ANTHRAX Penikufesin Heavy Metal Album Cover Gallery & 12" Vinyl LP Discography Information #vinylrecords

Album Description:

Anthrax's "Penikufesin" Antisocial French Version 12" Vinyl LP is a must-have for any hardcore metal enthusiast or collector. This rare gem was originally released in 1989 and features six tracks that are sure to get your adrenaline pumping.

The title track "Antisocial" is a cover of the French punk rock band Trust and was one of the highlights of Anthrax's live shows during this period. The French version of the song adds a unique twist to the already intense and fast-paced thrash metal sound of the original version. The lyrics are translated into French, and the band's performance is raw and powerful, capturing the energy and aggression of their live shows.

The rest of the tracks on the LP are equally impressive. "Friggin' in the Riggin'" is a cover of the Sex Pistols, and Anthrax's version adds their own heavy metal twist to the classic punk track. "Parasite" and "Le Sects" are both original tracks, and they showcase the band's songwriting skills and musicianship.

One of the most interesting things about this LP is that it was only released in France, making it a rare find for collectors outside of Europe. The cover art features a graffiti-style design that adds to the punk rock aesthetic of the album.

The production quality of the LP is also noteworthy. The sound is clean and well-balanced, allowing the listener to hear every instrument and the raw power of the vocals. The vinyl itself is a high-quality pressing, and the grooves are deep and crisp.

Music Genre:

Heavy Metal Music

Album production information

Produced by Anthrax and Mark Dodson, Jon and Marsha Zazula, Alex Perialis.
Sound/recording engineer: Alex Perialas:
Photography: Neil Zlozower, Gene Ambo

Alex Perialas – Audio Engineer, Mixer, Record Producer

In my book, his credit is the “this is gonna hit hard” stamp—Pyramid Sound vibes all day. Read more...

Alex Perialas is an American audio engineer, mixer, and record producer who helped lock in the tight, punchy thrash sound of the mid-1980s through the early 1990s from Pyramid Sound Studios in Ithaca, New York—working with bands like Anthrax, Overkill, Testament, Nuclear Assault, S.O.D., and Flotsam & Jetsam. Later on, his work stretches into other lanes (Bad Religion, Pro-Pain), and he’s also been tied to teaching sound recording at Ithaca College—because apparently someone had to explain to the next generation how to make guitars sound like a chainsaw with manners.

Alex Perialas Wiki

Jon Zazula – Megaforce Records founder & metal scene catalyst

The “Jonny Z” era starts in the East Brunswick trenches (early ’80s), then detonates with Metallica in 1982–1983 and keeps rolling through Megaforce years with bands like Anthrax (notably 1985–1991), Overkill, Testament, and Manowar. Read more...

Jon Zazula, in my head, is proof that heavy metal didn’t just “happen” in the ’80s—it got built by obsessive weirdos with good ears and zero chill. He ran the Rock ’n’ Roll Heaven record store in East Brunswick, New Jersey, and used that shop as a kind of underground command center, blasting demos through the tape-trading network until the right bands found the right people. The pivotal moment (and yeah, it’s basically metal folklore at this point) lands in the winter of 1982, when he heard Metallica’s “No Life ’Til Leather” demo, pulled them to New York, and helped push them onto their first real East Coast stages—then Megaforce Records followed, and “Kill ’Em All” hit in 1983 like a crowbar to the radio. After that, his “periods” with bands were less about being onstage and more about being the guy who opened doors: the Megaforce run expanded from Metallica and Manowar in the early ’80s to a wider roster that included Anthrax (a key 1985–1991 stretch), plus acts like Overkill and Testament—basically a roll call of bands that helped define what American metal would sound like when it stopped asking permission.

Jon Zazula Wiki

Mark Dodson – Producer, Recording Engineer

One of those behind-the-glass names that keeps popping up when late-80s metal suddenly sounds huge, tight, and slightly unhinged (in the best way). Read more...

Mark Dodson is the kind of credit I spot and immediately think: yep, this record is about to hit harder than it has any right to. He is a London-born British producer and sound engineer whose career kicks off in the late 1970s with engineering/mixing work (including acts like Advertising, Judas Priest, Joan Jett, and The Modern Lovers), then locks into metal gear for the big runs people actually collect for. With Anthrax, his main stretch is the late-80s/early-90s era (1988–1991) around State of Euphoria, Persistence of Time, and related releases. With Suicidal Tendencies, it is a tight, high-impact window from 1988–1990 (and a 1993 compilation credit), plus the side-quest with Infectious Grooves across 1991 and 1993. Basically: when I see his name, I expect punch, clarity, and zero patience for “polite” guitar tones. Mark Dodson Wiki

Marsha Zazula – Megaforce Records co-founder & executive producer

Marsha Zazula is the quiet force behind a lot of “how did this band get big?” stories: early Megaforce years with Metallica (1982–1983), then key credits with Raven (1985), Anthrax (1988–1990), Overkill (1988–1989), and Testament (1987). Read more...

