- This release of "Empty Glass" was intended for the market in France.
"Empty Glas"s was released in 1980 as the first "Pete Townsend" solo album. The album deals with a plethora of issues that Townshend was struggling with, including alcoholism, drug abuse, marital problems and deceased friends. "Empty Glas"s also contained the devotional love song, "Let My Love Open the Door", which became a top ten hit single in the United States, along with the other (modestly successful) singles, "Rough Boys" and "A Little Is Enough". The album was rated #57 on Rolling Stone's list of 100 Greatest Albums of the 1980s.
If there's one name that stands out in the world of rock and roll, it's undoubtedly Pete Townshend. Known for his iconic role as the guitarist and primary songwriter for the legendary band The Who, Townshend ventured into the realm of solo music with his 1980 release, "Empty Glass". This album not only marked a significant departure from his work with The Who but also delved into deeply personal themes. In this article, we'll explore the background of "Empty Glass", its themes, and its production, with a special focus on the French 12" Vinyl LP release.
The Birth of "Empty Glass"
Released by ATCO Records in 1980, "Empty Glass" was Pete Townshend's first solo album. It marked a crucial point in Townshend's career and personal life. The album's title alone hints at the emotional turmoil Townshend was grappling with during its creation. It's a reflection of his struggles with alcoholism, drug abuse, marital problems, and the loss of close friends. This raw and introspective album gave fans a glimpse into Townshend's inner world.
The Hit Singles
"Empty Glass" yielded several notable singles. Among them, "Let My Love Open the Door" stands out as a timeless classic. This devotional love song struck a chord with listeners and became a top-ten hit single in the United States. The album also featured other modestly successful singles, including "Rough Boys" and "A Little Is Enough". These songs showcased Townshend's songwriting prowess and his ability to craft melodies that resonated with a wide audience.
Critical Acclaim
"Empty Glass" received critical acclaim upon its release and has maintained its reputation over the years. Rolling Stone magazine included the album at #57 on its list of 100 Greatest Albums of the 1980s. This recognition solidified the album's place in the pantheon of classic rock.
Production Details
Now, let's turn our attention to the specific French release of "Empty Glass" on a 12" Vinyl LP under the ATCO label (ATC 50699). Understanding the production details adds an extra layer of appreciation for collectors like you:
Producers: The album was a collaborative effort between Pete Townshend and Chris Thomas.
Sound/Recording Engineer: Steve Nye played a pivotal role in capturing the album's distinctive sound.
Recording Studios: The tracks for "Empty Glass" were laid down at various studios, including Eel Pie Studios, Air Studios, and Sterling Sound in New York City, New York. Each studio contributed to the album's unique sonic texture.
Album Cover Design: The album's striking cover design was the work of Bob Carlos Clarke.
Models: The female models featured on the album cover were Lindsey and Julie, adding an artistic and visually captivating element to the release.
Each track on "Empty Glass" contributes to the album's narrative, offering listeners a rich tapestry of emotions and musical exploration.
Music Genre: Rock |
Production information: The album: "PETE TOWNSEND - Empty Glass" was produced by: Pete Townshend Chris Thomas Sound/Recording Engineer(s): Steve Nye This album was recorded at: Eel Pie Studios, Air Studios, Sterling Sound, New York City New York Album cover design: Bob Carlos Clarke
Bob Carlos Clarke, who shot the cover, was a legendary photographer known for blending fashion, erotica, and a bit of that dark, edgy glam vibe — perfect match for Townshend’s headspace at the time.
Female models: Lindsey Look and Julie Richards
Lindsey Look was a British model and actress who appeared in a few other artsy photo shoots in the late '70s and early '80s. Julie Richards is a bit more of a mystery — there's way less public info about her, but she was active in London’s modeling scene around that time.
|
Album Production Information: Produced by Chris Thomas |
Record Label & Catalognr: ATCO ATC 50699 |
Media Format: 12" LP Vinyl Gramophone Record |
Year 1980 France |
Complete Track Listing of: Pete Townsend - Empty Glass |
|
Detailed Description:
The album cover for Pete Townshend's "Empty Glass" shows a striking, sepia-toned photograph. In the center, Pete Townshend sits at a table wearing a light-colored, slightly wrinkled suit jacket, a white shirt, and a black narrow tie. His expression is serious and introspective, his beard stubbly, and his slightly unkempt hair surrounded by a glowing halo-like ring of light, creating a surreal, almost religious visual effect.
On either side of him are two glamorous women. The woman to the left (Townshend's right) has voluminous, curly platinum blonde hair and dark, heavy eye makeup. She leans toward him provocatively, wearing a sheer, flowing garment. In front of her sits a dark wine bottle and a half-filled glass, symbolizing indulgence and decay.
The woman to the right (Townshend's left) has long, crimped, and wild blonde hair cascading over her shoulder. Her makeup is dark and dramatic, her stare intense. She clings to Townshend's shoulder in a somewhat protective yet desperate manner, wearing a similar sheer outfit with ruffled sleeves.
The entire composition is bathed in a gritty, smoky atmosphere, giving it a raw, edgy tone. The pink neon-like text at the top reads "PETE TOWNSHEND" on the left and "EMPTY GLASS" on the right, adding a jarring pop of color against the muted background. The photo captures a moment of vulnerability, vice, and haunting introspection, perfectly mirroring the album's themes of spiritual emptiness and emotional turmoil.
