RORY GALLAGHER - Calling Card 12" Vinyl LP Album

- Original Uk England Release

"Calling Card" is the sixth studio release by Irish singer/guitarist Rory Gallagher. A 1976 release, it was his second of four albums released on Chrysalis Records in the 1970s. Deep Purple/Rainbow bass guitarist Roger Glover co-produced with Gallagher: it was the only time that Gallagher worked with a "name" producer. It also marked the final appearances of longtime Gallagher bandmates Rod de'Ath (drums) and Lou Martin (keyboards); Gallagher would revamp the band after the ensuing tour, retaining only his long time bass guitarist Gerry McAvoy.

RORY GALLAGHER Calling Card UK England Release 12" LP Vinyl Album front cover

Rory Gallagher's 'Calling Card': A Furious Howl of Blues-Rock Brilliance
Album Description:

In the sprawling landscape of 1970s rock music, Rory Gallagher stood as a singular force - a fiery Irish bluesman whose guitar playing could scorch the earth or whisper secrets in the dead of night. His 1976 album 'Calling Card' was a showcase of this versatility, a raw and honest howl of blues-rock that captured Gallagher at his most potent.

Emerging from the ashes of Taste, the power trio he'd fronted in the late 60s, Gallagher embarked on a solo career that saw him carve out a unique niche. He was a purist, eschewing the excesses of the stadium rock scene in favor of a stripped-down, visceral approach. His music was steeped in the blues tradition, but it was also infused with a restless energy that reflected his Irish roots and his own relentless drive.

'Calling Card' was a pivotal moment in Gallagher's career, marking a departure from his previous self-produced efforts. Recorded at the legendary Musicland Studios in Munich, it was co-produced by Roger Glover, the bassist of Deep Purple, who brought a polished edge to Gallagher's sound without sacrificing any of its raw power. The album crackled with a sense of urgency, from the opening salvo of 'Do You Read Me' to the closing strains of 'Country Mile'. It also showcased Gallagher's growing versatility, incorporating elements of jazz, folk, and even pop into his signature blues-rock sound.

Gallagher's guitar playing was, as always, the focal point. His solos were a masterclass in controlled chaos, blending lightning-fast runs with soulful bends and gritty vibrato. But it was his songwriting that truly elevated 'Calling Card'. Tracks like 'Moonchild' and 'Secret Agent' showcased his lyrical depth, exploring themes of love, loss, and the relentless pursuit of the muse. The album also featured fan favorites like the soulful title track and the driving rocker 'Secret Agent'.

There were no controversies surrounding 'Calling Card'. Gallagher was a musician's musician, respected by his peers and adored by his fans. His music transcended trends and genres, speaking directly to the heart and soul. The album was a critical and commercial success, further cementing Gallagher's reputation as one of the most electrifying performers of his generation. It was also the last album he would record with his long-time rhythm section of Gerry McAvoy on bass and Lou Martin on keyboards, marking the end of an era.

Music Genre:

Irish Blues-Rock 

Album Production Information:

The album: "RORY GALLAGHER - Calling card" was produced by: Roger Glover & Rory Gallagher
  • Roger Glover – Bass, Producer, Songwriter

    If the groove feels like a tank with manners, his name is usually somewhere nearby.

    Roger Glover is one of those credit lines I trust on sight: a Welsh bassist, producer, and songwriter who helped define the heavyweight “engine room” of classic hard rock. I mainly tag him to two eras that just refuse to die: Deep Purple (1969–1973, 1984–present), where his bass and writing instincts locked in with that Mark II bite, and Rainbow (1979–1984), where he wasn’t just playing low-end—he was also steering the sound as lyricist and producer. He came up through Episode Six, then spent the 1970s stacking production work and side projects like it was a second career (because, yeah, it basically was), but those Purple and Rainbow years are the real “mythology in the liner notes” stuff.

  •  

    Sound/Recording Engineer(s): Mack and Hans

    This album was recorded at: Musicland Studio, Munich Germany

    Album cover design: Cooke Key Assoc

    Album cover photography: Mike Putland

    Record Label & Catalognr:

    Green Chrysalis CHR 1124

    Packaging:

    This album "RORY GALLAGHER - Calling card" includes the original custom inner sleeve with album details, and artwork/photos

    Media Format:

    12" LP Vinyl Stereo Gramophone Record
    Total Album (Cover+Record) weight: 230 gram  

    Year & Country:

    1976 Made in England
    Personnel/Band Members and Musicians on: RORY GALLAGHER - Calling card
      Band-members, Musicians and Performers
    • Rory Gallagher – vocals, guitar and harmonica
    • Rory Gallagher – Vocals, Guitars, Mandolin

      The guy who could make a Stratocaster sound like it owed him money, then make you feel bad for enjoying it.

