JOHNNY WINTER - Saints and Sinners - 12" Vinyl LP Album

- The icy blue stare that turned 1974 electric

Album Front cover Photo of JOHNNY WINTER - Saints and Sinners - 12" Vinyl LP Album https://vinyl-records.nl/

Deep black background split by a cold cyan portrait of Johnny Winter, arm thrown across his face, white hair flaring upward like stage light caught mid-blast. Blood-red gothic lettering crowns the top edge, dramatic and slightly menacing, while rings, beads, and beard details glow in sharp contrast.

Johnny Winter's "Saints and Sinners" is not just an album but a musical journey that continues to thrill and inspire music enthusiasts. Released on a 12" vinyl LP in 1974, this masterpiece showcased Winter's exceptional guitar skills and emotive vocals, supported by a remarkable ensemble of musicians. This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.

"Saints and Sinners" Album Description:

1974. New Johnny Winter on the rack. CBS. Rick Derringer producing. The kind of day that makes you walk home faster, like the plastic bag might start smoking.

"Saints and Sinners" doesn’t arrive politely. It kicks the door, drags an amp into the room, and dares the walls to complain. "Stone County" lights the fuse, and the rest of the side follows with that mid-70s road-grit: hot tubes, tight corners, and a rhythm section that doesn’t ask permission.

Rick Derringer isn’t just “at the helm” here—he’s down in the engine bay with a wrench, keeping everything clear, punchy, and slightly dangerous. Edgar Winter drops in like chrome on the dashboard: keys (and more) that brighten the bite without sanding it down. Willie Dixon had it right: “The blues are the roots; everything else is the fruits.” This record eats both.

Covers get picked like a bar fight chooses its first punch. Chuck Berry’s "Thirty Days" comes out swinging. Jagger/Richards’ "Stray Cat Blues" slinks and snarls. Leiber/Stoller’s "Riot in Cell Block #9" doesn’t mosey— it charges. Larry Williams’ "Boney Moronie" grins like it knows it’s going to cause trouble. Van Morrison’s "Feedback on Highway 101" is the highway at night: neon blur, nerve, and just enough chaos to keep you awake.

Originals matter too, because Johnny isn’t just renting classic songs—he’s got his own skin in the game. "Bad Luck Situation" is short, sharp, and honest about it. "Hurtin' So Bad" slows down long enough to let the ache show, the kind that sits behind the eyes, not in the lyric sheet.

Collector detail that still makes me smile: the custom inner sleeve with full-page photos. You get the music, you get the mood, and you get Johnny staring back like he’s already heard the next critic warming up their typewriter.

Speaking of critics: some loved the speed, some whined about the noise, and a few acted offended that a blues-rock record could be this loud and this tight. Fine. Let them write. This one was built to be played, not approved.

References / Scans

Album Key Details: Genre, Label, Format & Release Info

Music Genre:

Blues Rock

Blues Rock blends the raw emotional weight of traditional blues with the amplified drive of rock. Rooted in heavy riffs, expressive guitar phrasing, and a steady backbeat, the style often balances gritty vocals with sharp, electrified instrumentation. By the mid-1970s, blues rock had evolved into a powerful hybrid—loud, direct, and rhythmically confident—while still honoring its Delta and Chicago foundations.

Label & Catalognr:

CBS – Cat#: S 65842

Album Packaging

Standard sleeve.

Media Format:

Record Format: 12" Vinyl Stereo Gramophone Record
Total Weight: 230g

Release Details:

Release Date: Recorded 1974

Release Country: Made in USA

Production & Recording Information:

Producers:
  • Rick Derringer – Producer
Album Packaging:

This album comes with a custom inner sleeve with full-page photos of Johnny Winter

Band Members / Musicians:

Band Line-up:
  • Johnny Winter – Lead Vocals, Guitars
  • Rick Derringer – Guitarist, Singer, Songwriter, Producer

    From teenage hitmaker to hard-road guitar slinger, he moved through rock history with a sharp tone and sharper instincts.

    Rick Derringer is an American guitarist, singer, songwriter, and producer who first lit the fuse in 1965 with The McCoys and their No.1 hit "Hang On Sloopy." Those were garage-rock days, all nerve and radio static. By 1969–1973 he was riding alongside Johnny Winter, producing and playing on "Johnny Winter And" and later stepping into Edgar Winter’s White Trash (1970–1972) and The Edgar Winter Group (1972–1974), carving out that lean, high-voltage guitar sound. His 1973 solo cut "Rock and Roll, Hoochie Koo" became a permanent encore. Through the late 1970s and 1980s he produced artists from Weird Al Yankovic to hard rock acts, always chasing clarity, attack, and that flash of danger that makes a speaker cone tremble.

