"Armed and Dangerous" is the name of Anthrax's first EP. The album was released in February of 1985 by Megaforce Records. This was the first Anthrax release to feature Joey Belladonna on vocals.
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Album Description:
Anthrax's "Armed and Dangerous" 12" Vinyl LP Album was released in 1985 and is considered a seminal release in the thrash metal genre. The album showcases the band's early sound, which was heavily influenced by punk rock, and features some of their most iconic tracks. The album opens with the title track, "Armed and Dangerous," a fast-paced song that features the band's trademark aggressive riffs and powerful vocals. The song sets the tone for the rest of the album, which is filled with raw energy and attitude. Other standout tracks on the album include "Raise Hell," which features a catchy chorus and driving beat that will have listeners headbanging along in no time. The LP also includes a cover of the Sex Pistols' "God Save The Queen," which is given the full Anthrax treatment with heavy riffs and aggressive vocals. The band's punk rock roots are on full display in this track, and it's a great example of their ability to take a song from another genre and make it their own. The production quality of the LP is excellent, with a raw and unpolished sound that perfectly captures the band's early sound. The vinyl itself is a high-quality pressing, with deep and clear grooves that make the music sound fantastic. |
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Music Genre: American Speed Thrash Metal |
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Album Production Information: Produced by Anthrax, Precious Metal Music Alex "The Boy Pharoah" Perialas - Sound Engineer, Producer In my book, his credit is the “this is gonna hit hard” stamp—Pyramid Sound vibes all day. Read more... Alex Perialas is an American audio engineer, mixer, and record producer who helped lock in the tight, punchy thrash sound of the mid-1980s through the early 1990s from Pyramid Sound Studios in Ithaca, New York—working with bands like Anthrax, Overkill, Testament, Nuclear Assault, S.O.D., and Flotsam & Jetsam. Later on, his work stretches into other lanes (Bad Religion, Pro-Pain), and he’s also been tied to teaching sound recording at Ithaca College—because apparently someone had to explain to the next generation how to make guitars sound like a chainsaw with manners. Carl Canedy - Producer Carl Canedy is a legendary drummer and producer whose impact on heavy metal spans decades. As a founding member of The Rods and a key producer behind bands like Anthrax and Exciter, his dynamic drumming and studio expertise have shaped countless classic albums. His passion for metal continues to inspire generations. Learn more about Carl Canedy.
Jon Zazula - Executive Producer The “Jonny Z” era starts in the East Brunswick trenches (early ’80s), then detonates with Metallica in 1982–1983 and keeps rolling through Megaforce years with bands like Anthrax (notably 1985–1991), Overkill, Testament, and Manowar. Read more... Jon Zazula, in my head, is proof that heavy metal didn’t just “happen” in the ’80s—it got built by obsessive weirdos with good ears and zero chill. He ran the Rock ’n’ Roll Heaven record store in East Brunswick, New Jersey, and used that shop as a kind of underground command center, blasting demos through the tape-trading network until the right bands found the right people. The pivotal moment (and yeah, it’s basically metal folklore at this point) lands in the winter of 1982, when he heard Metallica’s “No Life ’Til Leather” demo, pulled them to New York, and helped push them onto their first real East Coast stages—then Megaforce Records followed, and “Kill ’Em All” hit in 1983 like a crowbar to the radio. After that, his “periods” with bands were less about being onstage and more about being the guy who opened doors: the Megaforce run expanded from Metallica and Manowar in the early ’80s to a wider roster that included Anthrax (a key 1985–1991 stretch), plus acts like Overkill and Testament—basically a roll call of bands that helped define what American metal would sound like when it stopped asking permission. Norman Dunn - Sound Engineer Norman Dunn a sound engineer and in the 1980s responsible for the recording of several metal albums for bands like Anthrax, Carnivore, Crumbsuckers, Raven, Whiplash. George Marino (1947-2012) - Mastering Engineer When my site brain goes full 1980s metal mode, his name keeps showing up like a hidden signature in the dead wax. Read more... George Marino is one of those behind-the-glass legends who made heavy music feel larger than the room it was playing in. Before the mastering