      Rory Gallagher, the Irish blues-rock virtuoso with the kind of fiery guitar tone and lived-in vocals that feel less like “performance” and more like a confession. I always hear him as a musician who never hid behind studio polish: first breaking out in the late 1960s as the frontman of Taste (right up to 1970), then spending 1971 until his death in 1995 as a solo artist leading his own hard-touring band through countless stages, broadcasts, and live recordings. Rory Gallagher Wiki

    • Gerry McAvoy – Bass guitar
    • Gerry McAvoy – Bass guitar

      I’ve always loved how McAvoy’s bass doesn’t just “support” the song — it calmly wrestles the whole band into a groove and refuses to let go.

      Gerry McAvoy, born John Gerard McAvoy in Belfast, Northern Ireland, is one of those rare bassists who can be both the engine and the glue at the same time — and I mean that as the highest compliment. He cut his teeth in Belfast/London circuit bands like Pride (late 1960s) and Deep Joy (late 1960s–1970), then got pulled into orbit when Rory Gallagher went solo after Taste ended. From 1971 to 1991, McAvoy became the backbone of Rory Gallagher’s band onstage and in the studio, locking in everything from raging power-trio blues to the tougher, later-era rock, without ever losing that human, breathing feel. After the Gallagher years, he kept rolling with Nine Below Zero (early 1990s–2011), and later brought the spirit of those Rory songs back to the stage with Gerry McAvoy’s Band of Friends (2010s–present) — not as a museum act, but as a living, sweating celebration.

    • Lou Martin – keyboards
    • Lou Martin – Keyboards / Piano

      In my head, he’s the guy who could turn Rory’s blues-rock into a full-color movie soundtrack without ever stealing the spotlight.

      Lou Martin, born Louis Michael Martin in Belfast, Northern Ireland (1949–2012), is one of those keyboard players I clock instantly: bluesy hands, rock-solid timing, and a taste for drama that never tips into cheesy. He broke in as the piano/organ player with the London blues band Killing Floor (from spring 1968 into the early 1970s), then got pulled into Rory Gallagher’s world after drummer Rod de’Ath recommended him—ending up as a key part of Gallagher’s classic early-70s line-up and appearing on albums like "Blueprint", "Tattoo", and "Irish Tour '74", before that era wrapped up around the mid-1970s (with "Calling Card" being the last studio album to feature him). After the Rory years, he kept moving through the grit-and-grin circuit: forming Ramrod with de’Ath, and later playing with Downliners Sect and Screaming Lord Sutch, plus touring work with the likes of Chuck Berry and Albert Collins—because apparently “rest” was not in the job description.

    • Rod de'Ath – drums
    Complete Track-listing of the album "RORY GALLAGHER - Calling card"

    The detailed tracklist of this record "RORY GALLAGHER - Calling card" is:

      Track-listing:
    1. "Do You Read Me" – 5:20
    2. "Country Mile" – 3:18
    3. "Moonchild" – 4:48
    4. "Calling Card" – 5:24
    5. "I'll Admit You're Gone" – 4:25
    6. "Secret Agent" – 5:45
    7. "Jack-Knife Beat" – 7:04
    8. "Edged in Blue" – 5:31
    9. "Barley and Grape Rag" – 3:39

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    I reach for this album when I want proof, not polish. These Irish live recordings capture Rory Gallagher working the room in real time - riff, shuffle, and stomp, with the band reacting on instinct. McAvoy keeps the bass lines muscular and warm, de'Ath makes the grooves lurch in the best way, and the momentum never sags across four sides. It sounds like a working band, not a museum act, and that's exactly why it stays on my shelf.

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    Recorded across Ireland in January 1974, this 2LP live set captures Rory Gallagher’s stage power in full flight—raw, loud, and totally unfiltered. The EEC gatefold edition keeps the focus on the performances and the tour atmosphere, making it a must for collectors chasing that classic live-document feel.

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