    Rick Derringer on Johnny Winter
  • Edgar Winter – Multi-Instrumentalist, Singer, Songwriter, Producer

    Texas-born whirlwind on keys and sax, he fused rock, blues, and jazz into something bright, muscular, and impossible to ignore.

    Edgar Winter is an American multi-instrumentalist, singer, and producer who came charging out of Texas in the late 1960s, first recording with his brother Johnny Winter before cutting his own path. Between 1970 and 1972 he led Edgar Winter’s White Trash, a brass-driven rock-soul machine that felt like a freight train with manners. In 1972 he pivoted to The Edgar Winter Group (1972–1976), trading horns for synthesizers and delivering the instrumental juggernaut "Frankenstein" and the radio staple "Free Ride." Those records had muscle and precision—tight arrangements, bold Moog lines, and a stage presence that turned arenas electric. Through the late 1970s and beyond he produced, collaborated, and kept touring, forever the restless architect of high-energy American rock.

    Edgar Winter with Johnny Winter
  • Dan Hartman – Musician, Singer, Songwriter, Producer

    From bass lines in a hard-touring rock band to sleek studio architect of late-night dance floors, he chased hooks with a craftsman’s ear.

    Dan Hartman was an American musician, singer, songwriter, and producer who stepped into the national glare with the Edgar Winter Group between 1971 and 1976, holding down bass and vocals while co-writing the arena staple "Free Ride." Those were road-warrior years, tight harmonies and brighter-than-sun stage lights. By 1976 he pivoted to solo work, landing a global hit with "Instant Replay" (1978), a disco pulse built in the studio with near-obsessive precision. Through the 1980s he became a behind-the-scenes force, producing and writing for artists such as James Brown and Tina Turner, shaping radio with polished, hook-heavy craft. Hartman understood groove as architecture—clean lines, bold rhythm, and just enough flash to make the speakers sweat.

    Dan Hartman with Johnny Winter
  • Randy Jo Hobbs – Bassist

    A left-field groove machine from small-town Indiana, he played bass like he was wiring the band directly into the wall socket.

    Randy Jo Hobbs was a talented, innovative American bass player born 22 March 1948 in Winchester, Indiana, and he never played like a background hire. From 1965–1969 he held down The McCoys in the "Hang On Sloopy" years, tight and punchy but always pushing at the edges. Then came the Winters: 1970–1976 with Johnny Winter and Edgar Winter, locking in that lean, high-voltage rock-blues engine on stage and in the studio. A wild footnote sits in 1968: live sessions with Jimi Hendrix (later issued as "Bleeding Heart"). In 1976 he jumped into Montrose for "Jump On It" and also played on "Glass Derringer." Died 5 August 1993 in Dayton, Ohio.

    Randy Jo Hobbs and Johnny Winter
 
  • Bobby Caldwell – Drummer

    Teenage groove engine for Johnny Winter And, then Captain Beyond's cosmic hard-rock detour.

    Bobby Caldwell - a drummer who hit like the road was on fire - shows up in the early-70s credits with more punch than fame. 1970-1971: Johnny Winter And, driving the live roar of "Live Johnny Winter And". 1971-1973: Captain Beyond, where the grooves turn cosmic and impatient. 1973-1974: sessions with Rick Derringer on "All American Boy" (yes, "Rock and Roll, Hoochie Koo"). 1974: back in Johnny Winter's orbit on "Saints & Sinners" (selected tracks). 1974-1975: Armageddon, short-lived and sharp. Later, he kept gigging with Southern Rock Rebellion. Press passes and cheap motel coffee never explained him; the snare did. Always tight, never decorative - the kind of player you feel before you notice.

    Bobby Caldwell and Johnny Winter
  • Richard Hughes – Drummer

    Mid-70s Johnny Winter drummer: tight, tough, and oddly under-credited.

    Richard Hughes - the no-nonsense drummer who kept Johnny Winter’s mid-70s band on a short leash - never played polite. 1973-1976: he’s the engine under the power-trio shove on "Still Alive and Well" and the harder turns of "Saints & Sinners" and "John Dawson Winter III", locking in with Randy Jo Hobbs like the two of them shared one pulse. Live, he’s right there on "Captured Live!" (cuts from Sept 1975) and on "Together" (1976) when Johnny and Edgar crash stages in San Diego and San Bernardino. Side-stage memory sticks: hi-hat tightened, shoulders loose, eyes on Winter’s right hand - not the crowd - like the next bar might bite. Hearing him, the backbeat feels less like timekeeping and more like a warning shot.

