- French Release (1978)
The self-titled debut album by Dire Straits is where it all began — a quiet revolution in 1978 that traded noise for nuance. Recorded at London’s Basing Street Studios and produced by Muff Winwood, this French pressing captures Mark Knopfler’s poetic guitar work and the band’s signature blend of rock, blues, and storytelling. With “Sultans of Swing” and “Water of Love” leading the charge, it remains a timeless document of understated brilliance.
The self-titled debut album "Dire Straits" (1978) captures the raw brilliance of a band stepping into rock history with quiet confidence. Recorded in London’s Basing Street Studios and produced by Muff Winwood, it’s a masterclass in subtlety — where restraint becomes power.
Mark Knopfler’s clean, finger-picked guitar tone and storytelling vocals set the tone for the band’s signature sound — part pub blues, part street poetry. The music flows with a laid-back precision that hides its technical complexity, proving less can indeed be more.
This French pressing, proudly stamped “MADE IN FRANCE,” adds a collectible twist to the legend. The original inner sleeve features a moody black-and-white photo of the band, perfectly matching the understated cool that defined their early image.
Tracks like "Sultans of Swing" and "Water of Love" remain timeless — the former an anthem for every overlooked bar musician, the latter a slow blues meditation drenched in atmosphere. Each song reveals a band in complete control of mood, tone, and groove.
Commercially, the album was an unexpected phenomenon, spreading through word of mouth and radio DJs who couldn’t get enough of its clean, analog warmth. It marked the start of a long, influential journey for Dire Straits, where quiet precision spoke louder than flash.
This 12-inch French vinyl pressing isn’t just a record — it’s a piece of late-’70s craftsmanship. From the clear Phonogram label print to its impeccable mastering, it embodies an era when music still felt handmade and every groove told a story.
70s English Pop Rock
A clean, melodic form of late-70s British pop rock blending narrative songwriting, blues-inflected guitar lines, and tight minimalist arrangements — the kind of sound that bridged pub rock roots with radio-ready sophistication.
Vertigo – Cat#: 9102 021 (9102021)
Vertigo Green and Blue Record Label featuring the distinctive twin mushroom logo.
This album includes the original custom inner sleeve with album details, complete lyrics of all songs, and black-and-white photos of Dire Straits.
Record Format: 12" Vinyl LP
Total Weight: 230 gram
1978 – Made in France
Basing St. Studios – London, United Kingdom
Recorded February 1978.
Dedicated to Charlie Gillett.
Special thanks to Robert Allan.
℗ 1978 Phonogram Ltd. – c’est une publication phonogram.
Disclaimer: Track durations not listed on this edition. Variations may occur across regional pressings due to alternate mastering or production differences.
All songs written by Mark Knopfler. The album’s understated production highlights clarity and musicianship, reflecting the band’s early aesthetic of precision and restraint.
The French pressing remains notable for its high-quality vinyl weight, rich mastering, and sharp label typography characteristic of Phonogram’s late-1970s standards.
This image shows the front cover of the 1978 French pressing of Dire Straits, the debut album that introduced the world to Mark Knopfler’s crisp guitar sound and storytelling style. The artwork embodies quiet restraint — a near-empty room with sunlight spilling across the floor, soft shadows stretching toward the viewer. A single blurred figure, standing near the corner window, appears contemplative, bathed in muted daylight that glows through wide panes.
The painting’s subtle tones of beige, gray, and off-white create an atmosphere of stillness and isolation, echoing the introspective nature of the album’s songs like Sultans of Swing and Down to the Waterline. The absence of clutter draws the eye to the geometry of light and space — the linear walls, the floor’s reflection, and the diffuse glow suggesting both melancholy and serenity. The overall aesthetic feels timeless, rooted in realism yet softened by a dreamlike haze.
At the top of the sleeve, the stark black title “DIRE STRAITS” contrasts the pale background — no ornamentation, no logo, just unembellished confidence. It’s a design that quietly says everything without shouting, much like the band itself. This cover remains one of the most recognizable examples of minimalist rock album art from the late 1970s, pairing visual calm with musical precision.
