- USA Release on Metal Blade Records with Bloody Axe Logo
Slayer - Haunting Of The Chapel
Slayer’s "Haunting the Chapel" isn’t just an EP — it’s a battle cry, a declaration that thrash was about to get nastier, faster, and more brutal than ever. Released in 1984, this unholy trinity of sonic violence—"Chemical Warfare," "Captor of Sin," and the title track—shows Slayer sharpening their sound into a razor-edged assault. The riffs are molten, Lombardo’s drums hit like war cannons, and Araya’s screams summon something primal. This wasn’t just a step toward greatness—it was a blood-splattered leap into metal history, a gateway into the chaos that would define their reign.
“Haunting the Chapel” is the moment Slayer stopped knocking on the door of extreme metal and kicked it clean off its hinges. Released in 1984, this short but vicious EP captured the band mid-mutation, shedding the last traces of NWOBHM worship and locking into something leaner, nastier, and far less polite. It doesn’t waste time explaining itself. It just grabs you by the collar and drags you into the pit.
By 1984, American metal was splitting at the seams. Glam was polishing its hair in Los Angeles, while the underground was getting faster, louder, and angrier by the week. Thrash metal was still half-feral, traded on tapes and word of mouth, and places like California were turning teenage frustration into velocity. This EP landed right in that pressure point, when speed mattered more than finesse and conviction beat credibility.
Slayer had already fired a warning shot with “Show No Mercy”, but they weren’t satisfied. Touring hard, playing faster, and absorbing punk’s aggression, the band tightened their sound instead of smoothing it out. Backed by Metal Blade Records and shepherded by people who understood the underground, Slayer went into the studio not to evolve gently, but to sharpen the blade.
The music here feels like it’s constantly on the verge of flying apart. The riffs are jagged and urgent, the drums hit with military precision, and the vocals sound less sung than unleashed. Songs like “Chemical Warfare” don’t build atmosphere so much as detonate it, while the title track leans into a darker, almost ritualistic menace that hinted at where Slayer would soon go.
In the same era, bands like Metallica and Exodus were expanding thrash with structure and melody. Slayer went the opposite direction. Where others refined, Slayer stripped things down to speed, hostility, and unease. Compared to contemporary releases, this EP feels more dangerous, less controlled, and far less interested in winning anyone over.
The imagery and lyrical themes didn’t exactly invite polite discussion. Some listeners recoiled, others leaned in closer. Accusations of shock value came quickly, but the underground understood what was happening. This wasn’t provocation for attention; it was a band expressing exactly how extreme they wanted their music to be. Critics debated. Fans just turned it up.
You can hear a group locking into its identity in real time. The playing is tighter, the intent clearer, and the chemistry undeniable. There’s no sense of compromise here, just four musicians pulling in the same brutal direction. Any internal tensions were drowned out by speed, sweat, and a shared hunger to go further than last time.
At the time, this EP felt like an escalation. In hindsight, it sounds like a blueprint. Fans still talk about it as the bridge between early promise and full-scale domination. It’s short, uncompromising, and eternally restless. Decades later, the grooves still smell faintly of beer, concrete floors, and the exact moment thrash metal realized it could be truly dangerous.
Music Genre: Thrash Metal Music |
Collector's info: Rare 12" EP with 3 tracks , Lyrics of all the songs by Slayer are printed on the back of the album cover. |
Album Production: Produced by Brian Slagel. Founder of Metal Blade Records and one of the prime movers behind the 1980s heavy metal underground, responsible for bringing countless cult bands into the daylight. Read more... Brian Slagel is widely regarded as one of the key architects of modern heavy metal. In 1982, he founded Metal Blade Records, initially as a passion project to document the rising underground scene. The label quickly became a launchpad for bands such as Metallica, Slayer, Mercyful Fate, and Trouble, helping transform tape-trading obscurities into global forces. Alongside his role as a label head, Slagel also worked as a producer with acts like Flotsam and Jetsam, Exciter, and Trouble, leaving a lasting imprint on the sound and infrastructure of 1980s metal. Sound/Recording engineer: Bill Metoyer, recorded at Track Records Legendary Metal Blade in-house producer who helped define the raw, aggressive sound of 1980s heavy metal. Read more... Bill Metoyer is a highly influential producer and sound engineer whose work became a cornerstone of American heavy metal in the 1980s. As Vice President and in-house engineer at Metal Blade Records, he was directly responsible for capturing the raw intensity and unpolished power of bands like Slayer, Armored Saint, and Flotsam and Jetsam. His production style favored clarity without sanding off the aggression, helping underground metal sound dangerous, immediate, and unmistakably alive. |
Record Label: Metal Blade Records MBR 1024 / 71083 , Marketed by Restless Records |
Record Media Format 12" Vinyl EP Record |
Year & Country: 1984 Made in USA |
Band Members and Musicians on: Slayer Haunting of the Chapel |
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Complete Track Listing of: Slayer Haunting of the Chapel |
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The album cover of Slayer's "Haunting the Chapel" is visually striking and embodies the dark, aggressive aesthetic of early thrash metal. The background is a deep, solid black, making the central design elements stand out starkly.
