- Brazilian Release
Pink Floyd's "The Piper at the Gates of Dawn," a 12" Vinyl LP Album with a Brazilian release (EMI-Harvest 31C 064 04292), encapsulates the experimental spirit of the late '60s. Produced by Norman Smith, engineered by Peter Bown, and adorned with a unique cover design by Syd Barrett, it marked the band's debut, capturing the essence of the psychedelic rock movement and the counterculture era with its innovative sound and artistic expression.
In the vibrant landscape of 1960s music, Pink Floyd's "The Piper at the Gates of Dawn" stands as a testament to the band's innovative spirit and the burgeoning psychedelic rock movement. Released as a 12" Vinyl LP Album, this Brazilian edition, with its unique characteristics, captures a moment in the band's history that is worth exploring within the context of the time period.
The album, produced by the seasoned Norman Smith, marked Pink Floyd's debut into the music scene. It was the summer of 1967 when the world witnessed the blossoming of the counterculture movement, and "The Piper at the Gates of Dawn" was an audible embodiment of the era's rebellious and experimental ethos.
Norman Smith's production played a pivotal role in shaping the album's sonic landscape. As the recording engineer, Peter Bown contributed to the meticulous crafting of each track, ensuring a sound that resonated with the psychedelic vibes prevalent in the late '60s. The result was a collection of songs that pushed the boundaries of conventional rock, exploring uncharted musical territories.
The album cover itself, adorned with a distinctive photo by Vic Singh and a rear cover design by the enigmatic Syd Barrett, adds an artistic layer to the overall experience. Syd Barrett, one of the founding members of Pink Floyd, not only lent his creative touch to the album design but also left an indelible mark on the band's early sound.
The catalognr EMI-Harvest 31C 064 04292 further solidifies the historical significance of this Brazilian release. EMI-Harvest, as a label, played a crucial role in bringing progressive and psychedelic music to a global audience during that era.
Music Genre: Prog Rock, Acid Rock |
| Album Production:
Produced by Norman Smith Explore more about Norman Smith’s groundbreaking work with Pink Floyd by visiting this webpage .
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Recording engineer: Peter Bown, Cover Photo: Vic Singh, rear cover design: Syd Barrett |
Record Label & Catalognr: EMI-Harvest 31C 064 04292 (Yellow background with green lettering) |
| Vinyl Media Format: 12" LP Vinyl Gramophone Record |
| Country: Made in Brazil |
Band Members and Musicianson: PINK FLOYD PIPER AT THE GATES OF DAWN NM |
Syd Barrett is the original Pink Floyd spark plug I always think of when the music sounds like it was beamed in from a kinder, stranger universe—he co-founded the band in 1965 and shaped their early psychedelic identity before everything went sideways. Read more...
Syd Barrett (born Roger Keith Barrett) is, to me, the “before” and “after” line in Pink Floyd history: the frontman, guitarist, and main songwriter in the band’s formative years, then the haunting absence everyone kept orbiting. His key band period is Pink Floyd (1965–1968), where his songs and playing defined the early sound and led to the debut album era, before his departure in 1968. After that, he had a short, intense solo period (1968–1974), highlighted by the albums "The Madcap Laughs" (released 1970) and "Barrett" (released 1970), after which he largely withdrew from the music world. It’s a brutally brief career arc for someone so influential, which is exactly why his shadow still feels weirdly present whenever early Floyd comes on.
Roger Waters is the guy I blame (politely) when a Pink Floyd song stops being “spacey vibes” and starts staring straight through you with lyrics that feel like a courtroom cross-examination. Read more...
Roger Waters is, to my ears, Pink Floyd’s razor-edged storyteller: bassist, singer, and the main lyric engine who pushed the band from psychedelic drift into big, human-scale themes. His key band period is Pink Floyd (1965–1985), where he became the dominant writer through the 1970s and early 1980s, before leaving and launching a long solo career (1984–present). After years of public tension, he briefly reunited with Pink Floyd for a one-off performance at Live 8 in London on 2 July 2005—basically the musical equivalent of spotting a comet: rare, bright, and gone again. Since the late 1990s he’s toured extensively under his own name, staging huge concept-driven shows that revisit Floyd classics like "The Dark Side of the Moon" (notably on the 2006–2008 tour) and "The Wall" (2010–2013), because apparently subtlety is not the point when you’ve got something to say.
Richard Wright is the secret atmosphere machine in Pink Floyd: the guy who can make one chord feel like a whole weather system, and then casually add a vocal harmony that makes it hit even harder. Read more...
Richard Wright (born Richard William Wright) is, for me, the understated genius of Pink Floyd: co-founder, keyboardist, and occasional lead vocalist whose textures are basically baked into the band’s DNA. His main performing period with Pink Floyd runs from 1965 to 1981 (including the early albums through the massive arena years), then he returned as a full member again from 1987 to 1994 for the later era tours and albums. In between those chapters, he didn’t just vanish into a fog machine: he released a solo album, "Wet Dream" (1978), and later "Broken China" (1996), and he also had a proper side-project moment with Zee (1983–1984), which produced the album "Identity" (1984). He passed away in 2008, but his playing still feels like the part of Pink Floyd that makes the air shimmer.