The back cover of the 1978 French pressing of Dire Straits presents a crisp, minimalist layout that balances portraiture and typography with the same understated confidence as the music itself. Across the top are four individual portraits of the original lineup — Mark Knopfler, David Knopfler, John Illsley, and Pick Withers. Each image is evenly spaced against a black background, their expressions ranging from introspective to gently amused, capturing the unpolished authenticity that defined the band’s early image.
Mark Knopfler, the band’s frontman, appears slightly weary yet focused, holding a small photo in his hand — a subtle nod to introspection. His brother David, with tousled hair and a reserved stance, reflects the youthful seriousness of the group’s formation years. John Illsley’s tight curls and steady gaze convey quiet determination, while Pick Withers’ warm smile hints at the rhythm and lightness he brought to the drums. Together, the portraits create a tableau of emerging talent poised between modesty and mastery.
Below the photos, the design opens into a vast field of white space. The track listing on the left column is printed in black uppercase text, beginning with Down to the Waterline and ending with Lions. Beneath it, concise production credits reveal that the songs were recorded at Basing Street Studios, London, in February 1978, engineered by Rhett Davies and produced by Muff Winwood. A small guitar illustration near the bottom center anchors the page visually, flanked by the Vertigo and Phonogram logos, symbols of quality European rock releases of the late 1970s.
The simplicity of the design mirrors the clarity of the music — lean, direct, and confident. Every visual choice, from the restrained palette to the ample negative space, reflects the band’s philosophy of letting the music speak for itself. It’s a masterclass in minimalist design for a debut album that would redefine late-70s rock sound.
This black-and-white photograph, printed on the inner sleeve of the 1978 French pressing of Dire Straits, captures the band’s natural chemistry at the start of their career. The four musicians — Mark Knopfler, David Knopfler, Pick Withers, and John Illsley — stand close together against a simple dark backdrop, sharing an unguarded laugh that feels genuine and unscripted. The lack of visual ornamentation mirrors the group’s sound: stripped-down, authentic, and focused on the essentials.
Mark Knopfler, on the far left, wears a two-tone leather and suede jacket, his right hand in his pocket as he looks toward his younger brother David. David, dressed casually in a striped sweater under a dark jacket, beams mid-laugh, embodying the youthful energy of the band’s beginnings. Pick Withers, standing next to him, has a wide, easy grin, the kind that suggests shared jokes from countless studio hours. John Illsley, tall and relaxed at the far right, leans slightly back, amused and content.
The photo’s lighting is soft, evenly spread across their faces, avoiding the dramatic shadows often used in rock imagery of the time. Instead, it emphasizes approachability and connection. The band’s attire — jeans, jackets, and simple shirts — underscores their working-class roots and honest presentation. Nothing feels staged or glamorous, only sincere. This image remains a defining visual statement of Dire Straits’ early identity: four musicians unified by craft, humor, and quiet confidence, before fame turned their simplicity into legend.
This close-up shows the Side One record label of the 1978 French pressing of Dire Straits on Vertigo Records, catalog number 9102 021. The label carries Vertigo’s iconic “spaceship” design, a soft gradient of pale green, cream, and sky blue with two silver flying saucers floating above stylized clouds — a futuristic motif that became synonymous with Vertigo’s late-’70s identity. At the bottom, the distinctive Vertigo swirl logo sits boldly inside a rounded tab, grounding the ethereal illustration with its hypnotic spiral pattern.
The typography is clean and balanced, reflecting the minimal elegance consistent with the band’s visual aesthetic. The top center reads “DIRE STRAITS” in bold black type, with the catalog number and the line “℗ 1978 Phonogram Ltd. London” printed just below. To the right, in uppercase, appear “MADE IN FRANCE” and “STEREO 33⅓,” confirming its European manufacturing details. The left side lists track information for Side One, including Down to the Waterline, Water of Love, Setting Me Up, Six Blade Knife, and Southbound Again — all composed by Mark Knopfler.
