METALLICA – THE $5.98 EP: GARAGE DAYS RE-REVISITED 12" Vinyl LP Album

- first recording with Jason Newsted, raw back-to-basics thrash reset from 1987

Album Front Cover Photo of METALLICA – The $5.98 EP: Garage Days Re-ReVisited Visit: https://vinyl-records.nl/

"The $5.98 EP: Garage Days Re-ReVisited" landed in 1987 as Metallica’s deliberate reset button, recorded fast and loud in Los Angeles during their first sessions with Jason Newsted on bass. Cut in just six days at A&M and Conway Studios, this 12" EP captures the band stripping away ambition and polish in favor of instinct, speed, and sweat. The sound is raw thrash with punk nerves, powered by ferocious covers like “Helpless”, “The Small Hours”, and the Misfits medley “Last Caress / Green Hell”. Self-produced by Metallica and wrapped in no-frills artwork, original vinyl pressings remain essential collector pieces for anyone who wants the band unfiltered and unapologetic.

Table of Contents

"The $5.98 EP: Garage Days Re-ReVisited" (1987) Album Description:

Introduction

"The $5.98 EP: Garage Days Re-ReVisited" is Metallica deliberately slamming the brakes and swerving back into their own past. Released in 1987 but mentally parked somewhere between sweaty garages and battered cassette decks, this EP isn’t about moving forward — it’s about reconnecting with the spark. It sounds like a band reminding itself who it is, loudly and without apology.

Historical and cultural context

This EP explains itself in its own handwriting. Written by a band member on the back cover, the note places the record squarely in early 1987, right after the exhausting “Puppets” tour ended. Instead of embracing the growing professionalism of the metal world, Metallica actively rejected it, abandoning a “real” rehearsal studio and retreating back into a smelly, self-soundproofed garage.

That context matters more than the release date. Although issued in late 1987, the mindset here belongs to Metallica’s formative years — the period shaped by NWOBHM singles, punk attitude, and basement-level volume. “Re-ReVisited” isn’t nostalgia; it’s a deliberate reset at a moment when the band needed grounding, not growth.

How the band came to record this album

According to the handwritten note, these songs started as a way to break in a newly reclaimed rehearsal space, nothing more ambitious than bashing out old favorites for fun. Only later did the idea emerge to record and release them, precisely because they felt loose, unimportant, and honest. That lack of pressure is the point.

In early July 1987, the band went to Los Angeles and recorded the EP in six days — a detail emphasized with typical Metallica humor, comparing it to the time it once took just to load gear. The message is clear: don’t overthink this record. It exists to capture chemistry, momentum, and the sound of a band reconnecting with itself.

How the band came to record this album

This EP was born out of transition and tension. Jason Newsted had just stepped into the band after the loss of Cliff Burton, and everything still felt raw, unresolved, and unstable. Rather than overanalyze that situation, Metallica plugged in and played the songs that originally made them fall in love with heavy music.

The short, intense recording schedule says everything. No long debates, no conceptual overthinking — just capture the chemistry, test the lineup, and move forward with momentum. It feels less like a release strategy and more like a necessary purge.

The sound, songs, and musical direction

Sonically, this EP is tight, aggressive, and gloriously stripped down. The guitars slash instead of sculpt, the drums push forward without restraint, and the vocals sound like they’re being shouted across a rehearsal room rather than delivered from a control booth. Everything is immediate.

Tracks like “Helpless” and “The Small Hours” don’t aim to improve their originals — they weaponize them. The Misfits medley closes the record with punk attitude intact, proving Metallica never forgot that speed and attitude matter as much as precision.

Comparison to other albums in the same genre/year

Compared to the increasingly complex and structured metal releases of the late ’80s, this EP feels almost defiant. Where albums like "Master of Puppets" showcased discipline and compositional growth, "Garage Days" throws discipline out the window on purpose. It has more in common with early Exodus, Diamond Head singles, or hardcore punk 12-inches than with contemporary “serious” metal statements.

Controversies or public reactions

There was no major outrage, but there was mild confusion. Some listeners expected new original material and instead got a covers EP that sounded like it was recorded on instinct alone. Others immediately understood the message and cranked it louder — this wasn’t regression, it was reaffirmation.

Band dynamics and creative tensions

Beneath the surface, this record documents a band rebalancing itself. Newsted is locking in, the rest are testing trust, and nobody is pretending the wounds have healed yet. That friction doesn’t weaken the EP — it gives it bite.

