"Bad Medicine" Album Description:
In the world of rock music, certain albums and singles stand as iconic representations of an era. Bon Jovi's "Bad Medicine" 12" Vinyl EP Album, released in 1988, epitomizes the musical landscape of that time. Produced by the renowned Bruce Fairbairn and featuring the skilled hands of sound engineer Bob Rock, this record holds a special place in the hearts of music enthusiasts.
During the late 1980s, the rock scene was marked by a fusion of energetic performances, flamboyant style, and a rebellious spirit. "Bad Medicine" encapsulates these elements with its pulsating rhythms and infectious energy. The title track, occupying Side One of the vinyl, emerged as a powerhouse anthem, reflecting the band's ability to capture the zeitgeist of the era.
"99 In The Shade," the second track on Side One, showcases Bon Jovi's versatility. The song, with its blend of rock and bluesy elements, adds depth to the EP, illustrating the band's willingness to explore diverse musical territories.
Flipping to Side Two, the live performances of "You Give Love a Bad Name" and "Livin' On a Prayer" catapult the listener into the heart of a Bon Jovi concert experience. These live renditions not only pay homage to the band's stage prowess but also serve as a testament to their connection with a devoted fanbase.
The production of the "Bad Medicine" EP underscores the collaborative brilliance of producer Bruce Fairbairn and sound engineer Bob Rock. Fairbairn's keen understanding of rock dynamics and Rock's technical finesse melded seamlessly, creating a sonic tapestry that elevated Bon Jovi's music to new heights.
Released in Germany on the Vertigo Record Label, this EP became a global sensation, reaching audiences far and wide. Its success can be attributed not only to Bon Jovi's magnetic presence but also to the meticulous production that brought out the best in their performance.
Album Production Information:
Produced by Bruce Fairbairn
Bruce Fairbairn was a Canadian record producer who rose to prominence in the 1980s for shaping the sound of hard rock and metal. Known for his polished, radio-friendly production style, he worked with major acts like Krokus, Loverboy, Bon Jovi, and Aerosmith. His ability to blend heavy riffs with commercial appeal made him a key music producer in '80s rock production.
Sound engineer: Bob Rock
Bob Rock – Producer, Sound EngineerThe studio wizard who helped turn hard rock into stadium-sized thunder (and even grabbed a bass for Metallica when the job got awkward). Read more... Bob Rock, I file his name under "the guy who makes bands sound like they bench-press mountains." He cut his teeth at Vancouver's Little Mountain Sound Studios (starting in 1976), then graduated from behind-the-glass detail freak to full-on hit-forge producer. As a performer he wasn't just a studio shadow: he was in Payola$ (formed 1978), teamed up as Rock and Hyde (1987), released music with Rockhead (1991), and in the ultimate "wait, what?" moment he played all the bass parts on Metallica's "St. Anger" and even served as their live bassist from Jason Newsted's 2001 exit until Robert Trujillo joined in February 2003. Production-wise, his fingerprints are all over huge, loud turning points: Mötley Crüe's "Dr. Feelgood" (1989), The Cult's "Sonic Temple" (1989), and Metallica's self-titled "Black Album" (1991) are basically proof that polish and punch can coexist without filing off the danger. He is the rare producer who can make a band sound bigger without making them sound fake, which is a small miracle in rock history.Bob Rock Wiki |
Record Label & Catalognr:
Orange/Yellow Vertigo AA 872 185 (872185) |
Media Format:
45Rpm 12" Vinyl EP Maxi-Single Gramophone Record
Album weight: 200 gram |
Year & Country:
1988 Made in Germany |