The rim text, circling the outer edge, reads “All rights of the producer and of the owner of the work reproduced reserved. Unauthorized copying, hiring, lending, public performance and broadcasting of this record prohibited,” a standard legal phrase marking authenticity. The printing is sharp and evenly aligned, typical of Phonogram’s precision pressings. The label’s balanced color palette and subtle gradients complement the album’s refined tone, merging technical clarity with artistic restraint.
The Dire Straits album pages in this collection trace the band’s climb from smoky London pubs thick with the smell of beer and after-hours chatter to the bright glare of world stages. Each record in thisvinyl records discography captures that same working-class pulse — guitars that whisper more than shout, lyrics that sketch city nights and worn-out hearts. It’s a chronicle of restraint and rhythm, of songs aged well because they were never chasing style. What follows brings that slow-burn rise into clear focus, one clean chord at a time.
"Alchemy: Dire Straits Live" perfectly encapsulates the energy and musical virtuosity of a Dire Straits concert. The album was recorded during their 1983-1984 "Love Over Gold" tour
Alchemy Live 2LP (1984 France)
'Brothers in Arms' on 12" Vinyl LP is a sonic masterpiece produced by Mark Knopfler and Neil Dorfsman. This iconic album showcases the band's musical prowess and includes hits like 'Money for Nothing'.
Brothers in Arms (1985, Holland) Brothers in Arms (1985, West-Germany)
"Communiqué" is listed in three versions: European, German, and a rare Club Edition, each offering a unique experience on 12" vinyl LP.
Communiqué European Release Communiqué (1979, Germany) Communique Club Edition (1979, Germany)
The self-titled debut album of "Dire Straits" is available in four distinct versions, including the rare Portuguese edition, which is notably elusive to find.
DIRE STRAITS - Self-Titled (1978, England) DIRE STRAITS - Self-Titled Black Vertigo (1978, France) DIRE STRAITS - Self-Titled (1978, France) DIRE STRAITS - Self-Titled (1978, Portugal)
Vertigo 609 230 , 1979 , Germany
"Lady Writer" by Dire Straits is a captivating musical gem. Featuring the hit "Lady Writer" on one side and "Where Do You Think You're Going?" on the other, this release showcases the band's signature sound
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Warner Bros WBMS 109 , 1979 , USA
The rare promotional 12" Vinyl LP album, "Dire Straits - Live Promo - Warner Bros Music Show", offers a unique glimpse into the band's live performances.
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"Love Over Gold" the Dutch and West-German editions each having different coloured record labels , the West-German release mentions "Digital Recording".
Love Over Gold OIS (Netherlands) Love Over Gold (West-Germany)
The Dutch, German and USA release of "Making Movies" produced by Mark Knopfler and Jimmy Iovine and engineered by The Shelly Yakus, it features custom inner sleeves with lyrics and artwork. Recorded in July-August 1980
German Edition of Making Movies Dutch Edition of Making Movies Making Movies Genuine USA Edition
Vertigo INT 836 419 , 1988 , UK
"Money for Nothing" is a musical treasure with a mix of studio and live tracks. It features the iconic "Sultans of Swing", a live version of "Portobello Belle", and a remix of "Twisting by the Pool".
Learn moreDire Straits’ final studio album, On Every Street (1991), blends refined rock craftsmanship with introspective songwriting. This Holland pressing stands out for its 40-page world tour booklet and official merchandise leaflet, making it a must-have vinyl for collectors and fans of Mark Knopfler’s signature sound.
Vertigo 6863 201 , 1982 , France
The French Promo 12" Vinyl Maxi-Single of "Telegraph Road" by Dire Straits is a highly sought-after collector's item. Featuring a rare 14:37 version of the song, it predates the official release of the LP "Love Over Gold".
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The Netherlands release of the 12" EP "Twisting By the Pool" by Dire Straits features a concise tracklist. The Fren ch Edition also includes the bonus track "Badges, Posters, Stickers, T'Shirts"
Twisting By the Pool / ExtendedancEPlay (1983, France) Twisting By the Pool / ExtendedancEPlay ( 1983 Holland )