SLAYER - Haunting of the Chapel 12" Vinyl EP Album

- USA Release on Metal Blade Records with Bloody Axe Logo

Slayer - Haunting Of The Chapel

Slayer’s "Haunting the Chapel" isn’t just an EP — it’s a battle cry, a declaration that thrash was about to get nastier, faster, and more brutal than ever. Released in 1984, this unholy trinity of sonic violence—"Chemical Warfare," "Captor of Sin," and the title track—shows Slayer sharpening their sound into a razor-edged assault. The riffs are molten, Lombardo’s drums hit like war cannons, and Araya’s screams summon something primal. This wasn’t just a step toward greatness—it was a blood-splattered leap into metal history, a gateway into the chaos that would define their reign.

"Haunting the Chapel" (1984) Album Description:

“Haunting the Chapel” is the moment Slayer stopped knocking on the door of extreme metal and kicked it clean off its hinges. Released in 1984, this short but vicious EP captured the band mid-mutation, shedding the last traces of NWOBHM worship and locking into something leaner, nastier, and far less polite. It doesn’t waste time explaining itself. It just grabs you by the collar and drags you into the pit.

The world Slayer stepped into

By 1984, American metal was splitting at the seams. Glam was polishing its hair in Los Angeles, while the underground was getting faster, louder, and angrier by the week. Thrash metal was still half-feral, traded on tapes and word of mouth, and places like California were turning teenage frustration into velocity. This EP landed right in that pressure point, when speed mattered more than finesse and conviction beat credibility.

How this record came to exist

Slayer had already fired a warning shot with “Show No Mercy”, but they weren’t satisfied. Touring hard, playing faster, and absorbing punk’s aggression, the band tightened their sound instead of smoothing it out. Backed by Metal Blade Records and shepherded by people who understood the underground, Slayer went into the studio not to evolve gently, but to sharpen the blade.

The sound: speed, menace, no safety rails

The music here feels like it’s constantly on the verge of flying apart. The riffs are jagged and urgent, the drums hit with military precision, and the vocals sound less sung than unleashed. Songs like “Chemical Warfare” don’t build atmosphere so much as detonate it, while the title track leans into a darker, almost ritualistic menace that hinted at where Slayer would soon go.

Standing next to its peers

In the same era, bands like Metallica and Exodus were expanding thrash with structure and melody. Slayer went the opposite direction. Where others refined, Slayer stripped things down to speed, hostility, and unease. Compared to contemporary releases, this EP feels more dangerous, less controlled, and far less interested in winning anyone over.

Reactions, raised eyebrows, and volume knobs

The imagery and lyrical themes didn’t exactly invite polite discussion. Some listeners recoiled, others leaned in closer. Accusations of shock value came quickly, but the underground understood what was happening. This wasn’t provocation for attention; it was a band expressing exactly how extreme they wanted their music to be. Critics debated. Fans just turned it up.

Inside the band at this point

You can hear a group locking into its identity in real time. The playing is tighter, the intent clearer, and the chemistry undeniable. There’s no sense of compromise here, just four musicians pulling in the same brutal direction. Any internal tensions were drowned out by speed, sweat, and a shared hunger to go further than last time.

Then and now

At the time, this EP felt like an escalation. In hindsight, it sounds like a blueprint. Fans still talk about it as the bridge between early promise and full-scale domination. It’s short, uncompromising, and eternally restless. Decades later, the grooves still smell faintly of beer, concrete floors, and the exact moment thrash metal realized it could be truly dangerous.

Music Genre:

Thrash Metal Music 

Collector's info: 

Rare 12" EP with 3 tracks , Lyrics of all the songs by Slayer are printed on the back of the album cover.

Album Production: 

Produced by Brian Slagel.

  • Brian Slagel – Producer, Record Company Owner

    Founder of Metal Blade Records and one of the prime movers behind the 1980s heavy metal underground, responsible for bringing countless cult bands into the daylight.