Detailed Description:
The back cover of Pete Townshend's "Empty Glass" presents a visually altered and layered version of the front image. Pete Townshend remains at the center, wearing the same light suit, black tie, and white shirt. However, this time he sports a gentle, almost mischievous smile. The halo around his head remains, reinforcing the ironic 'saintly' imagery amid themes of inner turmoil.
On either side of him, the two women from the front cover appear again, but now they are represented as ghostly white silhouettes, almost like unfinished sketches or faded memories. Their facial features and outlines are faint and fragmented, creating a stark contrast to the detailed realism of Townshend's face. This visual effect adds a surreal, haunting quality to the cover, emphasizing emotional distance and loss.
In the foreground, the dark wine bottle and glass reappear, but the colors have been muted to soft, ghostly greens and reds, blending slightly into the pale background. Below the image, the tracklist is printed in a minimalistic font, listing all ten tracks from the album, along with credits stating that all songs were written by Pete Townshend, produced by Chris Thomas, and engineered by Bill Price.
At the top right corner, small white text indicates catalog numbers for Germany and France, accompanied by a sticker with the handwritten price. The overall mood is a strange mix of nostalgia, melancholy, and ironic sanctity, perfectly tying back to the album's themes of emotional emptiness and self-reflection.
"Empty Glass" Record Label Details: Grey Colour ATCO ATC 50699, SACEM ℗ 1980 Atlantic Recording Corporation Sound Copyright
Detailed Description:
This is a close-up photo of the record label for Side One of Pete Townshend's "Empty Glass" 12" vinyl LP, French ATCO pressing, catalog number ATC 50699. The label is a muted grey color with a light purple ATCO logo repeating along the top in a semi-circular pattern.
Centered at the top is the bold black text "Pete Townshend" and "Empty Glass." Below that, the words "STEREO" and the SACEM SDRM SACD SGDL rights societies box are clearly visible. The text indicates that this is "Side One."
The tracklist for Side One is printed in black text:
Production credits note that all songs were written by Pete Townshend, produced by Chris Thomas, and engineered by Bill Price. The copyright at the bottom reads "© 1980 Atlantic Recording Corporation."
Additional details around the outer edge include warnings against unauthorized reproduction, plus a mention that the record was made in Germany by WEA Musik GmbH, with "LC 0120" printed inside a small circle. The pressing speed "33" is also indicated at the bottom center.
The overall presentation is clean, with a minimalist but functional design typical of early 1980s vinyl records, giving the label a classic and collectible appearance.
The inception of "By Numbers" can be traced back to the band's desire to explore new sonic territories. The early 1970s saw The Who experimenting with their sound, and "By Numbers" emerged as a testament to their evolution.
By Numbers 12" Vinyl LP"Tommy" raconte l'histoire d'un garçon "sourd, muet et aveugle" qui devient un virtuose du flipper et un leader spirituel. Le concept a été imaginé par Pete Townshend, guitariste et principal compositeur de The Who.
Extraits de L'Opera Rock Tommy 12" Vinyl LP"Face Dances" marked a departure from the band's earlier hard rock sound, incorporating elements of new wave and synthesizers. The album's creation unfolded against a backdrop of both excitement and uncertainty
Face Dances 12" Vinyl LP"Live at Leeds" is The Who's first live album, and is the only live album that was released while the group were still recording and performing regularly. It is often cited as the best live rock album of all time
Live at Leeds 12" Vinyl LP"Meaty Beaty Big & Bouncy" offers an impressive selection of The Who's iconic songs. Opening with the energetic and rebellious anthem "I Can't Explain", the album sets the stage for the band's distinctive style.
Meaty Beaty Big & Bouncy (Germany) Meaty Beaty Big & Bouncy (Gt Britain)In the autumn of 1973, while Roger Daltrey, Pete Townshend, and Keith Moon were preparing for the Tommy film, John Entwistle was put in charge of compiling an album to counter the rampant bootlegging that occurred at The Who's concerts
Odds and Sods 12" Vinyl LP"Quadrophenia" is not just an album; it's a rock opera that delves into the mod subculture of the 1960s. The term "Quadrophenia" itself is a portmanteau of "quadrophonic" and "schizophrenia
Quadrophenia (Germany, Track Records Quadrophenia (USA)The genesis of "Tommy" can be traced back to Pete Townshend's desire to experiment with a more ambitious musical format. Frustrated by the constraints of traditional albums, Townshend envisioned a rock opera
Tommy Rock Opera Deluxe Box-Set 12" Vinyl 2LPThe album tells the story of a young boy named Tommy, who becomes deaf, dumb, and blind after witnessing a traumatic event. Despite his disabilities, Tommy becomes a pinball champion and a cult-like figure for his followers
Tommy Track Records 12" Vinyl LPRare 1971 French pressing of The Who's "Disque D'or" on Impact Records. This compilation album features classic tracks like "I Can See For Miles," "Boris The Spider," and "Armenia City In The Sky."
Self-Titled 12" Vinyl LP"Who's Next" is a musical odyssey that defies conventions and transcends boundaries. From the moment the needle touches the vinyl, listeners are transported to a sonic landscape where each track tells a unique story.
Who's Next 12" Vinyl LPCatalognr: ATCO ATC 50699
Empty Glass (1980): Pete Townshend’s majestic trainwreck on wax. It’s got everything — booze-fueled wisdom, existential whining, and bangers you can cry-dance to. This French pressing delivers every beautiful mess straight to your ears, perfect for nights when you question all your life choices. Cheers!
Empty French Release