    Richard Hughes Biography
    • Guest Musicians:
  • Randy Brecker – Trumpet
  • Louis del Gatto – Tenor Saxophone
  • Alan Rubin – Trumpet
  • Jon Smith – Saxophone Section
  • Kansas (Band) – Handclaps
  • Jo Jo Gunne – Handclaps
  • Lani Groves – Backing Vocals
  • Carl Hall – Backing Vocals
  • Barbara Massey – Backing Vocals
  • Tasha Thomas – Backing Vocals
  • "Sing Sing" Singers – Backing Chorus

Complete Track-listing:

Tracklisting Side One:
  1. "Stone County" (3:31)
  2. "Blinded by Love" (4:32) Cover
    Cover of Allen Toussaint’s song.
  3. "Thirty Days" (3:01) Cover
    Cover of Chuck Berry’s classic rock and roll tune.
  4. "Stray Cat Blues" (4:18) Cover
    Cover of The Rolling Stones song written by Mick Jagger and Keith Richards.
  5. "Bad Luck Situation" (2:51)
Tracklisting Side Two:
  1. "Rollin' 'Cross the Country" (4:29)
  2. "Riot in Cell Block #9" (3:11) Cover
    Cover of the Leiber & Stoller rhythm and blues classic.
  3. "Hurtin' So Bad" (4:41)
  4. "Boney Moronie" (2:38) Cover
    Cover of Larry Williams’ 1950s rock and roll staple.
  5. "Feedback on Highway 101" (4:27) Cover
    Cover of Van Morrison’s song.

Disclaimer: Track durations shown are approximate and may vary slightly between different country editions or reissues. Variations can result from alternate masterings, pressing plant differences, or regional production adjustments.

Album Front Cover Photo
Front cover of Johnny Winter "Saints and Sinners" 12-inch vinyl LP: red ornate gothic title "Johnny Winter Saints & Sinners" across the top on a black background; below, a cyan/blue duotone close-up portrait of Winter with long hair blown upward, arm raised across his forehead, beard and necklaces visible, rings on his fingers; faint scuffs, dust specks and handling marks visible in the dark field.

Sleeve lands flat on the desk and the first thing that hits is the title: “Johnny Winter Saints & Sinners” in thick, blood-red, old-world lettering glued to the top edge like a warning label. Under it, everything drops into black—real black, the kind that shows every rub mark and dust speck the second you tilt it toward a lamp. This copy has lived a little: faint scuffs running sideways through the dark field, tiny white flecks like grit, and a couple of soft, vertical smudges at the right where the black looks burnished from fingers and shelves.

Center frame is Johnny in a cold cyan wash, caught mid-gesture with his forearm slung across his forehead, like he’s shielding his eyes from stage lights or from the whole idea of being photographed again. Hair whips up and out in sharp strands, frozen like feedback, while the beard turns into a pale cloud against the blue. Rings flash on the raised hand, a long bead necklace hangs down, and the pose sells that 1974 push: hard rock posture with blues bruises still showing through the skin.

The design concept is blunt on purpose: saints get the haloed, ghost-blue body; sinners get the red headline in a font that looks like it was stolen from a Victorian poster. Clever, sure, but also a little try-hard—CBS loved drama as long as it fit inside a rectangle. What works is the contrast: that red masthead bites, and the blue portrait feels like it’s been overexposed by a touring life that never cools down.

Collector reality check: the black background is unforgiving. Every handling mark reads like a confession, and those fine scratches across the dark areas will catch light the moment the sleeve is angled. Edges look slightly softened rather than crisp, and the bottom right shows the kind of minor surface haze that comes from sliding in and out of a tight shelf for decades. No cute “perfect condition” fantasy here—just honest wear that tells you this cover has actually been grabbed, played, and put back in a hurry.

Best part is how the whole thing refuses to smile. No guitar glamour, no stage grin, just a blue-tinted stare half-hidden under an arm and a title that practically dares you to argue. Plenty of sleeves promise fireworks; this one looks like the fireworks already happened and the smoke is still in the room, which is exactly the mood a loud 1974 Winter record ought to drag home.

Saints & Sinners in the Wild: Reviews, Clippings, and the Paper Trail I Couldn’t Stop Collecting

Billboard promos, UK write-ups, German takes, and the kind of quotes you only find when you’ve got ink on your fingers and Johnny on your turntable

Back in 1974, a new Johnny Winter LP didn’t just mean a fresh record to wear down—it meant a hunt. Vinyl in one hand, scissors in the other. Every time a magazine mentioned "Saints & Sinners" , it got folded, clipped, filed, or at the very least remembered hard enough to retell later with a grin and a bit of stubborn pride.

Reviews came in like weather from different countries: some worshipping the heat, others complaining about the noise, and a few acting personally offended that Johnny dared to play fast and loud. Perfect. That’s exactly why this section exists: the ads, the snark, the praise, the cheap shots, the weird metaphors—plus the scans and source PDFs that prove it wasn’t just nostalgia talking.

Johnny Winter Never Sounded Better
Johnny Winter Never Sounded Better
Johnny Winter Never Sounded Better, a promo poster in Billboard Magazine by CBS records in order to celebrate the release of the "Saints and Sinners" Vinyl LP Album
Disc Magazine (UK) Review of Saints and Sinners 11 May 1974
-

Johnny Winter "Saints & Sinners" (CBS-U.S. Import £2.45) A superior package and presentation to "Still Alive and Well", this is the closest Winter has come to delivering the perfect vehicle—and vehicle is apt for a record that trucks like an Inter-City express.

December's child and his aides (which include producer Rick Derringer, brother Edgar, Dan Hartman, Randy Hobbs, and Jo Jo Gunne) could teach rock 'n' roll to the bulk of today's hopefuls and a good percentage of the recognised greats. So advanced is their craftsmanship, the tightness of the ensemble is 3D thick, with the warmth and snap of Steve Gadd's studio drumming, Johnny's invariable sense for the Stones mixed with Chuck Berry's smart rock 'n' roll fans, Thirties roll, and Larry Williams' old Boney Moroney.

Sore throat followers can go to town on blues with Riot in Cell Block 9 and Hurtin' So Bad, while driving heavy rock predominates the other five cuts. Production by Rick D. is clear and punchy; organic direction is by manager Steve Paul — and that has to be defined to be believed!

Cover photo looks like Kenny Everett used an electric razor in the bath.

— KG

Source & Full Article Disc Magazine (UK) Review of Saints and Sinners 11 May 1974: Saints and Sinner a superior package and presentation...

JOHNNY WINTER
«Saints And Sinners» (CBS S 65 842)

Facts: New Winter LP. Johnny sings and plays guitar and is accompanied by his brother Edgar (piano, organ, saxophone, vocals) as well as his old bandmates Rick Derringer (guitar), Randy Jo Hobbs (bass), Dan Hartman (guitar, bass, vocals), and Richard Hughes (drums).

The LP consists of ten tracks, including:

  • - «Stray Cat Blues» by Mick Jagger and Keith Richards
  • - Chuck Berry's «Thirty Days»
  • - Van Morrison's «Feedback On Highway 101»
  • - Two songs by Johnny Winter

And not to be forgotten: The US band Jo Jo Gunne provided the hand clapping.

---

Review: Rock fans – listen up! Johnny Winter has little to do with the blues anymore. He plays hard, bone-dry rock. Electrifying guitar riffs flow seamlessly with Johnny’s throaty voice – backed by a solid bass and drums.

And when things get a bit more playful towards the end on «Feedback On Highway 101», it sounds like this: fast rhythm, percussion instruments, rock guitar, synthetic strings, vocals, and saxophone...

A hot Winter!

Original German Article:

Johnny Winter Never Sounded Better. Columbia Records and Tapes (1974)
Johnny Winter Never Sounded Better. Columbia Records and Tapes (1974)
Johnny Winter Never Sounded Better. Columbia Records and Tapes (1974)
Sounds Magazine reviews: Saints and Sinners on 2 Feb 1974
"Saints & Sinners": A Tense, High-Energy Reunion with Rick Derringer That Struggles to Find Its Natural Flow

Johnny Winter has just finished the final mixes of his new album, and this white label copy arrived from the States hot off the presses this week. It's Johnny's second "comeback" album, and as such, he has had full opportunity to take his time and show that he really is still alive and well, since the last album was something of a misnomer, fairly disappointing from beginning to end.

"Saints & Sinners" marks a reunion of musicians since Rick Derringer produced it. Brother Edgar organises some lovely horn work and plays keyboards. Bobby Caldwell plays drums on a few cuts, Jon Smith and Dan Hartman also sit in alongside Johnny's permanent sidemen Randy Jo Hobbs on bass and Richard Hughes on drums.

The message is plain from the opening cut when Winter and Co. fairly tear into Richard Supa's "Stone County" and never let up. And in a sense, that's the main criticism of this album and marks the tendency of Derringer to over-embellish in the studios. The whole album is too uptight and too upfront, as though Winter and Derringer between them are trying to contrive the excitement rather than let it flow naturally.

Winter's guitar sits well into the overall ensemble but rarely gets the chance to break out with that strident grace for which he is known.

As for the tracks, the promised David Bowie song hasn't materialised, but once again Johnny pays tribute to The Rolling Stones on "Stray Cat Blues" and Allen Toussaint with "Blinded By Love," where he is happy to let his guitar rest behind Derringer's. These are the two outstanding cuts and completely overshadow the older classics like Chuck Berry's "Thirty Days," Larry Williams' "Boney Maroney," and the Lieber-Stoller composition "Riot In Cell Block No. 9," which has just about been done to death.

Johnny Winter still has a lot of playing in him, that much is for sure—but right now, he needs Edgar or Rick or Steve Paul to point him in the direction in which he can work easily without trying to prove himself all over again.

— J.G.

Source & Original Article

Saints and Sinners - Johnny Winter's Celebration of Freedom
Circus Magazine, March 1974

Synopsis: This article traces the triumphant return of blues-rock legend Johnny Winter after a battle with heroin addiction. Winter, an albino blues prodigy from Texas, rose to fame in the late 1960s, but the pressures of stardom and relentless touring took their toll. After a two-year hiatus, Winter emerged with renewed vigor and a commitment to his music and personal well-being. His latest album, "Saints and Sinners," showcases his confidence and musical maturity, blending classic blues with rock and new material. Winter's story is one of resilience and redemption, proving that true artistry can overcome even the darkest challenges.

Read The Full Article: Saints and Sinners - Johnny Winter's Celebration of Freedom

Johnny Winter's "Saints and Sinners" Falls Flat in Variety 13 April 1974
A motley collection of covers and originals fails to showcase Winter's acclaimed blues talents, leaving only die-hard fans satisfied

JOHNNY WINTER Saints and Sinners. CBS 65842. Producer: Rock Derringer – Has been called the best white blues singer alive, inexplicably on the evidence of this motley collection, which includes songs by Chuck Berry, the Stones, Van Morrison and Lieber/Stoller, together with several self-penned tracks. In view of this variety, the monotony of the music is something of an achievement. Peppered with hackneyed 10-year old guitar riffs, as on the rock standard Boney Moroney, presumably in an attempt at nostalgic re-creation. Only for the already converted.

Saints and Sinners by Johnny Winter: A Sonic Blur of Speed and Noise
An unapologetically fast-paced album that pushes the limits of guitar solos, but may leave listeners questioning the balance between skill and style

JOHNNY WINTER: Saints And Sinners (CBS)

Whilst English rock musicians have mostly got the bad taste field sewn up, an award of some sort should be made to the brothers Winter, who have long specialised in unpleasant noises. Edgar was all right once—his solo Entrance and the first White Trash album were very enjoyable—but Johnny, to me at least, has never seemed like any more than a freaky-looking, very ordinary-sounding guitarist, with a rasping, grating excuse for a voice.

On Saints And Sinners, Johnny is slightly more adventurous than usual in choice of material. He tackles Van Morrison’s “Feedback On Highway 101” and Jagger/Richards' “Stray Cat Blues” with (just) tolerable results. And a slow blues, “Hurting So Bad,” works okay, within its own limitations.

It’s the up-tempo ones that I can’t listen to at all. “Riot In Cell Block 9” and “Boney Moroney” are both over-endowed with the Winter faster-than-the-speed-of-light guitar. It’s not an original line, but I’ll say it anyhow—what’s Johnny going to do with all the time he saves by playing so fast?

Of course, it’s the easiest thing in the world to dash off a negative album review; maybe this album represents hours of careful, dedicated work in the studios, but somehow I don’t think so. Still, if your idea of fun is being earbashed by an unrelenting blur of high-pitched guitar, then Saints And Sinners is just what you’ve been waiting for ever since the last Ten Years After record. — S.L.