    Brian Slagel is widely regarded as one of the key architects of modern heavy metal. In 1982, he founded Metal Blade Records, initially as a passion project to document the rising underground scene. The label quickly became a launchpad for bands such as Metallica, Slayer, Mercyful Fate, and Trouble, helping transform tape-trading obscurities into global forces. Alongside his role as a label head, Slagel also worked as a producer with acts like Flotsam and Jetsam, Exciter, and Trouble, leaving a lasting imprint on the sound and infrastructure of 1980s metal.

  • Sound/Recording engineer: Bill Metoyer, recorded at Track Records

  • Bill Metoyer – Producer, Sound Engineer

    Legendary Metal Blade in-house producer who helped define the raw, aggressive sound of 1980s heavy metal.

    Bill Metoyer is a highly influential producer and sound engineer whose work became a cornerstone of American heavy metal in the 1980s. As Vice President and in-house engineer at Metal Blade Records, he was directly responsible for capturing the raw intensity and unpolished power of bands like Slayer, Armored Saint, and Flotsam and Jetsam. His production style favored clarity without sanding off the aggression, helping underground metal sound dangerous, immediate, and unmistakably alive.

  •  Record Label: 

    Metal Blade Records MBR 1024 / 71083 , Marketed by Restless Records

     Record Media Format

    12" Vinyl EP Record

    Year & Country:

    1984 Made in USA
    Band Members and Musicians on: Slayer Haunting of the Chapel
      Slayer's Band-members, Musicians and Performers
    • Tom Araya - Vocals, Bass
    • Tom Araya – Bass Guitar, Vocals

      Founding voice and bass anchor of Slayer, known for his ferocious delivery, stark lyrical themes, and a presence that helped define thrash metal at its most extreme.

      Tom Araya is a Chilean-American bassist and vocalist best known as the frontman of Slayer, one of thrash metal’s most influential and uncompromising bands. Joining the group in 1981, Araya combined rapid-fire bass lines with an unmistakable vocal attack that ranged from snarled shouts to near-spoken menace. Albums such as Reign in Blood, South of Heaven, and Seasons in the Abyss cemented his reputation as a defining voice of extreme metal, while his lyrics often explored war, violence, religion, and the darker edges of human psychology. His role in shaping Slayer’s sound and image remains foundational to the genre.

    • Jeff Hanneman - Guitar
    • Jeff Hanneman – Guitars

      Founding guitarist and primary architect of Slayer’s most ruthless material, known for razor-sharp riffs, unsettling themes, and a songwriting style that pushed thrash metal into darker territory.

      Jeff Hanneman was a founding member and guitarist of Slayer and one of the most influential riff writers in extreme metal. Drawing inspiration from punk, hardcore, and war history, his playing favored speed, tension, and brutal simplicity over technical flash. Hanneman co-wrote many of the band’s defining songs, including Angel of Death, Raining Blood, and War Ensemble, helping shape albums such as Reign in Blood and Seasons in the Abyss. His uncompromising approach and dark lyrical focus left a permanent mark on thrash metal’s sound and attitude.

    • Kerry King - Guitars
    • Kerry King – Guitars

      Co-founding guitarist of Slayer, known for his relentless riffing, chaotic solo style, and an approach to thrash metal that favored aggression over polish.

      Kerry King is an American guitarist and songwriter best known as a founding member of Slayer, formed in 1981. His playing style is defined by rapid-fire tremolo riffs, atonal dive-bomb solos, and an unapologetically abrasive tone that helped push thrash metal toward its extreme edge. King co-wrote many of the band’s most recognizable songs, contributing decisively to landmark albums such as Reign in Blood, South of Heaven, and Seasons in the Abyss. His aggressive musical vision and confrontational stage presence became core elements of Slayer’s identity and long-term influence.

    • Dave Lombardo - Drums
    • Dave Lombardo – Drums

      Revolutionary metal drummer whose speed, precision, and groove redefined what thrash metal drumming could physically do.

