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This album "13" is the first compilation album by The Doors. The album, along with the band's second compilation from 1972, "Weird Scenes Inside the Gold Mine," has never been issued on Compact Disc. The first in a long series, this is the only compilation released before singer Morrison's death.
The Doors, titans of 1960s psychedelic rock, were not only prolific but consistently impactful throughout their brief but brilliant career. Their compilation album, "13," offers a potent encapsulation of their early magic, making it a must-have for both dedicated fans and those discovering the band.
Compilation in the Age of Experimentation
Released in 1970, "13" came at a time when compilation albums were relatively uncommon. However, The Doors had already amassed an impressive catalog of hits and deep cuts. This collection served as a perfect introduction for new fans while offering die-hards a well-curated selection of iconic tracks.
Track Selection
"13" features a thrilling mix of The Doors' greatest songs, showcasing their uncanny ability to fuse blues, psychedelia, and Morrison's haunting, poetic vocals. While gems abound, the undeniable standout is their extended epic, "Light My Fire." This track ignites the album and serves as a landmark in rock history. From there, it journeys through other essentials including "People Are Strange," "Roadhouse Blues," and the hypnotic "The Crystal Ship."
Morrison's Presence
The title "13 with JIM MORRISON" is noteworthy. Released while Jim Morrison was still alive, this became the only compilation to earn his direct involvement. Morrison's enigmatic charisma permeates the album, his voice and persona an essential ingredient in the potent sonic cocktail that was The Doors.
The Doors' "Light My Fire" is a psychedelic rock masterpiece known for its innovative structure and suggestive lyrics. The song explodes with an extended keyboard intro before launching into Jim Morrison's hypnotic vocals. Though seemingly about igniting a flame, interpretations differ. It could be a call to passion, a plea for deeper connection, or a metaphor for breaking societal boundaries, fueled by the psychedelic experimentation of the 1960s. The famous line "try to set the night on fire" exemplifies this ambiguity, urging an intense and transformative experience. The song's extended improvisational section further heightens the psychedelic atmosphere, making "Light My Fire" an enduring anthem of liberation and exploration.
Music Genre: Psychedelic rock, acid rock, blues-rock, hard rock |
Album Production Information: The album: "THE DOORS - 13 (Jim Morrison)" was produced by: Paul A. Rothchild, Jac Holzman Sound/Recording Engineer(s): Bruce Botnick Album art direction and design: Robert L. Heimall Album front cover photo: William S. Harvey Album back cover photo: Edmund Teske |
Record Label & Catalognr: Elektra 42 062 (EKS 74 079) |
Media Format: 12" LP Vinyl Stereo Gramophone Record Total Album (Cover+Record) weight: 230 gram |
Year & Country: 1970 Made in Germany |
Personnel/Band Members and Musicians on: THE DOORS - 13 (Jim Morrison) |
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Complete Track-listing of the album "THE DOORS - 13 (Jim Morrison)" |
The detailed tracklist of this record "THE DOORS - 13 (Jim Morrison)" is:
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Front cover artwork of The Doors' compilation album "13". The main focus is a head-and-shoulders portrait of lead singer Jim Morrison, rendered in dramatic blue tones that create a ghostly, ethereal effect. Morrison's expression is serious, with intense eyes staring directly at the viewer, conveying both charisma and mystery. His tousled hair blends into the dark background, enhancing the dreamlike atmosphere.
Positioned to Morrison’s left and slightly below are smaller monochromatic images of the other band members — Robby Krieger, Ray Manzarek, and John Densmore — each captured mid-performance or candidly. These images are aligned vertically and tinted in a contrasting blue-gray shade, giving them a faded, memory-like quality compared to Morrison’s dominant central image.
The band's name, The Doors, appears boldly across the upper section of the cover in large, blocky yellow lettering, outlined in black. The album title, "13", is similarly styled and placed prominently to the right of Morrison’s face. The yellow font pops vividly against the nearly black background, creating a stark visual impact.
The overall mood of the cover is moody, introspective, and slightly surreal, perfectly matching the band's psychedelic rock identity and the timeless appeal of Jim Morrison's enigmatic persona.
Back cover artwork of The Doors' compilation album "13". The image is a sepia-toned group photograph featuring all four band members — Jim Morrison, Robby Krieger, Ray Manzarek, and John Densmore — standing together in a relaxed, informal pose. They are positioned against a soft, blurred natural background that appears to be an open outdoor space, lending an earthy, almost rustic atmosphere to the scene.
Jim Morrison stands slightly apart from the others, on the far left, exuding his trademark brooding intensity. His arms are crossed over his chest, and he wears a dark leather jacket over a light shirt, his long, wavy hair falling around his shoulders. Robby Krieger, in casual attire with a buttoned shirt and light trousers, stands next to Morrison, facing slightly sideways.
Ray Manzarek, wearing round glasses and a dark vest over a collared shirt, is positioned just beside Krieger. John Densmore completes the group, leaning casually with a hand tucked into his pocket, dressed in simple, practical clothing typical of the late 1960s counterculture aesthetic.
On the left side of the cover, there is a clearly organized track listing printed vertically in white text, contrasting sharply against the darker tones of the photograph. The font is clean and legible, listing the songs featured on the album without any decorative elements, creating a simple and direct visual balance to the otherwise moody photograph.
The overall mood is introspective and grounded, presenting The Doors not as distant rock gods but as approachable, authentic musicians, deeply connected to their era's raw emotional energy.
Record Label Details: ELEKTRA 42 062 with large and coloured butterfly on the record label's artwork
Enlarged view of the record label for Side 1 of The Doors' compilation album "13". The label design features a soft, pastel marbled background of light blues, purples, and whites, creating a dreamy, airy visual texture that covers the entire surface. Prominently positioned on the right-hand side is a large, vibrantly colored butterfly with blue, green, yellow, red, and black markings, symbolizing transformation and psychedelic aesthetics, and partially overlaid onto the Elektra Records logo.
At the top center, the text "THE DOORS - 13" is printed in bold uppercase letters. Below that, slightly offset to the left, important label information is clearly printed: the catalog numbers "42 062" and "(EKS 74 079)", along with "STEREO SIDE 1" and "A Recording Of Elektra, USA." A rectangular GEMA rights box appears on the left side, indicating German rights management for this pressing. The surrounding outer edge contains a fine black print reading "A Product of Kinney Music GmbH, Hamburg. Under Licence of Elektra Corp USA. Made in Germany."
The lower half of the label contains the track listing for Side 1, laid out cleanly with song titles and their respective writers and durations. Featured tracks include "Light My Fire," "People Are Strange," "Back Door Man," "Moonlight Drive," "The Crystal Ship," and "Roadhouse Blues." The text is arranged simply, making it highly readable against the soft-toned background.
Overall, the label is a visually striking combination of bright natural imagery and minimalistic, functional typography, encapsulating both the era's artistic spirit and the band's profound musical legacy.
"13" is a fantastic compilation album showcasing the early magic of The Doors. It features iconic hits like "Light My Fire". This collection is ideal for newcomers and a nostalgic trip for dedicated fans of the band.
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