- GT Britain 4th Release SCX 6157
Pink Floyd's 1967 debut album, "The Piper at the Gates of Dawn," is a sonic masterpiece symbolizing the era's cultural shifts. Produced by Norman Smith and engineered by Peter Bown, it showcases Syd Barrett's genius. Identified by the EMI white boxed logo and "Made in Gt Britain" label, this 12" Vinyl LP is a collector's gem, embodying the psychedelic spirit of its time.
In the illustrious realm of music, certain albums stand as milestones, encapsulating the spirit of their time and leaving an indelible mark on the annals of musical history. One such opus is Pink Floyd's debut studio album, "The Piper at the Gates of Dawn," a 12" Vinyl LP that emerged from the creative crucible of 1967 Great Britain.
Produced under the stewardship of Norman Smith, the album showcases the genius of Syd Barrett, the visionary force behind Pink Floyd's early years. Recorded with precision by engineer Peter Bown, the sonic landscape of the album pushed the boundaries of psychedelic rock, heralding a new era in musical experimentation.
The album's visual identity is a testament to the collaborative effort that birthed it. The captivating photos captured by Vic Singh and the enigmatic rear cover design by Syd Barrett himself add layers of mystique to the overall experience.
For collectors and enthusiasts, identifying the particular pressing of this masterpiece becomes a quest in itself. The EMI white boxed logo adorning the top and bottom of the record label serves as a distinctive marker. The inscription "Made in Gt Britain" at the bottom, positioned between 5-6 o'clock, further authenticates its origin.
Cataloged under EMI Columbia as SCX 6157, this fourth release from 1967 stands as a relic from a bygone era, echoing the cultural and musical currents that swept through Britain during that pivotal time.
| Music Genre: Psych, Acid, Prog, Rock |
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Album Production:
Produced by Norman Smith, Recording engineer Peter Bown, Photos: Vic Singh, Rear cover design: Syd Barrett Explore more about Norman Smith’s groundbreaking work with Pink Floyd by visiting this webpage .
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| Record Label: EMI Columbia SCX 6157 |
| Vinyl Record Format: 12" LP Vinyl Gramophone Record |
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Year and Country: 1967 Made in Gt Britain |
Band Members and Musicianson: PINK FLOYD PIPER AT THE GATES OF DAWN SCX 6157 |
Syd Barrett is the original Pink Floyd spark plug I always think of when the music sounds like it was beamed in from a kinder, stranger universe—he co-founded the band in 1965 and shaped their early psychedelic identity before everything went sideways. Read more...
Syd Barrett (born Roger Keith Barrett) is, to me, the “before” and “after” line in Pink Floyd history: the frontman, guitarist, and main songwriter in the band’s formative years, then the haunting absence everyone kept orbiting. His key band period is Pink Floyd (1965–1968), where his songs and playing defined the early sound and led to the debut album era, before his departure in 1968. After that, he had a short, intense solo period (1968–1974), highlighted by the albums "The Madcap Laughs" (released 1970) and "Barrett" (released 1970), after which he largely withdrew from the music world. It’s a brutally brief career arc for someone so influential, which is exactly why his shadow still feels weirdly present whenever early Floyd comes on.
Roger Waters is the guy I blame (politely) when a Pink Floyd song stops being “spacey vibes” and starts staring straight through you with lyrics that feel like a courtroom cross-examination. Read more...
Roger Waters is, to my ears, Pink Floyd’s razor-edged storyteller: bassist, singer, and the main lyric engine who pushed the band from psychedelic drift into big, human-scale themes. His key band period is Pink Floyd (1965–1985), where he became the dominant writer through the 1970s and early 1980s, before leaving and launching a long solo career (1984–present). After years of public tension, he briefly reunited with Pink Floyd for a one-off performance at Live 8 in London on 2 July 2005—basically the musical equivalent of spotting a comet: rare, bright, and gone again. Since the late 1990s he’s toured extensively under his own name, staging huge concept-driven shows that revisit Floyd classics like "The Dark Side of the Moon" (notably on the 2006–2008 tour) and "The Wall" (2010–2013), because apparently subtlety is not the point when you’ve got something to say.
Richard Wright is the secret atmosphere machine in Pink Floyd: the guy who can make one chord feel like a whole weather system, and then casually add a vocal harmony that makes it hit even harder. Read more...
Richard Wright (born Richard William Wright) is, for me, the understated genius of Pink Floyd: co-founder, keyboardist, and occasional lead vocalist whose textures are basically baked into the band’s DNA. His main performing period with Pink Floyd runs from 1965 to 1981 (including the early albums through the massive arena years), then he returned as a full member again from 1987 to 1994 for the later era tours and albums. In between those chapters, he didn’t just vanish into a fog machine: he released a solo album, "Wet Dream" (1978), and later "Broken China" (1996), and he also had a proper side-project moment with Zee (1983–1984), which produced the album "Identity" (1984). He passed away in 2008, but his playing still feels like the part of Pink Floyd that makes the air shimmer.
Nick Mason is the steady heartbeat I always come back to in Pink Floyd: the only constant member since the band formed in 1965, quietly holding the whole weird universe together while the rest of the planet argues about everything else. Read more...
Nick Mason is Pink Floyd’s drummer, co-founder, and the one guy who never clocked out: his main performing period with Pink Floyd runs from 1965 to the present, and he’s the only member to appear across every Pink Floyd album. Outside the mothership, he’s had a very “I’m not done yet” second act: in 2018 he formed Nick Mason’s Saucerful of Secrets (2018–present) to bring the band’s early psychedelic years back to the stage. He’s also stepped out under his own name with projects like the solo album "Nick Mason’s Fictitious Sports" (released 1981), which is basically him taking a left turn into jazz-rock just to prove he can. And yes, he was part of that blink-and-you-miss-it full-band moment at Live 8 in London in 2005, when the classic lineup briefly reunited and reminded everyone why this band still haunts people.
Complete Track Listing of: PINK FLOYD PIPER AT THE GATES OF DAWN SCX 6157 |
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Albums rear cover
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Photo of LP
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| Close-up Photo of Record Label |
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EMI-Harvest 31C 064 04292 , , Brazil
Pink Floyd's "The Piper at the Gates of Dawn," a 12" Vinyl LP Album with a Brazilian release (EMI-Harvest 31C 064 04292), encapsulates the experimental spirit of the late '60s. Produced by Norman Smith, engineered by Peter Bown, and adorned with a unique cover design by Syd Barrett, it marked the band's debut, capturing the essence of the psychedelic rock movement and the counterculture era with its innovative sound and artistic expression.
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Columbia EMI 2C 064-04.292 , 1978 , France
The French 1978 re-issue of Pink Floyd's "The Piper at the Gates of Dawn" LP stands out with its unique black & white Syd Barrett artwork on a grey background, a departure from other global pressings. Produced by Norman Smith, the album's vinyl resurgence in 1978 marked a significant era in music history. With meticulous sound engineering and artistic design, this collector's item encapsulates the timeless essence of Pink Floyd's groundbreaking debut.
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EMI Columbia 1C 062-04 292 , 1967 , Germany
Pink Floyd's debut album, "The Piper at the Gates of Dawn" (1967), released on EMI Columbia in Germany, epitomizes the 1960s psychedelic and progressive rock movement. With visionary Syd Barrett at the helm, the album's experimental soundscapes and surreal lyrics define an era of musical innovation. The German release further solidifies its global impact, contributing to the cultural tapestry of a transformative period in music history.
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FAME FA 3065 , FAME FA 3065 , UK
Pink Floyd's debut album, "The Piper at the Gates of Dawn," led by Syd Barrett, emerged in 1967, encapsulating the spirit of the psychedelic rock era. With whimsical lyrics exploring space, scarecrows, and fairytales, the album became a cornerstone of musical innovation. Its enduring influence on the counterculture is evident in the eclectic themes and psychedelic instrumentals, making it a timeless gem in the legacy of Pink Floyd.
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Columbia SCX 6157 , 1967 , Gt Britain
Pink Floyd's "The Piper At The Gates of Dawn" 2nd pressing, a 1967 vinyl gem, encapsulates the band's inception in the dynamic musical landscape. Marked by a white-on-black EMI logo, fold-over back cover, and distinctive Columbia label, it's a time capsule reflecting the countercultural spirit. Cataloged as Columbia SCX 6157, its nuanced details offer a tangible link to Pink Floyd's early artistic exploration amidst the transformative late '60s music scene.
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EMI Columbia SCX 6157 , 1967 , Gt Britain
Pink Floyd's "The Piper at the Gates of Dawn," UK 3rd release, distinguishes itself with the absence of "Subject to Sales" tax on the label. Released in 1967 during a transformative musical era, the album, led by Syd Barrett, contributed to psychedelic and progressive rock. This sought-after vinyl reflects not only Barrett's experimental brilliance but also captures the socio-economic nuances of its time, making it a prized collector's item in the realm of music history.
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EMI Columbia SCX 6157 , 1967 , Gt Britain
Pink Floyd's 1967 debut album, "The Piper at the Gates of Dawn," is a sonic masterpiece symbolizing the era's cultural shifts. Produced by Norman Smith and engineered by Peter Bown, it showcases Syd Barrett's genius. Identified by the EMI white boxed logo and "Made in Gt Britain" label, this 12" Vinyl LP is a collector's gem, embodying the psychedelic spirit of its time.
Learn more
Columbia SCX 6157 / YAX 3419 , 1967 , Gt Britain
Pink Floyd's "The Piper at the Gates of Dawn" 5th UK release, circa 1967, encapsulates the psychedelic era's essence. Distinguished by a yellow and black band name on the cover and the absence of "Made in Gt Britain," this vinyl LP is a collector's gem. With catalog number SCX 6157 / YAX 3419, it reflects collaborative brilliance, boasting production by Norman Smith, engineering by Peter Bown, and design contributions from Vic Singh and Syd Barrett. A prized artifact, it symbolizes a transformative period in rock history.
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