerful brass arrangements, sophisticated percussion, and street-level storytelling that often reflects social realities around the Latino community in New York. That mix of hard rhythm, sharp horn writing, and real-world themes is a big part of why his records still feel direct and current decades later.
One of Colon's most significant contributions to Latin music was pushing salsa forward with bold arranging, strong concepts, and high-profile collaborations inside the genre. His work spans major partnerships and projects across the Fania era and beyond, showing how flexible salsa can be without losing its backbone.
Colon's influence extends beyond his recordings. He has also been active in community and political work in New York, using his visibility to speak up on civic and social issues connected to Latino life in the United States.
Today, Colon's legacy continues to echo across salsa, Latin jazz, and beyond, and his catalog has crossed into hip-hop sampling culture as well. The sound is so signature that even a short horn phrase can give him away in seconds.
MusArt MPI 80152, 1990, Mexico
Éxitos is a greatest hits collection from Willie Colón, capturing the energy and brilliance of his groundbreaking salsa career. Featuring classic tracks from his work with Héctor Lavoe and solo hits alike, the album offers a vibrant journey through Colón’s golden years and the sound that defined a generation of Latin music lovers.
This self-titled album by Willie Colón and Rubén Blades showcases the powerful collaboration between two salsa giants. Combining Colón’s trombone-driven arrangements with Blades’ socially conscious lyrics, the album delivers a potent mix of rhythm, poetry, and political edge — here in a rare Cuban pressing.
Learn more
This bold 12" EP from Willie Colón blends salsa, Latin jazz, and dancefloor-ready rhythms. Produced with Yvonne Turner in New York, the release features extended mixes that push Colón’s sound into electro-Latin territory. A rare experiment in crossover grooves, it highlights his fearless approach during the late 1980s.
Learn more