Bob Marley & The Wailers - Exodus 12" Vinyl LP Album

- Jamaican Release on Tuff Gong Records

"Exodus" is the landmark ninth studio album by Bob Marley & The Wailers, originally released in 1977. This edition is the authentic Tuff Gong Jamaican pressing—one of the earliest and most iconic reggae releases to emerge from Marley's own label. Recorded in exile in London after an assassination attempt in Kingston, the album blends spiritual resolve with political urgency and heartfelt love songs. Featuring global anthems like "Jamming", "One Love / People Get Ready", and the powerful title track "Exodus", this album cemented Marley’s status as an international voice for freedom, unity, and Rastafari consciousness.

Bob Marley & The Wailers – "Exodus" (1977)

"Exodus", the ninth studio album by Bob Marley & The Wailers, stands as one of the most defining statements in the history of reggae music. Released on June 3, 1977, by Island Records, this album was not merely a collection of songs—it was a message of spiritual resolve, political resistance, and musical innovation that echoed far beyond Jamaica’s shores.

Historical Context

The creation of "Exodus" was marked by tumult and survival. In December 1976, Bob Marley survived an assassination attempt at his home in Kingston, an event that forced him into temporary exile in London. It was in that city, amidst the tension of Jamaican political violence and personal danger, that Marley began work on this landmark album. The very title—"Exodus"—symbolized his departure from Jamaica and a search for liberation and redemption, both personal and universal.

Musical Exploration

Musically, "Exodus" showcased a new maturity in Marley's songwriting and production. The album is a blend of roots reggae, soul, and funk grooves, built upon the solid rhythmic foundation laid by The Wailers. Side One leans toward the spiritual and political, with tracks like "Natural Mystic", "So Much Things to Say", and "Guiltiness" confronting the struggles of the oppressed. The title track "Exodus" itself becomes an anthem of movement and transformation, both literal and metaphoric.

Side Two offers a more romantic and reflective tone, with hits like "Jamming", "Waiting in Vain", and "Turn Your Lights Down Low" displaying Marley’s ability to craft songs of intimacy and emotional warmth. The side closes with the classic "One Love / People Get Ready", a spiritual fusion of Marley’s message with Curtis Mayfield’s gospel soul.

Music Genre

The album is deeply rooted in Reggae Music, but its influence stretches far beyond genre labels. Marley integrated elements of rock, soul, and funk, appealing to a global audience and pushing reggae into the international spotlight. This cross-pollination is what gave "Exodus" its timeless, borderless appeal.

Controversies and Reception

Though widely praised, the album was not without its detractors. Some critics at the time viewed the polished production and mellow love songs on Side Two as a commercial move, a departure from the militant tone of earlier albums like "Rastaman Vibration" or "Natty Dread". However, for many fans and scholars, this balance between fire and tenderness is what made "Exodus" so complete, so human.

Production Team and Studio

"Exodus" was produced by Bob Marley and The Wailers themselves, reflecting Marley's growing control over his music and message. Much of the recording took place at Island’s Basing Street Studios in London, which provided a state-of-the-art environment for experimentation and refinement. The band lineup included longtime collaborators: bassist Aston “Familyman” Barrett, drummer Carlton Barrett, keyboardist Tyrone Downie, percussionist Alvin “Seeco” Patterson, and guitarist Julian “Junior” Marvin, all of whom contributed to the tight, hypnotic groove of the album.

Album Versions and Variations

While the core content of "Exodus" remains consistent across releases, there have been notable differences in presentation. The Jamaican Tuff Gong pressing, for example, is sought after for its rawer vinyl mix and unique jacket design. European versions, including a rare Swiss pressing, featured textured covers and different mastering qualities. Subsequent remasters and deluxe editions have included alternate takes and extended mixes, but none rival the emotional impact of the original 1977 release.

Conclusion

"Exodus" is more than an album; it is a manifesto of resilience and hope, forged in the fires of adversity. It crystallized Bob Marley's position as a prophet of reggae and a global voice for justice, peace, and love. Nearly half a century later, the words of the title track still ring with urgency: “Movement of Jah people!”