At the top, the album title, "Haunting the Chapel," is written in a jagged, dripping red font, evoking the imagery of blood splattered across the cover. The letters have an irregular, rough-edged appearance, intensifying the sinister tone.
The centerpiece of the cover is a white circular emblem with a large inverted pentagram at its core. The pentagram is outlined in red, reinforcing the album's ominous theme. The band's name, "Slayer," is emblazoned across the pentagram in an aggressive, angular font that appears almost slashed into place, giving it a raw, unrefined energy.
Behind the emblem, four swords cross at sharp angles, their handles adorned with ornate crosses, creating a striking contrast between religious symbolism and the band's rebellious imagery. Blood drips from the tips of the swords and the lower parts of the pentagram, adding to the violent and chaotic aesthetic.
At the bottom, a single sword is positioned horizontally, its blade resting in a small pool of blood, visually reinforcing the album’s aggressive and macabre themes.
This cover art perfectly encapsulates Slayer's early thrash metal ethos—unapologetically dark, chaotic, and dripping with intensity.
This image shows a close-up of the Side One label of Slayer’s "Haunting the Chapel" vinyl record, released by Metal Blade Records. The label has a cream-colored background with black text and features Metal Blade Records' iconic logo at the top.
The logo consists of a stylized battle axe with a wrapped handle, partially embedded in a circular saw blade. The lower half of the blade is blood red, and several droplets of blood drip downward, reinforcing the label’s aggressive, heavy metal aesthetic. The name "Metal Blade Records" is printed in bold, capitalized, black letters just below the logo.
The border of the label is adorned with a continuous chain-link pattern, encircling the entire design. This adds to the industrial and hardcore feel of the presentation.
The label provides key information about the record. On the left side, the text " SIDE ONE " is displayed, followed by " 33⅓ RPM ," indicating the playback speed. On the right side, the catalog number " MBR 1024 / 71083 " is printed.
Centered on the label is the band's name, "Slayer," in bold uppercase letters, followed by the EP title, " 'Haunting the Chapel' ," enclosed in quotation marks. Below, the track listing for Side One is displayed, featuring " 1. Chemical Warfare – 6:01 ," with songwriting credits given to " (Hanneman/King) ."
At the bottom, the publishing information states that the song is published by Bloody Skull Music, Amgine Music, and Bug Music (BMI), with administration handled by Bug Music. Finally, the label includes the copyright notice " © 1984 Metal Blade Records ."
The record's center hole is visible in the middle of the label, surrounded by a subtle indentation, emphasizing its placement on the vinyl disc.
This label design captures the raw and aggressive essence of Slayer’s early years, perfectly complementing the band’s intense, high-speed thrash metal sound.
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Black Serenade 12" Vinyl LP
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Christ Illusion 12" Vinyl LP
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Diabolus in Musica 12" Vinyl LP
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Eyes of the insane (Red Vinyl) 7" Vinyl Single
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God Hates Us All 12" Vinyl LP
Slayer's 1984 EP "Haunting the Chapel" showcased their evolving thrash metal sound. Despite sharing the same haunting cover as the US release, the Canadian Banzai 12" Vinyl LP edition holds collector's appeal
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Released in 1985, "Hell Awaits" was the sophomore album from Slayer, following their debut opus, "Show No Mercy." It marked a significant evolution in their sound, as they delved deeper into the dark and macabre territories
Hell Awaits 12" Vinyl LP
Slayer's "Live in Montreux - 2002" captures their fiery 2002 performance at the Swiss Jazz Festival. This double LP unleashes thrash anthems like "Raining Blood" and "Angel of Death" on hot wax,
Live in Montreux 2002 12" Vinyl 2LP
This reissue includes the bone-crushing bonus track "Chemical Warfare," a studio scorcher that complements the raw energy of the live recordings.
SLAYER - Live Undead ( Record Label with Blood Dripping AXE ) SLAYER - Live Undead (Record Label with Red Guitar)
Metal Blade Records 3984-14033-1, 1984 , USA
A feral snapshot of Slayer at the moment they stopped warming up and started burning cities. This limited blue vinyl pairs the raw, chaotic violence of the “Live Undead” EP with the studio brutality of “Haunting the Chapel,” capturing the band just before thrash metal fully detonated. Fast, ugly, and gloriously unpolished, this release documents Slayer’s transition from underground menace to genre-defining force.
Slayer’s Reign in Blood (1986) is a thrash metal masterpiece renowned for its relentless speed and aggression. Featuring iconic tracks like ‘Angel of Death’ and ‘Raining Blood,’ the album set a new standard for the genre. Its dark themes and technical brilliance earned critical acclaim, making it a landmark release in heavy metal history and a pivotal influence on countless bands.
Reign in Blood 12" Vinyl LP
This album Seasons in the Abyss is the fifth studio album by American thrash metal band Slayer. It was released on 9 October 1990, through Def American Records, and later through American Recordings
Seasons in the Abyss 12" Vinyl LP
"Show No Mercy" Three different versions of coloured vinyl, originally released in December 1983. Brian Slagel signed the band to Metal Blade after watching the band perform the song "Phantom of the Opera" by Iron Maiden.
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