Critical reception and legacy

Initially treated as a fun side project, the EP has aged into something more revealing. It explains how Metallica bridged grief, pressure, and massive expectations without losing their core identity. For longtime listeners, it’s a reminder that the band’s foundation was always about hunger first.

Reflection

Decades later, this record still smells faintly of beer, amps warming up, and unfinished conversations. I drop the needle and hear a band choosing instinct over image, memory over momentum. Sometimes going backward is the only way to move on.

Album Key Details: Genre, Label, Format & Release Info

Music Genre:

American Speed / Thrash Metal

Rooted in the aggressive late-’70s and early-’80s underground, this EP sits squarely in the speed-thrash zone: sharp-edged riffs, punk-level urgency, and a raw, no-polish attitude. These songs move fast, hit hard, and wear their NWOBHM and punk influences proudly, filtered through Metallica’s increasingly disciplined thrash machine.

Media Format:

Record Format: 12" Vinyl (EP)

Record Label & Catalognr :

Mercury 888 788.1

Year & Country:

1987

Production & Recording Information:

Producers:
  • Metallica – Producer On this EP, Metallica effectively produced themselves by refusing overthinking and studio polish. I hear their production role as deliberately hands-on and impatient: keeping takes tight, performances aggressive, and momentum intact. This wasn’t about sculpting a “sound,” but about capturing chemistry quickly, using production as a tool to document instinct, not refine it away.
Sound & Recording Engineers:
  • Csaba “The Hut” Petocz – Sound / Recording Engineer Csaba “The Hut” Petocz helped translate Metallica’s garage mindset into something that could survive tape without losing its edge. I hear his contribution in the tight drum capture and raw guitar balance: clear enough to punch, rough enough to feel unfiltered. His work supports speed and urgency, keeping the EP aggressive rather than glossy.
  • Greg Dennen – Sound / Recording Engineer Greg Dennen’s role on this EP feels practical and unromantic in the best way. I associate his work with keeping sessions moving fast and functional, making sure performances were captured efficiently during the short six-day window. Nothing here feels overworked, which tells me his focus was on speed, clarity, and getting out of the band’s way.
  • Marnie Riley – Sound / Recording Engineer Marnie Riley contributed to the technical backbone that allowed this EP to stay tight under pressure. From my perspective, her work helped maintain consistency across fast takes and loud sessions, ensuring balance without taming the aggression. The result feels controlled but never cautious, exactly what this material demanded.
Recording Location:

A&M Studios & Conway Studios – Los Angeles, United States

Mastering Engineer & Location:
  • Ron Lewter – Mastering Engineer Ron Lewter’s mastering gives this EP its final sense of punch and cohesion. I hear his contribution in the way the tracks hit hard without smoothing off their rough edges. The mastering preserves impact and volume while keeping everything compact, letting the songs sound unified but still raw and impatient.
Album Cover Design & Artwork:
  • Metallica – Album Design Metallica’s direct involvement in the album design reinforces the EP’s anti-polish attitude. I see their hand in the stripped-down presentation and handwritten elements, treating the sleeve as an extension of the music’s intent. The design doesn’t sell an image; it documents a moment, raw and deliberately informal.
  • Peter Mensch – Album Design Peter Mensch helped translate Metallica’s no-nonsense concept into a physical object that felt authentic rather than styled. From my perspective, his contribution lies in restraint: letting the artwork stay functional and direct, supporting the band’s message instead of competing with it or dressing it up.
  • Reiner Design Consultants, Inc. – Graphic Design Reiner Design Consultants, Inc. provided the professional framework without overwhelming the DIY spirit. I read their contribution as disciplined execution: aligning text, layout, and production details so the sleeve remains readable and coherent, while still allowing Metallica’s rough attitude to dominate the visual impression.
Photography:
  • Ross Halfin – Photographer Ross Halfin is one of the defining eyes of heavy metal, capturing the genre’s raw power on film since the late 1970s. His photographs of Iron Maiden, Metallica, and Led Zeppelin freeze live intensity, sweat, and backstage reality into instantly recognizable images. More than documentation, his work helped shape how metal looks and feels, turning fleeting moments into permanent pieces of rock history.

Collector’s Note: Original Back Cover Handwritten Text

After coming off the “Puppets” tour in Feb. ’87, we needed a place to jam and ended up in a fancy so-called “real” rehearsal studio. It hella sucked!