JOHNNY WINTER - Complete Vinyl and CD Discography and Album Cover Gallery

JOHNNY WINTER's Official Vinyl Albums (by release date)

Thumbnail of JOHNNY WINTER - Progressive Blues - France album front cover
JOHNNY WINTER - The Progressive Blues Experiment

"The Progressive Blues Experiment" by Johnny Winter is a legendary 12" vinyl LP album that showcases the extraordinary talent and unique style of the American blues guitarist and singer. Recorded live at the Vulcan Gas Company, an iconic music venue in Austin, Texas,

The Progressive Blues Experiment 12" Vinyl LP
JOHNNY WINTER - S/T Self-Titled Black Album front cover
JOHNNY WINTER - S/T Self-Titled Black Album

On the self-titled debut album Johnny Winter played the blues pure and simple,. Whether it was the stinging raucous Delta music as played acoustically on "Dallas", or his savage electric attack, on "Mean Mistreater", "Be Careful With a Fool", or on Good Mornin' Little Schoolgirl'

JOHNNY WINTER aka Black Album 12" Vinyl LP
Johnny Winter - Second Winter album front cover
JOHNNY WINTEr - Second Winter

"Johnny Winter's 'Second Winter' is a classic 12" vinyl album released in 1969 on the CBS Record label. The influential blues-rock musician's second studio album showcases his virtuosic guitar skills and soulful vocals. Featuring a mix of original compositions and covers, the record captivates listeners with its raw energy and timeless blues-rock sound, solidifying Johnny Winter's status as a music icon."

Second Winter 12" Vinyl LP
Thumbnail of JOHNNY WINTER AND - S/T Self-Titled album front cover
JOHNNY WINTER AND - S/T Self-Titled

The Johnny Winter AND album is a masterclass in raw energy and virtuosic guitar playing, with Winter's and Derringer's fiery solos and soulful vocals captivating listeners. It's a timeless testament to the power and passion of blues rock music,

JOHNNY WINTER AND 12" Vinyl LP
Thumbnail of JOHNNY WINTER - And Live album front cover
JOHNNY WINTER AND - Live

"And Live" by "Johnny Winter And" is a gatefold 12" LP vinyl album that showcases the legendary blues musician's electrifying live performances. Released during his peak in the 1970s, this album captures Winter's virtuosic guitar skills and soulful vocals, delivering a high-energy experience for blues enthusiasts. With a diverse tracklist and excellent sound quality, this vinyl release remains a must-have for collectors and fans of authentic live blues music.

Live 12" Vinyl LP
JOHNNY Winter - Still Alive and Well album front cover
JOHNNY WINTER - Still Alive and Well

Johnny Winter's 1973 comeback album, "Still Alive and Well," showcases the blues-rock legend's electrifying guitar work and soulful vocals. With defiant tracks like the title song and an impassioned rendition of The Rolling Stones' "Let It Bleed," this LP reached #22 on the US Billboard Charts, leaving an enduring legacy in the world of rock music.

Still Alive and Well 12" Vinyl LP
Updated JOHNNY WINTER - Saints and Sinners album front cover vinyl LP album https://vinyl-records.nl

The 1974 Johnny Winter LP That Hit Like a Lit Match in a Dark Room

JOHNNY WINTER - Saints and Sinners

Late-night record, no question. That blue-black cover already looks cold, then Johnny lights it up from the first seconds—hard riffing, sharp turns, and that raspy shout that feels like it’s been on the road for months. “Hurtin’ So Bad” slows the room down, then “Riot in Cell Block #9” and “Boney Moronie” shove it right back into the red. Edgar Winter drops in and it all gets meaner, funkier, nastier in the best way.

JOHNNY WINTER - John Dawson Winter III album front cover
JOHNNY WINTER - John Dawson Winter III

"John Dawson Winter III" remains a shining gem in the discography of Johnny Winter. This 12" vinyl LP album from 1974 continues to captivate audiences with its timeless blues-rock sound, and it serves as a reminder of the immense talent of Johnny Winter and his band-members, Randy Jo Hobbs and Richard Hughes. Whether you're a dedicated fan or a newcomer to Johnny Winter's music, this album is a must-listen for anyone seeking to experience the magic of true blues and rock artistry.

John Dawson Winter III 12" Vinyl LP
Thumbnail of JOHNNY WINTER - Captured Live album front cover
JOHNNY WINTER - Captured Live

"Johnny Winter's 'Captured Live' 12" LP delivers an authentic blues experience. Recorded during his peak in 1976, the album showcases his raw talent with scintillating guitar work and soulful vocals. The dynamic tracklist features crowd favorites like 'Boney Moronie' and 'Sweet Papa John'.

Captured Live 12" Vinyl LP
Thumbnail of JOHNNY WINTER - Captured Live Promo Copy album front cover
JOHNNY WINTER - Captured Live Promo Copy

The promotional copy of Johnny Winter's "Captured Live" 12" vinyl LP album featuring Floyd Radford on rhythm guitar is a rare and coveted treasure for vinyl collectors and blues enthusiasts. This unique edition offers a glimpse into the blues legend's live performances during his prime in the 1970s.

