- UK 3rd release
Pink Floyd's "The Piper at the Gates of Dawn," UK 3rd release, distinguishes itself with the absence of "Subject to Sales Tax" on the label. Released in 1967 during a transformative musical era, the album, led by Syd Barrett, contributed to psychedelic and progressive rock. This sought-after vinyl reflects not only Barrett's experimental brilliance but also captures the socio-economic nuances of its time, making it a prized collector's item in the realm of music history.
In the realm of iconic music, Pink Floyd's "The Piper at the Gates of Dawn" stands as a testament to the band's groundbreaking exploration of psychedelic, acid, and progressive rock. The 12" Vinyl LP Album, specifically the UK 3rd release, is a cherished artifact for collectors and enthusiasts alike. Let's delve into the significance of this release within its time period's context and its contribution to the ever-evolving landscape of music production.
Released under the catalog number EMI Columbia SCX 6157, this particular pressing of "The Piper at the Gates of Dawn" holds distinctive features that set it apart as the 3rd UK re-issue. Notably absent is the "Subject to Sales" tax after "Made in Gt Britain" at the bottom of the label, a key identifier for aficionados seeking authenticity in their collections. Additionally, the EMI logo is printed only once near the bottom of the label, further distinguishing this edition.
The album, originally released in 1967, arrived during a tumultuous period of musical transformation. The late 1960s saw the emergence of various genres, with psychedelic and progressive rock pushing boundaries and challenging conventional norms. Pink Floyd, led by the creative genius of Syd Barrett, played a pivotal role in shaping the psychedelic sound that defined the era.
"The Piper at the Gates of Dawn" marked Pink Floyd's debut studio album and was a testament to Syd Barrett's unique songwriting and experimental approach to music. The album's whimsical and surrealistic themes, coupled with Barrett's distinctive guitar work and lyrical ingenuity, garnered critical acclaim. Tracks like "Astronomy Domine" and "Interstellar Overdrive" showcased the band's avant-garde style, contributing to the burgeoning psychedelic movement.
The absence of the "Subject to Sales" tax on this 3rd UK re-issue becomes a fascinating detail when viewed against the backdrop of the socio-economic changes occurring in Britain during the late 1960s. The modification in tax status reflects the evolving economic landscape that impacted various industries, including the music business.
In terms of production, the 12" Vinyl LP format played a crucial role in delivering the sonic experience of Pink Floyd's masterpiece. The analog warmth and rich sound quality of vinyl added an extra layer to the psychedelic and progressive elements embedded in the album. Each crackle and pop on the record became a unique part of the listening experience, contributing to the overall nostalgia associated with vinyl records.
Music Genre: Psych, Acid, Prog, Rock |
| Album Production: Produced by Norman Smith Explore more about Norman Smith’s groundbreaking work with Pink Floyd by visiting this webpage .
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recording engineer Peter Bown, Photos: Vic Singh Rear cover design: Syd Barrett |
| Record Label: EMI Columbia SCX 6157 |
| Vinyl Record Format: 12" Vinyl LP Record 153grams |
Year and Country: 1967 Made in Gt Britain |
Band Members and Musicianson: PINK FLOYD - The Piper at the Gates of Dawn (UK) |
Syd Barrett is the original Pink Floyd spark plug I always think of when the music sounds like it was beamed in from a kinder, stranger universe—he co-founded the band in 1965 and shaped their early psychedelic identity before everything went sideways. Read more...
Syd Barrett (born Roger Keith Barrett) is, to me, the “before” and “after” line in Pink Floyd history: the frontman, guitarist, and main songwriter in the band’s formative years, then the haunting absence everyone kept orbiting. His key band period is Pink Floyd (1965–1968), where his songs and playing defined the early sound and led to the debut album era, before his departure in 1968. After that, he had a short, intense solo period (1968–1974), highlighted by the albums "The Madcap Laughs" (released 1970) and "Barrett" (released 1970), after which he largely withdrew from the music world. It’s a brutally brief career arc for someone so influential, which is exactly why his shadow still feels weirdly present whenever early Floyd comes on.
Roger Waters is the guy I blame (politely) when a Pink Floyd song stops being “spacey vibes” and starts staring straight through you with lyrics that feel like a courtroom cross-examination. Read more...
Roger Waters is, to my ears, Pink Floyd’s razor-edged storyteller: bassist, singer, and the main lyric engine who pushed the band from psychedelic drift into big, human-scale themes. His key band period is Pink Floyd (1965–1985), where he became the dominant writer through the 1970s and early 1980s, before leaving and launching a long solo career (1984–present). After years of public tension, he briefly reunited with Pink Floyd for a one-off performance at Live 8 in London on 2 July 2005—basically the musical equivalent of spotting a comet: rare, bright, and gone again. Since the late 1990s he’s toured extensively under his own name, staging huge concept-driven shows that revisit Floyd classics like "The Dark Side of the Moon" (notably on the 2006–2008 tour) and "The Wall" (2010–2013), because apparently subtlety is not the point when you’ve got something to say.
Richard Wright is the secret atmosphere machine in Pink Floyd: the guy who can make one chord feel like a whole weather system, and then casually add a vocal harmony that makes it hit even harder. Read more...
Richard Wright (born Richard William Wright) is, for me, the understated genius of Pink Floyd: co-founder, keyboardist, and occasional lead vocalist whose textures are basically baked into the band’s DNA. His main performing period with Pink Floyd runs from 1965 to 1981 (including the early albums through the massive arena years), then he returned as a full member again from 1987 to 1994 for the later era tours and albums. In between those chapters, he didn’t just vanish into a fog machine: he released a solo album, "Wet Dream" (1978), and later "Broken China" (1996), and he also had a proper side-project moment with Zee (1983–1984), which produced the album "Identity" (1984). He passed away in 2008, but his playing still feels like the part of Pink Floyd that makes the air shimmer.