Production & Recording Information:

Music Genre:

Reggae Music

Label & Catalognr:

Tuff Gong

Media Format:

Record Format: 12" Vinyl LP Record
Vinyl Weight: 150 grams

Year & Country:

1977 – Made in Jamaica

Producers:
  • Bob Marley & The Wailers – Producers
Recording Location:

Recorded in London, UK

Band Members / Musicians:

Band Members, Musicians:
  • Bob Marley – Lead Vocals, Rhythm Guitar
  • Aston "Familyman" Barrett – Bass Guitar
  • Carlton Barrett – Drums
  • Tyrone Downie – Keyboards, Backing Vocals
  • Alvin "Seeco" Patterson – Percussion
  • Julian "Junior" Marvin – Lead Guitar, Backing Vocals
  • Rita Marley – Backing Vocals (I-Threes)
  • Marcia Griffiths – Backing Vocals (I-Threes)
  • Judy Mowatt – Backing Vocals (I-Threes)

Complete Track-listing:

Tracklisting Side One:
  1. Natural Mystic
  2. So Much Things To Say
  3. Guiltiness
  4. The Heathers
  5. Exodus
Tracklisting Side Two:
  1. Jamming
  2. Waiting in Vain
  3. Turn Your Lights Down Low
  4. Three Little Birds
  5. One Love / People Get Ready
Album Front Cover Photo
Front cover of Bob Marley & The Wailers' Exodus Tuff Gong Jamaican release. The cover features a minimalist gold background with the word Exodus in bold, red, distressed Hebrew-styled lettering, shadowed in black. The band name is printed in black sans-serif at the top center.

This is the original front cover of the Exodus album by Bob Marley & The Wailers, Tuff Gong Jamaican pressing from 1977. The design is minimalist yet powerful, set against a matte gold background that covers the entire square sleeve without borders or framing.

Centered near the top in a clean black sans-serif font is the text BOB MARLEY & THE WAILERS. Dominating the lower half is the album title Exodus, written in a bold, brushstroke-style red script that imitates ancient Hebrew characters. The red lettering is distressed with subtle black cracking and deep shadows behind it, giving it an embossed, almost carved-out look. There are no images of Marley or any band members on the cover—just text and symbolic color.

The visual presentation reinforces the themes of exile, resistance, and movement embedded in the music, and reflects Marley’s spiritual and political message with stark simplicity.

Album Back Cover Photo
Back cover of Bob Marley & The Wailers' Exodus Tuff Gong Jamaican release. It features the tracklist, a central portrait of Haile Selassie, illustrations of the band performing, two Ethiopian lion emblems with red-gold-green banners, and the phrase Movement of Jah People.

This is the back cover of Exodus by Bob Marley & The Wailers, from the original 1977 Tuff Gong Jamaican pressing. The background maintains the same matte gold tone as the front cover, offering visual continuity. At the top center is the band name in black, followed by the album title Exodus in bold, distressed red Hebrew-styled script, and beneath that the phrase Movement of Jah People—a powerful Rastafarian invocation.

On either side of the text are two heraldic lions of Judah, each bearing a scepter and a flowing Rastafari tricolor banner (red, gold, and green), symbolizing the divine authority of the Ethiopian monarchy. In the center is a halftone-style image of Emperor Haile Selassie I. The track listing is split: five songs on the left (in red italic script), and five on the right, including Jamming, Waiting in Vain, and Three Little Birds.

The lower section features monochromatic illustrations of the band in performance—Marley at center stage with his guitar and dreadlocks in full sway, surrounded by the Wailers, capturing the spirit of live roots reggae. At the very bottom, it reads: Distributed by Tuff Gong International, Kingston, Jamaica.

Close up of Side One record’s label
Side One label of Bob Marley & The Wailers' Exodus Tuff Gong Jamaican pressing, showing colorful red-gold-green design with the Tuff Gong logo, tracklist including Natural Mystic and Exodus, and production credits printed around the center hole.

This is a close-up image of the Side One label from the original Jamaican Tuff Gong pressing of Exodus by Bob Marley & The Wailers, released in 1977. The label features a vibrant tri-color design—red on top, yellow in the middle, and green at the bottom—echoing the Rastafari colors deeply tied to Marley’s identity and message.

At the very top is the bold, bubble-style TUFF logo in green with red and yellow accents. At the bottom, wrapping around the spindle hole, is the matching GONG logo in the same colorful typeface. Centered above the spindle hole is the band’s name and the album title Exodus, in all caps.

The tracklist for Side One is printed in black, aligned on the left: Natural Mystic, So Much Things to Say, Guiltiness, The Heathen, and Exodus, complete with durations. To the right is a production note reading: Produced by Bob Marley and the Wailers. Distributed by TUFF GONG RECORDS, 56 Hope Rd, Kgn. 6. Tel: 92-77103. Made in Jamaica. Below the spindle, it notes that all songs were written by Bob Marley.

The label not only identifies the songs and production credits, but also celebrates Marley’s creative control and cultural independence via his Tuff Gong label—making this pressing a definitive artifact of roots reggae history.

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