So in May, after a break in the action, we decided to return to the old reliable, ever-comfortable & smelly garage; super-duty soundproofed by us, (except K…), under the direction of building master J. Newkid.

To break it in, we started bashing out some old favorites of ours in true MetalliKatz fashion, and after a bit we thought it would be good fun to record and release them. So in early July, we flipped down to L.A. and did it in six days (about the same time it took to load in the gear on the last album).

Like the first “Garage Days Revisited”, these are cover tunes and you shouldn’t take all this too seriously, ’cause we don’t!!

ENJOY!!!

Complete Track-listing:

Tracklisting Side A:
  1. Helpless Cover
    Cover of Diamond Head’s classic song.
  2. The Small Hours Cover
    Cover of Holocaust’s cult NWOBHM track.
  3. The Wait Cover
    Cover of Killing Joke’s post-punk original, reworked into full-throttle thrash.
Video: Metallica: Helpless (Bologna, Italy - February 12, 2018)
Tracklisting Side B:
  1. Crash Course in Brain Surgery Cover
    Cover of Budgie’s hard rock classic, pushed into overdrive.
  2. Last Caress / Green Hell Cover
    Punk-infused Misfits double-shot, fusing two songs into one closing assault.
Video: Metallica - Last Carees/Green Hell - Live @ Roseland Ballroom 1998 (G Inc Single Audio)[1080p/60fps]

Disclaimer: Track durations shown are approximate and may vary slightly between different country editions or reissues. Variations can result from alternate masterings, pressing plant differences, or regional production adjustments.

Album Front Cover Photo
Front cover photo of Metallica’s The $5.98 EP: Garage Days Re-ReVisited showing four band members in a cramped tiled room, leaning toward the camera with instruments visible, handwritten album title and band name scrawled across the image, capturing a raw, informal, deliberately unpolished garage-era aesthetic important to original 1987 vinyl pressings.

This front cover hits straight at eye level with four band members crammed into what looks like a tiled bathroom or utility room, white square tiles wrapping around the walls and amplifying the claustrophobic, deliberately low-rent atmosphere. The camera sits slightly below face height and very close, creating distortion at the edges and making instruments and hands feel oversized, an intentional snapshot effect rather than a polished studio photograph.

From left to right, each person is dressed almost entirely in black, reinforcing the stripped-down visual identity. Hair is long, loose, and unstyled, ranging from tight curls to straight blond lengths. Expressions are playful, confrontational, and slightly unhinged: wide eyes, crooked grins, and exaggerated stares aimed directly into the lens. This is not a posed “band promo” look but a moment frozen mid-joke, mid-noise, mid-energy.

Instruments are pushed forward aggressively. A bass neck dominates the lower left foreground with tuning pegs clearly visible, while guitar headstocks and fretboards cut diagonally across the image. The perspective exaggerates scale, making the instruments feel intrusive and physical, exactly matching the EP’s back-to-basics, no-distance sound. Strap buttons, strings, and worn finishes are visible, underscoring use rather than display.

The image surface shows visible wear, light scuffing, and subtle color aging consistent with original late-1980s print production. Over the photo, handwritten text appears in bright blue and yellow marker: the band name “Metallica” and the title “The $5.98 E.P. Garage Days Re-Revisited.” The lettering is rough, uneven, and intentionally casual, reinforcing the DIY attitude and rejecting polished typography entirely.

From a collector’s perspective, this cover matters because it visually documents a reset moment. No label logos dominate the front, no barcodes intrude, and no marketing gloss interferes. The design reads like a snapshot taped to a wall, reproduced onto vinyl. Original pressings preserve this raw contrast and marker color saturation, which later reproductions sometimes soften or clean up too much.

Album Back Cover Photo
Back cover photo of Metallica’s The $5.98 EP: Garage Days Re-ReVisited featuring a dense collage of candid band photos arranged like film strips, handwritten liner notes, printed track listing with timings, barcode, and full production credits, emphasizing the DIY, documentary-style presentation of the original 1987 vinyl pressing.

This back cover is visually busy by design, built as a full-bleed collage that mimics strips of photographic negatives laid out across the sleeve. Rows of perforated film frames run horizontally, creating a contact-sheet look that immediately signals documentation rather than decoration. Nothing here is centered or minimal; the eye is forced to wander, exactly like flipping through loose photos on a table.