Nick Mason is the steady heartbeat I always come back to in Pink Floyd: the only constant member since the band formed in 1965, quietly holding the whole weird universe together while the rest of the planet argues about everything else. Read more...
Nick Mason is Pink Floyd’s drummer, co-founder, and the one guy who never clocked out: his main performing period with Pink Floyd runs from 1965 to the present, and he’s the only member to appear across every Pink Floyd album. Outside the mothership, he’s had a very “I’m not done yet” second act: in 2018 he formed Nick Mason’s Saucerful of Secrets (2018–present) to bring the band’s early psychedelic years back to the stage. He’s also stepped out under his own name with projects like the solo album "Nick Mason’s Fictitious Sports" (released 1981), which is basically him taking a left turn into jazz-rock just to prove he can. And yes, he was part of that blink-and-you-miss-it full-band moment at Live 8 in London in 2005, when the classic lineup briefly reunited and reminded everyone why this band still haunts people.
Complete Track Listing of: PINK FLOYD - The Piper at the Gates of Dawn (UK) |
Photos of the LP's cover: PINK FLOYD - The Piper at the Gates of Dawn (UK) |
| Photo of PINK FLOYD - The Piper at the Gates of Dawn (UK) Album's Front Cover | |
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Photo of PINK FLOYD - The Piper at the Gates of Dawn (UK) Record Label
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EMI-Harvest 31C 064 04292 , , Brazil
Pink Floyd's "The Piper at the Gates of Dawn," a 12" Vinyl LP Album with a Brazilian release (EMI-Harvest 31C 064 04292), encapsulates the experimental spirit of the late '60s. Produced by Norman Smith, engineered by Peter Bown, and adorned with a unique cover design by Syd Barrett, it marked the band's debut, capturing the essence of the psychedelic rock movement and the counterculture era with its innovative sound and artistic expression.
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Columbia EMI 2C 064-04.292 , 1978 , France
The French 1978 re-issue of Pink Floyd's "The Piper at the Gates of Dawn" LP stands out with its unique black & white Syd Barrett artwork on a grey background, a departure from other global pressings. Produced by Norman Smith, the album's vinyl resurgence in 1978 marked a significant era in music history. With meticulous sound engineering and artistic design, this collector's item encapsulates the timeless essence of Pink Floyd's groundbreaking debut.
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EMI Columbia 1C 062-04 292 , 1967 , Germany
Pink Floyd's debut album, "The Piper at the Gates of Dawn" (1967), released on EMI Columbia in Germany, epitomizes the 1960s psychedelic and progressive rock movement. With visionary Syd Barrett at the helm, the album's experimental soundscapes and surreal lyrics define an era of musical innovation. The German release further solidifies its global impact, contributing to the cultural tapestry of a transformative period in music history.
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FAME FA 3065 , FAME FA 3065 , UK
Pink Floyd's debut album, "The Piper at the Gates of Dawn," led by Syd Barrett, emerged in 1967, encapsulating the spirit of the psychedelic rock era. With whimsical lyrics exploring space, scarecrows, and fairytales, the album became a cornerstone of musical innovation. Its enduring influence on the counterculture is evident in the eclectic themes and psychedelic instrumentals, making it a timeless gem in the legacy of Pink Floyd.
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Columbia SCX 6157 , 1967 , Gt Britain
Pink Floyd's "The Piper At The Gates of Dawn" 2nd pressing, a 1967 vinyl gem, encapsulates the band's inception in the dynamic musical landscape. Marked by a white-on-black EMI logo, fold-over back cover, and distinctive Columbia label, it's a time capsule reflecting the countercultural spirit. Cataloged as Columbia SCX 6157, its nuanced details offer a tangible link to Pink Floyd's early artistic exploration amidst the transformative late '60s music scene.
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EMI Columbia SCX 6157 , 1967 , Gt Britain
Pink Floyd's "The Piper at the Gates of Dawn," UK 3rd release, distinguishes itself with the absence of "Subject to Sales" tax on the label. Released in 1967 during a transformative musical era, the album, led by Syd Barrett, contributed to psychedelic and progressive rock. This sought-after vinyl reflects not only Barrett's experimental brilliance but also captures the socio-economic nuances of its time, making it a prized collector's item in the realm of music history.
Learn more
EMI Columbia SCX 6157 , 1967 , Gt Britain
Pink Floyd's 1967 debut album, "The Piper at the Gates of Dawn," is a sonic masterpiece symbolizing the era's cultural shifts. Produced by Norman Smith and engineered by Peter Bown, it showcases Syd Barrett's genius. Identified by the EMI white boxed logo and "Made in Gt Britain" label, this 12" Vinyl LP is a collector's gem, embodying the psychedelic spirit of its time.
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Columbia SCX 6157 / YAX 3419 , 1967 , Gt Britain
Pink Floyd's "The Piper at the Gates of Dawn" 5th UK release, circa 1967, encapsulates the psychedelic era's essence. Distinguished by a yellow and black band name on the cover and the absence of "Made in Gt Britain," this vinyl LP is a collector's gem. With catalog number SCX 6157 / YAX 3419, it reflects collaborative brilliance, boasting production by Norman Smith, engineering by Peter Bown, and design contributions from Vic Singh and Syd Barrett. A prized artifact, it symbolizes a transformative period in rock history.
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