Vinyl Albums Gallery & Discography from 1970-1990

Released in 1992, “Countdown to Extinction” captures Megadeth at the exact moment thrash metal learned how to hit hard without tripping over itself. Produced by Dave Mustaine and Max Norman, the album tightens the band’s sound into sharp, disciplined songs while keeping the paranoia and bite intact. More focused and accessible than earlier releases, it became both a critical and commercial breakthrough.

By 1978 the rock world was splintering, and this record sounds like The Runaways choosing survival over shock. The songs are leaner, tougher, and built to last beyond headlines. Joan Jett’s presence anchors the album, while Lita Ford pushes the guitar tone closer to real hard rock territory. It’s not reckless anymore — it’s focused, streetwise, and quietly defiant.

“Terrible Certainty” captures KREATOR at the point where raw Teutonic thrash hardened into precision weaponry. Recorded at Hannover’s Horus Studio and produced by Roy “Macaroni” Rowland, this 1987 album delivers disciplined speed, razor-sharp riffing, and Mille Petrozza’s commanding vocals, cementing the band’s status beyond the underground.

Woodstock 1969 in Bethel, New York was three days of mud, volume, and “peace & music” that somehow mutated into a cultural monument. Woodstock Two (1971, Atlantic) is the official 2LP aftershock: 16 performances plus festival ambience, from Jimi Hendrix and Jefferson Airplane to CSN&Y, Joan Baez, Melanie, Mountain and Canned Heat.

1979 US 12" maxi-single on Capitol (Cat. 8511) where Sammy Hagar takes on the Otis Redding and Steve Cropper classic with a late-’70s rock sheen. A fun collector curveball: big sleeve, bold credits, and that unexpected mood-shift away from pure hard rock.

Éxitos is a greatest hits collection from Willie Colón, capturing the energy and brilliance of his groundbreaking salsa career. Featuring classic tracks from his work with Héctor Lavoe and solo hits alike, the album offers a vibrant journey through Colón’s golden years and the sound that defined a generation of Latin music lovers.

WOW is Wendy O. Williams’ 1984 solo debut, produced by Gene Simmons and released on Roadrunner Records. The album shifts away from the Plasmatics’ anarchic chaos toward a tighter heavy metal and hard rock sound, driven by sharp guitar riffs, punchy production, and Wendy’s unmistakably aggressive vocals. A confrontational, no-frills record built for volume, attitude, and pure impact.

Aphrodite's Child’s 1972 double LP “666” is a landmark progressive rock concept album built around apocalyptic biblical imagery. Blending psychedelic rock, proto-synth textures, spoken passages, and avant-garde experimentation, it pushed far beyond conventional song structures. Featuring Vangelis at his most daring, the album became a cult classic and a cornerstone of early 1970s European prog.

Released in 1981, Concrete captures 999 at a turning point where early UK punk urgency hardens into something heavier and more controlled. Produced by Vic Maile, the album trades youthful chaos for grit and tension, with tracks like “So Greedy” and “Obsessed” pushing tight riffs and disciplined rhythms. A solid Albion Records UK pressing that shows punk growing muscle without losing bite.

A feral snapshot of Slayer at the moment they stopped warming up and started burning cities. This limited blue vinyl pairs the raw, chaotic violence of the “Live Undead” EP with the studio brutality of “Haunting the Chapel,” capturing the band just before thrash metal fully detonated. Fast, ugly, and gloriously unpolished, this release documents Slayer’s transition from underground menace to genre-defining force.

Dropping the needle on “Hunted” still feels like catching the NWOBHM scene mid-sprint. This record plays lean and hungry, with riffs that don’t hang around and vocals that sound like they’re chasing the beat rather than polishing it. Steve MacKay’s delivery keeps everything street-level, while the twin-guitar attack drives straight ahead with no glam padding. This is proper pub-metal energy, pressed before the scene cooled and moved on.

Queen’s 1989 LP blends late-80s pop-rock gloss with the band’s trademark vocal power and guitar punch. Recorded between London and Montreux, the album shows a reunited band channeling urgency and optimism into polished production. Singles like “I Want It All” and “The Miracle” anchor the record’s modern sheen and emotional weight.

Energetic early-80s American rock album recorded at The Automatt and powered by Ronnie Montrose's sharp guitar work. Blending tight riffs, atmospheric keyboards, and clean Elektra production, this third Gamma release stands out for its focused songwriting and signature red-label U.S. pressing appeal.

This album drags me right back into that wild, early-kraut zone where everything felt possible. Karoli fires off these wiry guitar riffs while Mooney rants like a man possessed, turning each track into a hypnotic sonic trip. It’s messy, loud, and gloriously primitive—exactly the sort of underground chaos I live for.

Fierce early-80s heavy metal with raw energy, this European release captures Twisted Sister just before their mainstream breakthrough. Produced by Stuart Epps, the album blends street-tough riffs, anthemic choruses, and that unmistakable New York attitude. A defining moment in the band’s climb toward global recognition.