Scattered across the surface are candid black-and-white and color photos of the band in rehearsal rooms, backstage corners, parking lots, and casual hangouts. The images are framed with thick yellow and red borders, unevenly angled, as if taped down in a rush. Several photos carry handwritten signatures or short notes in marker, reinforcing the informal, personal nature of the artwork.

Near the center sits a black rectangular panel with red and yellow text listing the tracks and exact running times for Side One and Side Two. The typography is utilitarian and highly legible, prioritizing information over style. This layout makes it immediately clear this is an EP, short and sharp, with no wasted space or ambiguity about content.

The lower portion of the sleeve is dense with text. On the left, tightly packed production credits list engineers, studios, mastering, cover concept, design consultants, management, and fan club details. On the right, a large block of handwritten liner notes explains the context of the recording in blunt, conversational language. The handwriting is uneven and raw, reproduced exactly as written, without cleanup.

A barcode is placed in the upper right corner, small and unobtrusive, while copyright and pressing information appear along the bottom edge, including the 1987 copyright notice and Dutch manufacturing credit. From a collector’s standpoint, this back cover is essential: original pressings preserve the sharpness of the handwriting and the contrast of the film-strip imagery, details that often soften or blur on later reissues.

Close up of Side One record’s label
Close up of Side One Mercury label for Metallica The $5.98 EP Garage Days Re-ReVisited, showing orange Mercury logo, catalogue number 888 788-1, LC 0268, 45 RPM stereo marking, track listing for Helpless and The Small Hours, and Made in Holland text

This is the Side One label of the original 12-inch EP, printed on a dark grey to near-black background typical for late-1980s European Mercury pressings. At the top sits the large, stylized Mercury logo in orange and yellow with a soft gradient and rounded lettering, visually dominant and immediately recognizable. Above it, in smaller white type, is the circular Mercury emblem featuring the classical winged head icon, reinforcing the label’s long-standing brand identity.

The label is cleanly laid out and information-dense. On the left side, the speed designation 45 confirms this EP plays at 45 RPM, paired with the boxed LC 0268 label code used for European distribution tracking. Just below, MADE IN HOLLAND is printed in clear capitals, identifying this as a Dutch pressing. The STEREO marking appears prominently, followed by publishing credits referencing Happy Face Music Ltd. and Phoenix Record & FilmWorks Inc.

Centered beneath the spindle hole is the album title printed in uppercase: THE 5.98 E.P. GARAGE DAYS RE-REVISITED. Below that, the Side One track listing is neatly stacked and numbered, showing “Helpless” (6:36) and “The Small Hours” (6:39), with songwriter credits in parentheses and original publishing years noted. The typography is functional and precise, prioritizing readability over decoration.

On the right side, the side designation 1 EP is printed large and bold, with the catalogue number 888 788-1 and sub-number 888 788-1.1 placed just below. Rights society logos for BIEM and STEMRA appear in small boxed form, confirming European mechanical rights handling. Along the outer rim, fine-print legal text runs in English, warning against unauthorized copying, hiring, lending, public performance, and broadcasting.

At the bottom, METALLICA is printed in uppercase, followed by the tongue-in-cheek line “Not very produced by Metallica”, a deliberate joke that aligns perfectly with the EP’s stripped-down, anti-polish ethos. From a collector’s standpoint, the sharpness of the orange Mercury logo, the clarity of the small rim text, and the deep contrast of the dark background are key indicators of a clean, early pressing.

Mercury, Netherlands Label

This Mercury label represents the late-1980s European design language: information-forward, restrained, and instantly identifiable. The focus is on clarity, legal accuracy, and consistent branding rather than decorative flair. This particular label design was used by Mercury during the mid-to-late 1980s.

Colours
Dark grey to black background with orange and yellow Mercury logo, white text
Design & Layout
Circular layout with centered spindle hole, symmetrical text blocks, clear left-right information zones
Record company logo
Stylized “Mercury” wordmark with gradient fill and rounded lettering, topped by a winged head emblem used for brand identification
Band/Performer logo
Band name printed in plain uppercase text without a dedicated logo, reinforcing the utilitarian approach
Unique features
Humorous production credit line, dual rights society boxes, EP-specific side marking
Side designation
Side One marked as “1 EP” in large, bold text
Rights society
BIEM / STEMRA
Catalogue number
888 788-1 / 888 788-1.1
Rim text language
English
Track list layout
Centered, numbered list with durations and songwriter credits beneath album title
Rights info placement
Small boxed logos to the right, copyright notice near lower left
Pressing info
“Made in Holland” printed on left side of label
Background image
Solid dark background with no imagery, emphasizing text legibility

All images on this site are photographed directly from the original vinyl LP covers and record labels in my collection. Earlier blank sleeves were not archived due to past storage limits, and Side Two labels are often omitted when they contain no collector-relevant details. Photo quality varies because the images were taken over several decades with different cameras. You may use these images for personal or non-commercial purposes if you include a link to this site; commercial use requires my permission. Text on covers and labels has been transcribed using a free online OCR service.

