"Gross Misconduct" is the 1989 studio album by the American Crossover Thrash Metal band M.O.D. , it was produced by "Alex Perialas" and recorded at the "Pyramid Sound" in New York.
This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.
In the realm of crossover thrash metal, M.O.D. (Method Of Destruction) has solidified their place as a force to be reckoned with. With their explosive energy, blistering riffs, and unapologetic lyrics, M.O.D.'s 1989 studio album "Gross Misconduct" stands as a testament to their raw power and rebellious spirit. Produced by the talented Alex Perialas and recorded at the iconic Pyramid Sound in New York, this 12" vinyl LP is a classic gem in the genre's history.
Album Production and Design:
"Gross Misconduct" bears the mark of an album crafted with passion and expertise. Produced by Alex Perialas, who has worked with renowned metal acts such as Anthrax and Testament, the album demonstrates a keen understanding of the genre's intricacies. Perialas' meticulous attention to detail brings out the best in M.O.D.'s sound, capturing their fierce intensity and in-your-face attitude.
The album's custom inner sleeve contains essential album details, including complete lyrics for all songs, allowing listeners to fully immerse themselves in M.O.D.'s confrontational storytelling. Accompanied by captivating photos of the band, the inner sleeve adds an extra layer of visual engagement, enhancing the overall experience for fans.
Album Personnel:
M.O.D. comprises a lineup of talented musicians, each contributing their unique skills to the band's explosive sound. Leading the charge is vocalist Billy Milano, known for his work with the influential Stormtroopers Of Death (S.O.D.). Milano's commanding presence and aggressive delivery make him a formidable frontman, driving the album's lyrical content with unyielding fervor.
Louie Svitek's guitar work on "Gross Misconduct" is nothing short of exceptional. His razor-sharp riffs and blistering solos electrify each track, adding an extra layer of ferocity to the band's sonic assault. Bassist John Monte and drummer Tim Mallare form a tight-knit rhythm section, providing the backbone for the album's relentless thrash assault.
Artistic Contributions:
Behind the lens, Mark Weiss, a renowned photographer in the metal scene, captures the band's energy and intensity with striking visuals. Weiss's ability to capture raw emotion through his lens adds depth to the album's artwork, showcasing M.O.D. in all their unadulterated glory.
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Music Genre: Hardcore Punk Crossover Thrash Metal |
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Album Production information:
The album: "Gross Misconduct" was produced by: Alex Perialas, Published by Kabuna Music Rob "Wacko" Hunter - Sound Engineer Rob "Wacko" Hunter is an esteemed sound engineer whose passion for music and technical expertise has made him a driving force in the entertainment industry. With an exceptional ear for audio perfection and a creative flair, Wacko has played a pivotal role in shaping the sound of countless concerts, recordings, and live events.
Early Life and Musical Journey: As a teenager, Wacko immersed himself in the local music scene, playing guitar in various bands and attending countless concerts. Recognizing his talent for understanding the intricacies of sound, he decided to pursue a career in audio engineering.
Education and Professional Training: As part of his education, Wacko sought out internships and apprenticeships with established recording studios and live event production companies. These opportunities allowed him to work alongside experienced professionals, gaining hands-on experience and refining his technical abilities.
Career Breakthrough: His breakthrough came when he was approached by a renowned band to engineer their upcoming world tour. Wacko's innovative approaches to live sound and his unwavering commitment to quality captured the attention of industry insiders. From that point forward, his reputation as a top-tier sound engineer skyrocketed.
Collaborations and Milestones: Among his many milestones, Wacko engineered a critically acclaimed album that topped the charts and received numerous awards. He also had the honor of working on a groundbreaking live concert, featuring cutting-edge audiovisual technology that pushed the boundaries of what was thought possible in the industry.
Personal Philosophy and Legacy: Beyond his technical expertise, Wacko is known for his humility, professionalism, and ability to create a positive and collaborative working environment. His passion for music and unwavering pursuit of sonic excellence have earned him the respect and admiration of his peers, solidifying his legacy as one of the most influential sound engineers of his time. Alex "The Boy Pharoah" Perialas - Sound Engineer, Producer In my book, his credit is the “this is gonna hit hard” stamp—Pyramid Sound vibes all day. Read more... Alex Perialas is an American audio engineer, mixer, and record producer who helped lock in the tight, punchy thrash sound of the mid-1980s through the early 1990s from Pyramid Sound Studios in Ithaca, New York—working with bands like Anthrax, Overkill, Testament, Nuclear Assault, S.O.D., and Flotsam & Jetsam. Later on, his work stretches into other lanes (Bad Religion, Pro-Pain), and he’s also been tied to teaching sound recording at Ithaca College—because apparently someone had to explain to the next generation how to make guitars sound like a chainsaw with manners. Marsha Zazula - Producer Marsha Zazula is the quiet force behind a lot of “how did this band get big?” stories: early Megaforce years with Metallica (1982–1983), then key credits with Raven (1985), Anthrax (1988–1990), Overkill (1988–1989), and Testament (1987). Read more... Marsha Zazula, I file her under “people who changed metal without ever needing a guitar solo.” Together with Jonny Z, she co-founded Megaforce Records in 1982, and that one move basically helped flip American metal from tape-trader rumor into a real-world industry machine. Her “periods” with bands weren’t on stage, but they were all over the credits: the early Megaforce launch with Metallica when the label put out “Kill ’Em All” (1983), a producer/executive presence around Raven on “Stay Hard” (1985), and then the heavy thrash stretch where Jon and Marsha show up as executive producers/management for Anthrax (notably “State of Euphoria” in 1988 and “Persistence of Time” in 1990). She’s also credited in that same behind-the-scenes power lane with Overkill (executive production on “Under the Influence” in 1988 and “The Years of Decay” in 1989) and Testament’s debut “The Legacy” (1987). The thing I respect most is how unglamorous the work actually is—phones, logistics, money stress, belief—and she still helped build a runway for bands that would go on to define entire subgenres. Tom Coyne - Mastering Engineer Tom Coyne (1954-2017) was a highly respected mastering engineer known for shaping the sound of countless iconic albums. With a career spanning decades, he worked with legends like Madonna, U2, and The Rolling Stones. His mastery of both analog and digital techniques earned him multiple Grammy accolades. Learn more about his legacy here.
Mark (Weiss Guy) Weiss - Photographer |
| Packaging: This album includes the original custom inner sleeve with album details, complete lyrics of all songs by and photos of MOD |
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Record Label & Catalognr: Noise International N 0133 |
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Media Format: 12" Vinyl Full-Length Stereo LP Gramophone RecordAlbum weight: 220 gram |
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Year & Country: 1989 Made in Germany |
Band Members and Musicians on: M.O.D Gross Misconduct (MOD Method Of Destruction) |
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Complete Track Listing of: "Gross Misconduct" |
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The Song/tracks on "Gross Misconduct" are
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Album Cover Photo Gallery of: M.O.D Gross Misconduct (MOD Method Of Destruction) |
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| Photo of "Gross Misconduct" Album's Back Cover |
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
Noise International N 0133 , 1989 , Made in Germany
"Gross Misconduct" is the 1989 studio album by the American Crossover Thrash Metal band, it was produced by "Alex Perialas" and recorded at the "Pyramid Sound" in New York.
Gross Misconduct 12" Vinyl LP
Caroline Records Carol 1359 , 1988 , Made in USA
'Surfin M.O.D' is the second album released by Method of Destruction, this album showcases the band's irreverent humor and crossover thrash sound. Released in 1988, it features tracks like "Surfin' M.O.D." and "Speak English or Die", cementing its place in punk rock history.
Surfin 12" Vinyl LP
Noise International N 0089 / SPV 08-4446 , 1987 , EEC
"U.S.A. for MOD" is the first full-length album by the "M.O.D." band. It is a landmark album that helped shape the sound and ethos of the crossover thrash genre. Its mix of punk rock, metal, and hardcore, combined with its politically charged lyrics, make it a timeless classic that still resonates with fans today.
U.S.A. for M.O.D. 12" Vinyl LP