Captured Live Promo Copy 12" Vinyl LP
JOHNNY WINTER - Together (with Edgar Winter) album front cover
JOHNNY WINTER - Together (with Edgar Winter)

Experience the electrifying energy of legendary musicians Johnny Winter and Edgar Winter with this thrilling 12" vinyl LP album, "Together". Explore this web-page featuring several captivating photos of the Winter brothers in their element, delivering unforgettable performances on stage.

Together (with Edgar Winter) 12" Vinyl LP
JOHNNY WINTER - Nothin' but the Blues album front cover
JOHNNY WINTER - Nothin' but the Blues

“Nothin’ but the Blues” drips with the kind of heat only found in the cigarette-smoke haze of The Schoolhouse studio. Released in 1977, Johnny Winter tears through these tracks with slide-guitar fire, whiskey breath, and juke-joint soul. It’s pure after-hours blues—raw, sweaty, and unfiltered. Winter doesn’t just play the blues here—he exhales it in smoke rings that still hang in the rafters.

JOHNNY WINTER - White Hot and Blue album front cover
JOHNNY WINTER - White Hot and Blue
JOHNNY WINTER - White Hot and Blue

"Johnny Winter's 'White Hot And Blue' 12" vinyl LP is a blues-rock gem featuring his soulful vocals and mesmerizing guitar skills. With a powerhouse lineup, including Edgar Winter's multi-instrumental brilliance, Pat Ramsey's haunting harmonica, and Tom Brock's captivating mandolin

White Hot and Blue 12" Vinyl LP
Thumbnail of JOHNNY WINTER - Raisin Cain album front cover
JOHNNY WINTER - Raisin Cain

"Raisin' Cain" is the title of a 1980 album by American blues musician Johnny Winter. The album features a mix of original songs and covers of classic blues songs, such as "Sweet Little Angel" and "It's My Own Fault". The album received positive reviews from critics and was well received by Winter's fans. It features a mix of rock, blues and country music.

Raisin Cain 12" Vinyl LP
JOHNNY WINTER - Guitar Slinger album front cover
JOHNNY WINTER - Guitar Slinger

Johnny Winter's "Guitar Slinger" on 12" vinyl LP is not just an album; it is a masterpiece that encapsulates the brilliance of one of the greatest guitarists in the history of blues rock. The Japanese release of this iconic album further solidified its status as a musical treasure, appreciated by fans across the world.

Guitar Slinger 12" Vinyl LP
JOHNNY WINTER - Serious Business album front cover
JOHNNY WINTER - Serious Business

Johnny Winter's "Serious Business" remains a timeless blues masterpiece that encapsulates the raw essence of the genre. With searing guitar work, powerful vocals, and an unwavering dedication to the blues, Winter and his talented band created an album that continues to resonate with blues enthusiasts and music lovers alike.

Serious Business 12" Vinyl LP
JOHNNY WINTER - Third Degree album front cover
JOHNNY WINTER - Third Degree CD

"Johnny Winter's 'Third Degree' (1986) captivates with blues-rock brilliance. The iconic guitarist's studio album exudes raw energy and soulful vocals, showcasing his virtuosity. Featuring electrifying tracks like 'Mojo Boogie' and 'Tin Pan Alley,' it remains a timeless testament to Winter's legendary talent and continues to resonate with music enthusiasts worldwide.

Third Degree CD
JOHNNY WINTER - Winter of '88 album front cover
JOHNNY WINTER - Winter of '88 CD

"Winter of '88" is a blues-rock gem by Johnny Winter, released in 1988. With electrifying guitar work and soulful vocals, Winter returns to his musical roots, delivering an authentic and powerful experience. This album showcases Winter's enduring talent and influence

Winter of '88 CD
JOHNNY WINTER - Let Me In album front cover
JOHNNY WINTER - Let Me In CD

"Let Me In," Johnny Winter's 1991 album, marks a dynamic shift from MCA to Pointblank Records. With scorching guitar riffs and soulful vocals, Winter delivers an electrifying blues-rock masterpiece. Supported by skilled musicians like Billy Branch's harmonica and Dr. John's piano, the album blends emotional depth and musical diversity, cementing Winter's status as a blues legend.

Let Me In CD
JOHNNY WINTER - Hey Where's Your Brother? album front cover
JOHNNY WINTER - Hey Where's Your Brother? CD

"Johnny Winter's 1992 album 'Hey Where's Your Brother?' delivers electrifying blues rock, showcasing his signature guitar prowess and soulful vocals. With a mix of original tracks and inspired covers, the album captures Winter's dynamic energy and musical finesse, a testament to his influential legacy in the blues genre.

