LOU REED - TRANSFORMER 12" Vinyl LP Album

- Original uncensored album back cover

In 1972, Lou Reed's "Transformer" emerged as a musical masterpiece, produced by David Bowie and Mick Ronson at London's Trident Studios. The album, with an iconic cover by Ernst Thormahlen, showcased Reed's evolution in the vibrant era of musical experimentation. Collaborative brilliance, featuring Herbie Flowers and Mick Ronson, shaped a sonic landscape that remains a timeless emblem of the dynamic 1970s music scene.

 

LOU REED - Transformer 12" LP Vinyl Album front cover https://vinyl-records.nl

"Transformer" Album Description:

In the autumn of 1972, a musical transformation took place that would leave an indelible mark on the rock music landscape. Lou Reed, the iconic American rock musician, unveiled his second studio album, aptly titled "Transformer." Produced by none other than David Bowie and Mick Ronson, this German release showcased Reed's evolution as an artist and marked a significant cultural moment in the early 1970s.

The Time Period: 1972

The early 1970s was a dynamic period for music, witnessing the emergence of various genres and the blurring of traditional boundaries. The cultural landscape was undergoing a metamorphosis, with artists pushing the boundaries of creativity and self-expression. Lou Reed, already a prominent figure in the music scene as the leader of The Velvet Underground, embarked on a solo career that would redefine his artistic identity.

Released in November 1972, "Transformer" captured the zeitgeist of the era. It was an era of experimentation, both musically and culturally, as artists sought to break free from conventional norms and explore new sonic territories. Reed's collaboration with David Bowie, a musical chameleon himself, brought a fresh perspective to the album, infusing it with a unique blend of glam rock, proto-punk, and art-pop elements.

Production at Trident Studios, London

The sonic tapestry of "Transformer" was woven at Trident Studios in London, a hub of creative energy where numerous iconic albums were brought to life. The studio's vibrant atmosphere played a crucial role in shaping the album's distinctive sound. Under the guidance of Bowie and Ronson, Reed's compositions came to life, each track a testament to the collaborative synergy between these musical luminaries.

Album Artistry: Ernst Thormahlen and Photography by Stoeker and Rock

The visual representation of "Transformer" was as striking as its musical content. The album cover, designed by Ernst Thormahlen, encapsulated the essence of Reed's transformation. The photography by Karl Stoeker and Mick Rock captured the enigmatic aura surrounding the artist, creating an iconic visual identity for the album.

Musical Alchemy: Band Members and Collaborators

The album featured a stellar lineup of musicians, each contributing to the eclectic mix of sounds. Herbie Flowers, with his prowess on bass guitar, double-bass, and tuba, added a distinctive touch to tracks like "Goodnight Ladies" and "Make Up." Mick Ronson's lead guitar, piano, and backing vocals, accompanied by his intricate string arrangements, showcased his musical versatility.

The rhythmic foundation provided by John Halsey on drums, complemented by the baritone saxophone of Ronnie Ross on select tracks, created a rich and textured musical landscape. The backing vocals of David Bowie and The Thunderthighs added depth and dimension to Reed's lyrical narratives.

Album's Back Cover Controversy

A controversy on the back cover of Lou Reed's Transformer album centers around the image of a man, Ernie Thormahlen, who appears to have a large bulge in his pants.

Here's the breakdown:

The photo features two figures: fashion model Gala Mitchel and Ernie Thormahlen, a friend of Lou Reed and the album's art director.

Thormahlen's pose and clothing create the illusion of an erection.

Lou Reed has claimed that the bulge was actually a banana strategically placed down Thormahlen's pants. Whether it's a banana or not, the image sparked conversation and raised eyebrows due to its suggestive nature. This fit with the overall theme of the album, which touched on sexuality and gender identity.

In some countries these controversial photos have been cleverly censored. A censored version is here

Music Genre:

Art Rock, Prog Rock
  • Art Rock – Subgenre of progressive rock

    The moment rock put on better clothes and started reading philosophy between guitar solos.

    Art Rock is the ambitious cousin of progressive rock that stepped into the late 1960s and early 1970s and decided three chords were not enough. I watched it unfold in real time: bands stretching songs past the polite radio limit, folding in classical moods, jazz phrasing, avant-garde textures, and a dash of theatre. From 1967 through the mid-1970s it blurred into glam, prog, and experimental scenes, then resurfaced in post-punk and new wave in the late 1970s. It was never just about complexity; it was about attitude, image, and daring to treat a vinyl LP like a canvas rather than a coaster. Read more on it

  • Album Production information:

    The album: "LOU REED - Transformer" was produced by:David Bowie, Mick Ronson

    This album was recorded at: Trident Studios , London

    Album cover design: Ernst Thormahlen

    Album cover photography: Karl Stoeker, Mick Rock

  • Mick Rock – British Photographer, Music & Album Artwork

    The camera guy who made glam look dangerous and permanent.

    Mick Rock is the British photographer I still call “The Man Who Shot the Seventies,” because he didn’t just document glam—he bottled it. From 1972–1973 he was David Bowie’s official eye through Ziggy Stardust, shooting sleeves, posters and those iconic promo films. In the early 1970s he also caught Iggy Pop at full ignition. By 1973–1974 he was framing Queen as they learned how to look like legends. A Lou Reed invite pulled him to New York in 1974, and through the mid-to-late 1970s he captured Reed’s shift, plus punks like the Ramones and, in 1978, Blondie’s Debbie Harry. What I love is his mix of intimacy and theatre: harsh flash, sharp cheekbones, no polite distance. His photos sell the noise before you even drop the needle.

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    Record Label & Catalognr:

    RCA International NL 83806

    Media Format:

    12" LP Vinyl Stereo Gramophone Record
    Total Album (Cover+Record) weight: 280 gram  

    Year & Country:

    1972 Made in Germany
    Personnel/Band Members and Musicians on: LOU REED - Transformer
      Band-members, Musicians and Performers
    • Herbie Flowers – bass guitar, double-bass, tuba on "Goodnight Ladies" and "Make Up"
    • Mick Ronson – lead guitar, piano, recorder, backing vocals, string arrangements
    • John Halsey – drums
    • Ronnie Ross – baritone saxophone on "Goodnight Ladies" and "Walk on the Wild Side"
    • David Bowie – backing vocals
    • The Thunderthighs – backing vocals
    • Barry DeSouza – drums
    • Ritchie Dharma – drums
    • Klaus Voormann – Album Cover Art, Bass Guitar Klaus Voormann was way more than a Hamburg buddy; he quietly shaped the Beatles’ whole vibe. He and that arty crew sparked the early look, he gave Revolver its iconic face, and later he became the steady bass player the guys trusted on their solo records. He wasn’t loud about it, but his influence is baked deep into their story.
    Complete Track-listing of the album "LOU REED - Transformer"

    The detailed tracklist of this record "LOU REED - Transformer" is:

      Track-listing:
    1. "Vicious" – 2:58
    2. "Andy's Chest" – 3:20
    3. "Perfect Day" – 3:46
    4. "Hangin' 'Round" – 3:35
    5. "Walk on the Wild Side" – 4:15
      Side Two:
    1. "Make Up" – 3:00
    2. "Satellite of Love" – 3:42
    3. "Wagon Wheel" – 3:19
    4. "New York Telephone Conversation" – 1:33
    5. "I'm So Free" – 3:09
    6. "Goodnight Ladies" – 4:31
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