      Dave Lombardo is a Cuban-American drummer best known for his work with Slayer, where his explosive double-bass technique and razor-sharp timing set new standards for extreme metal percussion. Joining the band in the early 1980s, Lombardo’s playing became a defining force on albums such as Reign in Blood, South of Heaven, and Seasons in the Abyss, blending raw speed with unexpected rhythmic complexity. Outside of Slayer, he expanded his range through collaborations with Fantômas, Testament, and Suicidal Tendencies, proving his versatility well beyond thrash. His influence on modern metal drumming is both technical and unavoidable.

    Complete Track Listing of: Slayer Haunting of the Chapel
      Side One:
    1. Chemical Warfare
      Side Two:
    1. Captor of Sin
    2. Haunting of the Chapel
    Album Front Cover Photo
    Album cover of Slayer's 'Haunting the Chapel.' A black background with a white circular emblem featuring an inverted pentagram, outlined in red, with four ornate swords crossing behind it. The band's name, 'Slayer,' is in bold, blood-red angular letters across the emblem, and blood drips from the swords and title text.

    The album cover of Slayer's "Haunting the Chapel" is visually striking and embodies the dark, aggressive aesthetic of early thrash metal. The background is a deep, solid black, making the central design elements stand out starkly.

    At the top, the album title, "Haunting the Chapel," is written in a jagged, dripping red font, evoking the imagery of blood splattered across the cover. The letters have an irregular, rough-edged appearance, intensifying the sinister tone.

    The centerpiece of the cover is a white circular emblem with a large inverted pentagram at its core. The pentagram is outlined in red, reinforcing the album's ominous theme. The band's name, "Slayer," is emblazoned across the pentagram in an aggressive, angular font that appears almost slashed into place, giving it a raw, unrefined energy.

    Behind the emblem, four swords cross at sharp angles, their handles adorned with ornate crosses, creating a striking contrast between religious symbolism and the band's rebellious imagery. Blood drips from the tips of the swords and the lower parts of the pentagram, adding to the violent and chaotic aesthetic.

    At the bottom, a single sword is positioned horizontally, its blade resting in a small pool of blood, visually reinforcing the album’s aggressive and macabre themes.

    This cover art perfectly encapsulates Slayer's early thrash metal ethos—unapologetically dark, chaotic, and dripping with intensity.

    Close up of Side One record's label
    Close-up of Side One label of Slayer's 'Haunting the Chapel' vinyl record. Features Metal Blade Records logo with a blood-dripping axe, a chain border, and black printed text displaying track details, including 'Chemical Warfare' by Hanneman/King.

    This image shows a close-up of the Side One label of Slayer’s "Haunting the Chapel" vinyl record, released by Metal Blade Records. The label has a cream-colored background with black text and features Metal Blade Records' iconic logo at the top.

    The logo consists of a stylized battle axe with a wrapped handle, partially embedded in a circular saw blade. The lower half of the blade is blood red, and several droplets of blood drip downward, reinforcing the label’s aggressive, heavy metal aesthetic. The name "Metal Blade Records" is printed in bold, capitalized, black letters just below the logo.

    The border of the label is adorned with a continuous chain-link pattern, encircling the entire design. This adds to the industrial and hardcore feel of the presentation.

    The label provides key information about the record. On the left side, the text " SIDE ONE " is displayed, followed by " 33⅓ RPM ," indicating the playback speed. On the right side, the catalog number " MBR 1024 / 71083 " is printed.

    Centered on the label is the band's name, "Slayer," in bold uppercase letters, followed by the EP title, " 'Haunting the Chapel' ," enclosed in quotation marks. Below, the track listing for Side One is displayed, featuring " 1. Chemical Warfare – 6:01 ," with songwriting credits given to " (Hanneman/King) ."

    At the bottom, the publishing information states that the song is published by Bloody Skull Music, Amgine Music, and Bug Music (BMI), with administration handled by Bug Music. Finally, the label includes the copyright notice " © 1984 Metal Blade Records ."

    The record's center hole is visible in the middle of the label, surrounded by a subtle indentation, emphasizing its placement on the vinyl disc.

    This label design captures the raw and aggressive essence of Slayer’s early years, perfectly complementing the band’s intense, high-speed thrash metal sound.

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