console became his throne, he was a Bronx guitarist doing the NYC band grind in the 1960s with groups like The Chancellors and The New Sounds Ltd. Then he went pro for real: starting at Capitol Studios in New York (1967), and eventually becoming a long-running force at Sterling Sound (from 1973 onward). For a collector like me—living in that sweet spot where 1980s heavy metal, hard rock, and a dash of prog-minded ambition collide—Marino’s credits read like a stack of essential sleeves: Holy Diver (Dio), Tooth and Nail (Dokken), Stay Hard (Raven), Master of Puppets (Metallica), Somewhere in Time (Iron Maiden), Among the Living (Anthrax), Appetite for Destruction (Guns N’ Roses), Slippery When Wet (Bon Jovi), and Blow Up Your Video (AC/DC). That’s the kind of resume that doesn’t just “master” records—it weaponizes them, but with taste. George Marino Wiki |
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Record Label: Megaforce Records MRS 05 |
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Media Format: 12" Vinyl EP Gramophone RecordAlbum weight: 190 gram |
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Year & Country: 1985 Made in USA |
Band Members and Musicians on: Anthrax Armed and Dangerous |
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Complete Track Listing of: Anthrax Armed and Dangerous |
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The Song/tracks on "Anthrax Armed and Dangerous" are
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Anthrax Armed and Dangerous 12" Vinyl LP
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| Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ) |
Anthrax's thrash metal landmark "Among the Living" gets the classic vinyl treatment. Explore the Canadian & German 12" LP releases, featuring iconic tracks like the title track, "Caught in a Mosh," and "I Am the Law."
- Among the Living ( Canada ) - Among the Living ( Germany )
Anthrax's "Armed and Dangerous" 12" Vinyl LP Album is a classic of the thrash metal genre and an essential addition to any serious metal collector's library. The album's raw energy, aggressive riffs
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"Chris Tetley Interview Rock Saga"s 12" Picture Disc is a must-have for any Anthrax fan. The interview provides a rare glimpse into the minds of two of the band's most creative members,
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"Fistful of Metal" is a thrash metal masterpiece that showcases the band's raw energy, speed, and aggression. The album features fast and furious tracks like "Deathrider," "Metal Thrashing Mad,"
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"I Am The Law" bursts from the speakers with an adrenaline-fueled assault of thrash metal intensity. Scott Ian's razor-sharp riffs and Charlie Benante's relentless drumming lay the foundation for an unyielding rhythm section
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The title track, "I'm The Man", became an anthem of self-aggrandizing fun. Borrowing heavily from the hip-hop vernacular, Joey Belladonna rapped and boasted his way through the song over a funky, infectious beat.
- I'm The Man ( 1987, Europe ) - I'm The Man ( 1987, USA )
The album consisted of interviews with the band members interspersed with excerpts from their live performances. The interviews were conducted by various radio and television hosts, and the band members
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The title track, "Make Me Laugh," is a quirky and surprisingly melodic departure from their usual thrash assault. Borrowing its primary riff from a vintage TV game show theme song, Anthrax infuse it with metal energy.
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The title track "Antisocial" is a cover of the French punk rock band Trust and was one of the highlights of Anthrax's live shows during this period. The French version of the song adds a unique twist to the already intense
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"Spreading the Disease" is a relentless assault of thrash metal brilliance. The album opens with the electrifying "A.I.R," a blistering ode to headbanging and mosh pits. Songs like "Madhouse," "Armed and Dangerous"
- Spreading the Disease ( 1985, Canada ) - Spreading the Disease ( Germany, EEC )
“State of Euphoria” (1988) captures Anthrax at their most unhinged — fast, funny, and ferociously self-aware. Bursting with East Coast attitude and satirical bite, it’s thrash metal with a grin. From the spiraling madness of its cover art to the anthemic roar of “Antisocial,” the album turns chaos into celebration — a glorious mess only Anthrax could make.
- State of Euphoria ( 1988, Germany ) - State of Euphoria ( 1988, USA )