Metallica Vinyl Discography – Complete Collection of Albums, EPs & Rare Cover Art

After diving deep into one of Metallica’s albums, this section pulls the camera back for the wide shot — the full vinyl legacy. Here you’ll find every Metallica release lined up in their fierce chronology, from the garage-born chaos of the early ’80s to the heavyweight pressings of later decades. Each record listed below links to its own detailed gallery, letting you trace the evolution of sound, artwork, and attitude that made Metallica unstoppable.

METALLICA - And Justice For All
Picture Of METALLICA - And Justice For All Blackened Records 180Gr Vinyl album front cover

  This release on "Blackened Records" label, is the 2018 audiophile re-issue of ""...And Justice for All" the first album released by Metallica after the death of Cliff Burton. It is also the first album with Jason Newsted on Bass guitar.

- ..And Justice For All (Blackened Records) - ..And Justice for All (1988, Netherlands)
METALLICA - Creeping Death (Complete Set Coloured Vinyl Records)
METALLICA - Creeping Death (Complete Set Coloured Vinyl Records)  album front cover vinyl record

Creeping Death by the American Thrash Metal band "Metallica" is a 12" EP Vinyl record from 1984. Un-official versions from France (with different labels) have been released in the colors: Blue, Green, Red, White and Yellow Vinyl.

- Creeping Death Blue Vinyl (1984, France) - Creeping Death Green Vinyl (1984, France) - Creeping Death Red Vinyl (1984, France) - Creeping Death White Vinyl (1984, France) - Creeping Death Yellow Vinyl (1984, France)
METALLICA - Death Magnetic
Picture Of METALLICA - Death Magnetic ( Blackened Records ) album front cover

  This is the audiophile re-release of "Death Magnetic" the 2009 album released by the American Thrash Metal band "Metallica". This re-release comes in a gatefold album cover and two audiophile quality 180grams records.

Death Magnetic ( Blackened Records ) 12" Vinyl LP
METALLICA - Hamburg Colorline
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Issued as a limited edition 12" vinyl LP, "Hamburg Colorline 12 May 2009" has become a coveted collector's item. Its raw, unfiltered energy transports listeners back to the heart of that explosive concert.

Hamburg Colorline 12" Vinyl LP
METALLICA - Hardwired to Self Destruct
METALLICA - Hardwired to Self Destruct album front cover vinyl record

"Hardwired to Self Destruct" is the 2016 double album released by the American Speed / Thrash Metal band "Metallica". It was released 8 years after their previous album "Death Magnetic"

Hardwired to Self Destruct 12" Vinyl LP
METALLICA - Harvester of Sorrow
METALLICA - Harvester of Sorrow album front cover vinyl record

The A-side explodes with the relentless energy of "Harvester of Sorrow." This track, a centerpiece of their landmark album "...And Justice For All," exemplifies Metallica's progressive thrash metal sound.

Harvester of Sorrow 12" Vinyl Single
METALLICA - Jump in the Fire (Dutch and English Versions)
METALLICA - Jump in the Fire  (Dutch and English Versions)  album front cover vinyl record

"Jump in the Fire" is a single derived from Metallica's debut studio album, "Kill 'em All", released in 1983.

- Jump in the Fire (1983, England) - Jump in the Fire (1983, Holland)
METALLICA - Jump in the Fire
METALLICA - Jump in the Fire album front cover vinyl record

The cover art for "Jump In The Fire" is as iconic as the track itself. Created by artist Les Edwards, the image features a demon-like creature surrounded by flames, inviting the listener to literally "jump in the fire."

Jump in the Fire 12" Shaped Picture Disc
METALLICA - Kill 'Em All (International Pressings)
METALLICA - Kill 'Em All (International Pressings)  album front cover vinyl record

Metallica’s Kill ’Em All is the explosive debut that defined thrash metal. Released in 1983, this 12” vinyl LP is raw, aggressive, and uncompromising, blending speed, power, and razor-sharp riffs. Featuring iconic tracks like ‘Seek & Destroy’ and ‘Whiplash,’ it captures the band’s youthful intensity, setting the stage for their legendary rise in the metal world.