Hey Where's Your Brother? CD
JOHNNY WINTER - Live in NYC 1997 album front cover
JOHNNY WINTER - Live in NYC 1997

Johnny Winter's 'Live in NYC 1997' album pulses with electrifying blues and rock fusion. With searing guitar solos and soulful vocals, Winter's raw energy ignites the stage, capturing a mesmerizing night at the Bottom Line. From haunting renditions of classics to the immersive chemistry

Live in NYC 1997
JOHNNY WINTER - I'm a Bluesman album front cover
JOHNNY WINTER - I'm a Bluesman CD

"I'm a Bluesman" is not just an album; it's a celebration of the blues, a tribute to tradition, and a testament to the enduring power of music. Johnny Winter and Mike Welch's collaboration on this record showcases their profound understanding of the blues genre and their ability to keep its flame burning brightly. With its rich blend of original compositions and classic covers, the album is a timeless masterpiece that stands as a true reflection of the bluesman spirit.

I'm a Bluesman CD
JOHNNY WINTER - Roots album front cover
JOHNNY WINTER - Roots CD

Johnny Winter's 2011 album 'ROOTS' takes listeners on a captivating musical journey, showcasing his mastery of blues, rock, and roots genres. With soulful vocals and electrifying guitar solos, Winter pays homage to his musical influences while adding his own unique flair. This CD release is a timeless collection of tracks that capture the essence of his legendary career and demonstrate his unwavering passion for authentic, heartfelt music".

Roots CD
Thumbnail of JOHNNY WINTER - Step Back (Red Vinyl) album front cover
JOHNNY WINTER - Step Back

"Step Back" is the final album by blues guitarist and singer Johnny Winter. It features performances by a number of guest musicians, including Eric Clapton, Dr. John, Billy Gibbons from ZZ Top, Joe Perry from Aerosmith, Leslie West from Mountain, and Brian Setzer from the Stray Cats. It was released by Megaforce Records on 2 September 2014.

Step Back (Red Vinyl) 12" Vinyl LP

JOHNNY WINTER Un-Official Vinyl Albums (by album-name)

Thumbnail of JOHNNY WINTER - About Blues album front cover
JOHNNY WINTER - About Blues

"About Blues" is a compilation album of tracks recorded with Johnny Winter on Guitar. These recordings were made before JW became famous and when he worked as a free-lance guitarist and studio guitarist. The music on this album is representative for the popular music during the early 1960s.

About Blues 12" Vinyl LP
Thumbnail of JOHNNY WINTER AND & AND Live album front cover
JOHNNY WINTER AND - "AND & AND Live"

"Johnny Winter And" and "Johnny Winter And Live" is a 2LP vinyl album set that contains the first two albums "The Johnny Winter And" band released. The first album is a studio recording while the second album is a live recording. Both records were originally released as two separate albums.

"AND & AND Live" 12" Vinyl LP
Thumbnail of JOHNNY WINTER - Best of Johnny Winter ( Japan ) album front cover
JOHNNY WINTER - Best of Johnny Winter ( Japan )

The "Best of Johnny Winter (Japan)" is a 12" vinyl LP that compiles the finest works of the renowned blues musician. This release showcases Winter's exceptional guitar skills and powerful vocals, highlighting his contributions to the genre. With carefully selected tracks, this album offers a comprehensive overview of Winter's career,

Best of Johnny Winter ( Japan ) 12" Vinyl LP
Thumbnail of JOHNNY WINTER - The First Album (Blue Sky Records) album front cover
JOHNNY WINTER - The First Album (Blue Sky Records)

Johnny Winter’s The First Album roars with the raw power of late-1960s blues rock. Originally released in 1969 and later reissued on Blue Sky Records, it captures Winter’s blistering guitar work and soulful vocals at full throttle. Tracks like “Be Careful with a Fool” and “Leland Mississippi Blues” showcase a master redefining electric blues for a new generation.

Thumbnail of JOHNNY WINTER - Progressive Blues Experiment Sunset Liberty album front cover
JOHNNY WINTER - Progressive Blues Experiment (Sunset Liberty)

Johnny Winter's "Progressive Blues Experiment" is a 12" LP vinyl album released on Sunset Liberty Records with the catalog numbers Sunset Records SLS 50264, Liberty LBS 83 240 1, and LP 12 431. This album showcases Winter's innovative approach to blues music, blending traditional elements with progressive influences.

Progressive Blues Experiment (Sunset Liberty) 12" Vinyl LP