Nick Mason is the steady heartbeat I always come back to in Pink Floyd: the only constant member since the band formed in 1965, quietly holding the whole weird universe together while the rest of the planet argues about everything else. Read more...
Nick Mason is Pink Floyd’s drummer, co-founder, and the one guy who never clocked out: his main performing period with Pink Floyd runs from 1965 to the present, and he’s the only member to appear across every Pink Floyd album. Outside the mothership, he’s had a very “I’m not done yet” second act: in 2018 he formed Nick Mason’s Saucerful of Secrets (2018–present) to bring the band’s early psychedelic years back to the stage. He’s also stepped out under his own name with projects like the solo album "Nick Mason’s Fictitious Sports" (released 1981), which is basically him taking a left turn into jazz-rock just to prove he can. And yes, he was part of that blink-and-you-miss-it full-band moment at Live 8 in London in 2005, when the classic lineup briefly reunited and reminded everyone why this band still haunts people.
Complete Track Listing of: PINK FLOYD PIPER AT THE GATES OF DAWN NM |
Photos of the LP's cover: PINK FLOYD PIPER AT THE GATES OF DAWN NM |
| Photo of Piper at the Gates of Dawn Brazilian Pressing Album's Front Cover |
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Photo of Piper at the Gates of Dawn Brazilian Pressing Record Label
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Photo of Syd Barrett
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
EMI-Harvest 31C 064 04292 , , Brazil
Pink Floyd's "The Piper at the Gates of Dawn," a 12" Vinyl LP Album with a Brazilian release (EMI-Harvest 31C 064 04292), encapsulates the experimental spirit of the late '60s. Produced by Norman Smith, engineered by Peter Bown, and adorned with a unique cover design by Syd Barrett, it marked the band's debut, capturing the essence of the psychedelic rock movement and the counterculture era with its innovative sound and artistic expression.
Learn more
Columbia EMI 2C 064-04.292 , 1978 , France
The French 1978 re-issue of Pink Floyd's "The Piper at the Gates of Dawn" LP stands out with its unique black & white Syd Barrett artwork on a grey background, a departure from other global pressings. Produced by Norman Smith, the album's vinyl resurgence in 1978 marked a significant era in music history. With meticulous sound engineering and artistic design, this collector's item encapsulates the timeless essence of Pink Floyd's groundbreaking debut.
Learn more
EMI Columbia 1C 062-04 292 , 1967 , Germany
Pink Floyd's debut album, "The Piper at the Gates of Dawn" (1967), released on EMI Columbia in Germany, epitomizes the 1960s psychedelic and progressive rock movement. With visionary Syd Barrett at the helm, the album's experimental soundscapes and surreal lyrics define an era of musical innovation. The German release further solidifies its global impact, contributing to the cultural tapestry of a transformative period in music history.
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FAME FA 3065 , FAME FA 3065 , UK
Pink Floyd's debut album, "The Piper at the Gates of Dawn," led by Syd Barrett, emerged in 1967, encapsulating the spirit of the psychedelic rock era. With whimsical lyrics exploring space, scarecrows, and fairytales, the album became a cornerstone of musical innovation. Its enduring influence on the counterculture is evident in the eclectic themes and psychedelic instrumentals, making it a timeless gem in the legacy of Pink Floyd.
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Columbia SCX 6157 , 1967 , Gt Britain
Pink Floyd's "The Piper At The Gates of Dawn" 2nd pressing, a 1967 vinyl gem, encapsulates the band's inception in the dynamic musical landscape. Marked by a white-on-black EMI logo, fold-over back cover, and distinctive Columbia label, it's a time capsule reflecting the countercultural spirit. Cataloged as Columbia SCX 6157, its nuanced details offer a tangible link to Pink Floyd's early artistic exploration amidst the transformative late '60s music scene.
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EMI Columbia SCX 6157 , 1967 , Gt Britain
Pink Floyd's "The Piper at the Gates of Dawn," UK 3rd release, distinguishes itself with the absence of "Subject to Sales" tax on the label. Released in 1967 during a transformative musical era, the album, led by Syd Barrett, contributed to psychedelic and progressive rock. This sought-after vinyl reflects not only Barrett's experimental brilliance but also captures the socio-economic nuances of its time, making it a prized collector's item in the realm of music history.
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EMI Columbia SCX 6157 , 1967 , Gt Britain
Pink Floyd's 1967 debut album, "The Piper at the Gates of Dawn," is a sonic masterpiece symbolizing the era's cultural shifts. Produced by Norman Smith and engineered by Peter Bown, it showcases Syd Barrett's genius. Identified by the EMI white boxed logo and "Made in Gt Britain" label, this 12" Vinyl LP is a collector's gem, embodying the psychedelic spirit of its time.
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Columbia SCX 6157 / YAX 3419 , 1967 , Gt Britain
Pink Floyd's "The Piper at the Gates of Dawn" 5th UK release, circa 1967, encapsulates the psychedelic era's essence. Distinguished by a yellow and black band name on the cover and the absence of "Made in Gt Britain," this vinyl LP is a collector's gem. With catalog number SCX 6157 / YAX 3419, it reflects collaborative brilliance, boasting production by Norman Smith, engineering by Peter Bown, and design contributions from Vic Singh and Syd Barrett. A prized artifact, it symbolizes a transformative period in rock history.
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