QUEEN - News of the World (French and Italian Releases)

"News of the World" marked a crucial turning point in Queen's career. Released on 28 October 1977, the album represented a departure from their earlier progressive rock sound towards a more radio-friendly and anthemic style. It featured some of the band's most iconic tracks

AXE ATTACK , Guitar Pete's – Nightmare

AXE ATTACK's 1985 album 'Nightmare', released on the French Axe Killer label, was fronted guitarist Pete Brasino and vocalised by ex-HIGHWAY CHILE vocalist Armand van der Stigchel. The band was essentially GUITAR PETE'S AXE ATTACK, the album originally having been released in the USA with different cover art and billed 'Nitemare'

THE BEATLES - Revolver (French and Italian Editions)

"Revolver," a groundbreaking album that redefined popular music. Featuring innovative recording techniques and iconic tracks like "Eleanor Rigby" and "Tomorrow Never Knows," it left an indelible mark on music history.

A razor-edged slice of Belfast punk, “Programme Love” finds the Outcasts locked in tight and mean. Greg Cowan delivers that trademark half-sneer, half-anthem vocal punch while the band fires through two standout tracks with zero hesitation. The unexpected Nagel-style sleeve gives it a surreal visual twist, making this EP a prized early Outcasts gem.

VAN HALEN - 5150

5150 feels like Van Halen throwing open a new door. Hagar takes the mic with a smoother but still high-voltage delivery, and Eddie drives the whole machine with that trademark mix of crunch and glossy synth fire. The songs lean more melodic but stay punchy, and this German pressing brings out that crisp, wide stereo image collectors love.

YELLO - Stella

Stella always strikes me as the moment Yello stopped flirting with synth-pop and just owned it. The beats are tight, the hooks sharp, and every track feels built for late-night neon. “Vicious Games” steals the show with its icy attitude, while “Oh Yeah” drops that cult-classic grunt people still quote. It’s the sort of record that made 80s electronic pop feel cheeky, stylish, and a bit dangerous.

"In The Plain" captures Savage Rose right as their acid-psych instincts were sharpening into something bolder. Annisette’s voice cuts through the mix with that firebrand intensity, while the Koppels shape the grooves with a tight, slightly unhinged pulse. The whole LP carries that unmistakable late-60s psych haze collectors love digging up in well-kept Polydor pressings.

DOKKEN - Under Lock and Key

"Under Lock and Key" is the 3rd studio album by American heavy metal band Dokken, released in 1985. The album features hits like "The Hunter," "In My Dreams," and "It's Not Love," showcasing the band's signature sound of heavy riffs, soaring vocals, and catchy hooks. The album's production is clean and polished, elevating the band's musicianship and songwriting abilities.

INXS - Need You Tonight

A slice of pure late-80s energy, this maxi pushes that signature INXS electro-groove right to the surface. Hutchence delivers the cool, breathy tone that made the song unstoppable worldwide, and the Dutch sleeve keeps the clean, high-contrast look that Mercury favored. A crisp, collectible pressing that still earns repeat spins.

JIMMY CLIFF - Cliff Hanger

Spinning this LP always pulls me back to that slick, sun-drenched reggae period where Cliff owned the crossover sound. Earl “Chinna” Smith punches through with classy guitar chops, giving every riddim more bite than you’d expect from an 80s production. The tracks flow with that easy skank, warm basslines, and Cliff’s unmistakable lift—straight mellow fire.

This 1989 blast of German Hard Rock/Heavy Metal catches RANDOM at full throttle—riff-driven, fast on its feet, and proudly rough around the edges. Rothes leads with a voice that cuts through the mix like neon through smoke, while the band leans into swagger and adrenaline over polish. A collector’s delight, "Randomised" delivers the exact kind of weird, energetic grit that makes these ME-era records unforgettable.

RCA PL86250 (Germany), 1987 • RCA Victor 6250-1-R (USA), 1987

“Rock You To Hell”, the band’s third and final studio blast, hit in 1987 when heavy metal was exploding worldwide. Grim Reaper pushed their NWOBHM power with searing falsetto vocals, razor-bright riffs, and big arena choruses. Released in Germany via RCA and in the USA through RCA Victor, this album marked their most international moment, carrying their Droitwich steel across both sides of the Atlantic.

BOBBY RODRIGUEZ - Lead Me To That Beautiful Band

"Lead Me to That Beautiful Band" is the vibrant 1975 release by "Bobby Rodriguez Y La Compañia". Produced by the legendary Ray Baretto and Alux Masucci, this LP delivers a fusion of Latin rhythms that captivate the soul. Recorded at Good Vibrations Sound Studio, New York, and engineered by Jon Fausty, it features a talented ensemble including Bobby Rodriguez, Junior Cordova, and more. A sonic journey through Latin music excellence.

MANFRED MANN'S EARTH BAND - Somewhere in Afrika

Raw, restless, and politically loaded, “Somewhere in Afrika” pushes the Earth Band into tougher territory. African rhythms throb under its prog-rock backbone, while Chris Thompson tears through the vocals and Trevor Rabin fires off a guest solo that steals the spotlight. It’s a record that refuses to play safe and rewards every spin.