- Kill 'Em All ( Blackened Records ) - Kill 'em All 2LP (1983, England) - Kill 'Em All (1983, France) - Kill 'Em All (1983, Holland) - Kill 'Em All (1983, UK)
METALLICA - Legendary Garage Tapes
METALLICA - Legendary Garage Tapes album front cover vinyl record

Before the polished production of "Kill 'Em All," Metallica's sound was a volatile beast, unleashed in the cramped confines of a garage. "The Legendary Garage Tapes" serve as a time capsule, showcasing the thrash metal titans

Legendary Garage Tapes 12" Vinyl LP
METALLICA - Live at the Playhouse Theatre
METALLICA - Live at the Playhouse Theatre album front cover vinyl record

This 500-copy limited edition is a treasure trove for devotees of Metallica's raw, uncompromising roots. The setlist reads like a greatest hits collection of their early years.

Live at the Playhouse Theatre 12" Vinyl LP
METALLICA - Load (European & USA Releases)
METALLICA - Load (European & USA Releases)  album front cover vinyl record

Metallica's "Load" is a sonic journey capturing the band's evolution. Released in 1996, the controversial album's vinyl edition enriches the listening experience, offering warmth and authenticity.

METALLICA - Load ( 2LP Blackened Records ) - Load (1996,E/M Ventures Elektra )
METALLICA - Master of Puppets (Two English Versions)
METALLICA - Master of Puppets (Two English Versions)  album front cover vinyl record

Metallica's 1986 album "Master of Puppets" stands as a towering achievement in heavy metal history. Its complex compositions, blistering aggression, and socially conscious themes cemented the band's reputation as leaders

- Master of Puppets (1986, Netherlands)
Updated
- Master of Puppets (1986, England) - Master of Puppets 2LP DMM audiophile (England)
METALLICA - Master of Puppets
METALLICA - Master of Puppets Picture Disc album front cover vinyl record

The METALLICA "Master of Puppets" 12" Vinyl Picture Disc, a 1986 UK 1st ISSUE with no barcode, is a rare gem for collectors. This limited edition features unique artwork on the vinyl picture disc, adding to its allure.

Master of Puppets 12" Vinyl Picture Disc
METALLICA - Self-Titled The Black Album
Picture Of  METALLICA The Black Album 2LP album front cover

This the high-end audiophile release pressed on two 12" vinyl records each on 180 gram vinyl of the self-titled Metallica album and because of the black front and back cover, it is also known as "The Black Album".

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METALLICA - Oberhausen Kopi Arena
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Oberhausen Kopi Arena 12" Vinyl LP
METALLICA - Ride The Lightning (European Releases)
Picture Of METALLICA - Ride The Lightning Blackened Records album front cover

Metallica's "Ride the Lightning" 12" Vinyl LP is a collector's gem. This iconic album marked a turning point in metal history, blending thrash metal and intricate compositions.

- Ride The Lightning (1984, England). - Ride the Lightning (Roadrunner, 1984, Holland) - Ride The Lightning (Vertigo, 1984, Netherlands) - Ride The Lightning (Blackened Records, 2006)
METALLICA - S&M
METALLICA - S&M album front cover vinyl record

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S&M 12" Vinyl LP
METALLICA - St. Anger
METALLICA - St. Anger album front cover vinyl record

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Updated METALLICA - The $5.98 EP Garage Days Re-ReVisited album front cover vinyl LP album https://vinyl-records.nl

Mercury Records 888 788-1 , 1987 , Netherlands

METALLICA - The $5.98 EP Garage Days Re-ReVisited

This EP sounds like Metallica forcing themselves back into a sweaty room with the amps cranked and the clock running. No polish, no restraint — just raw thrash energy, punk attitude, and Jason Newsted hitting the low end hard from the first spin. Cut at 45 RPM, it rips fast and loud, capturing a band reconnecting with speed, grit, and zero compromises.

METALLICA - Until It Sleeps Red Vinyl (1996)
METALLICA - Until It Sleeps Red Vinyl (1996)  album front cover vinyl record

This limited edition album "Until It Sleeps" is the first single and the fourth song from Metallica's 1996 album Load. This version is pressed on Red Vinyl and comes in a transparent sleeve.

Until It Sleeps Red Vinyl (1996) 12" Vinyl LP