Marsha Zazula, I file her under “people who changed metal without ever needing a guitar solo.” Together with Jonny Z, she co-founded Megaforce Records in 1982, and that one move basically helped flip American metal from tape-trader rumor into a real-world industry machine. Her “periods” with bands weren’t on stage, but they were all over the credits: the early Megaforce launch with Metallica when the label put out “Kill ’Em All” (1983), a producer/executive presence around Raven on “Stay Hard” (1985), and then the heavy thrash stretch where Jon and Marsha show up as executive producers/management for Anthrax (notably “State of Euphoria” in 1988 and “Persistence of Time” in 1990). She’s also credited in that same behind-the-scenes power lane with Overkill (executive production on “Under the Influence” in 1988 and “The Years of Decay” in 1989) and Testament’s debut “The Legacy” (1987). The thing I respect most is how unglamorous the work actually is—phones, logistics, money stress, belief—and she still helped build a runway for bands that would go on to define entire subgenres.

Marsha Zazula Wiki

Neil Zlozower – Rock Photographer

The eye behind some of the most iconic hard rock and metal images of the ’70s and ’80s. Read more...

Neil Zlozower is a legendary rock photographer whose raw, high-energy images helped define the hard rock and heavy metal scenes of the 1970s and 1980s. Best known for his close association with bands like Van Halen and Mötley Crüe, his photographs capture the unfiltered intensity, excess, and attitude of rock’s golden era. Decades on, his work remains a visual time capsule of loud amps and louder personalities.

Neil Zlozower Read his Biography

Record Label:

Island Records 209 950 (209950) Megaforce Worldwid

Record Format

12" EP/LP

Year & Country

1989 Made in EEC

Band Members and Musicians on: Anthrax Penikufesin

Scott Ian - Guitars
Scott Ian – Rhythm guitarist, lyricist & thrash metal co-founder
Scott Ian (born Scott Ian Rosenfeld) is the riff-engine who’s been steering Anthrax since 1981, with side-quests that hit like bonus levels: S.O.D. (1985–1991; reunions in 1999 and 2007), The Damned Things (2009–2012; 2019–present), Motor Sister (2014–present), and Mr. Bungle (around 2020–present). Read more...
Scott Ian, I’ve always thought of him as the human proof that rhythm guitar can be the main character. He’s best known as the co-founder, rhythm guitarist, and primary lyricist of Anthrax (1981–present), and he’s the only member who’s been there for the whole ride while the rest of the lineup history does its usual metal soap-opera thing. Outside Anthrax, his “periods” with other bands map out a whole corner of crossover and hard rock: he co-founded Stormtroopers of Death (S.O.D.) for the original run in 1985–1991, then popped back in for reunion eras in 1999 and 2007; he shifted into supergroup mode with The Damned Things (2009–2012, then back again from 2019 to the present); he formed Motor Sister in 2014 and kept it rolling; and he became part of the revived Mr. Bungle lineup around 2020. The vibe I get is simple: Ian doesn’t just play riffs—he builds lanes for other people to drive dangerously fast through.
Scott Ian Wiki
Joey Belladonna - Vocals, Drums
Joey Belladonna ( Lead Vocals, Drums ) is an American Singer from Oswego, New York and best known as lead singer in the American ( East-Coast ) Thrash Metal band Anthrax. Belladonna has been with Anthrax since 1984 with several long breaks in-between. Learn more about him
Frank Bello - Bass
Frank Bello ( Full-name: Francis Charles Joseph Bello ) is from the Bronx, New York and has been bass guitarist with the American Thrash Metal band Anthrax since 1984.
Dan Spitz - Guitars
Dan Spitz ( full-name: Daniel Alan Spitz ) is an American musician and Heavy Metal watch-maker. Spitz started his musical career in 1981 as guitarist in the American Thrash Metal band Overkill. He left Overkill in 1983 to join Anthrax as lead guitarist. Spitz performed in Anthrax mainly from 1983 until 1995. After 1995 he started to developed himself into mechanical watchmaker and has won several awards for this.
Charlie Benante - Drums
Charlie Benante ( Drums ) long-time drummer with the American Thrash Metal band Anthrax, since 1983 and also performed in S.O.D. Stormtroopers Of Death.

Complete Track Listing of: Anthrax Penikufesin

Now It's Dark
Antisocial (French Version)
Friggin in the Riggin

Parasite
Sects
Pipeline

Album Cover Photo Gallery of: Anthrax Penikufesin

High Resolution Photo #1 ANTHRAX - Penikufesin

Photo of Record Label

High Resolution Photo #2 ANTHRAX - Penikufesin

Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )